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Most Helpful Customer Reviews
29 of 31 people found the following review helpful:
4.0 out of 5 stars
Great performance, not-so-ideal recording technique.,
By JPH "JPH" (Crawley) - See all my reviews
This review is from: Great Recordings Of The Century - Rimsky-Korsakov: Scheherazade / Borodin: Polovtsian Dances ~ Beecham (Audio CD)
Sir Thomas Beecham's recording was my first Scheherazade CD. In many ways it remains an outstanding performance of Rimsky's beloved masterpiece. There is a pleasing suppleness to the musical phrasing, an irresistible propulsion from start to finish, and much attention to detail. Having had access to the CD section of a music library, I have hear many other Scheherazades and few, in my opinion, manage to even equal Beecham's reading. Mackerras' and Kondrashin's modern versions are its main rivals. Get all three of these if you can, each is indispensable in its own way.With regards to the recording acoustics, there has been an on-going tendency of lovers of Beecham's disc to proclaim its superiority over Mackerras, Kondrashin's or any other modern digital version by citing Beecham's attention to detail. In actuality that has a lot to do with the primitive closely-miked recording techniques employed by 1950s EMI engineers. As a result you get to oooh-and-ahh when you hear the delicious close-up bowing of the cellos and violas in the quieter passages of the first movement. However, when the rest of the orchestra (especially the brass) start joining in, you then realize (horrors!) the congested acoustics of this recording. Be not mistaken, this is a finely-reburbished 1950s recording, but it cannot touch the naturally distanced/proportioned, spacious acoustics of digital discs like Mackerras'. Do not be fooled, like some professional critics have been, that the wealth of close-up instrumental details available in Beecham's CD means that his performance is superior to modern CDs. (This is how we get all of this perpetuated rubbish that ALL vintage 50s CDs can never be surpassed. Hmph.) In summary, this vintage Scheherazade is one not to be without but ideally it should also not be the single version in your music collection. A finely recorded modern version of Scheherazade is also a must.
17 of 17 people found the following review helpful:
5.0 out of 5 stars
Extraordinarily charismatic,
By
This review is from: Great Recordings Of The Century - Rimsky-Korsakov: Scheherazade / Borodin: Polovtsian Dances ~ Beecham (Audio CD)
This review is basically the same as the one I wrote for an earlier CD
reissue of this fine recording. Now that it has been rereleased as a Great Recording of the Century, it will get the attention it deserves. Beecham's recording of Scheherazade has not been out of print ever since it was first released in 1958. It is quite simply the best recording of Rimsky-Korsakov's finest work. The sound quality of the recording is excellent for its time, and the engineers for the CD have done a good job. The Royal Philharmonic Orchestra plays fabulously well, and Beecham brings out all of the mystery, sensuality and barbarism that used to be associated with the Orient. The notes that come with the recording describe it best: "extraordinarily charismatic". It is not an exaggeration. No one does the violin solos better than concertmaster Steven Staryk, and Jack Brymer's clarinet solos are also brillant. As a bonus, this CD also has the best recording of Borodin's Polovtsian Dances I have ever heard. Unlike most recordings of these dances, excerpted from "Prince Igor", it includes the choral voices just as they are in the opera (in English, rather than Russian, though).
12 of 12 people found the following review helpful:
4.0 out of 5 stars
Fine Recording of a Familiar Chestnut,
By "clementi33" (Broward County, FL) - See all my reviews
This review is from: Great Recordings Of The Century - Rimsky-Korsakov: Scheherazade / Borodin: Polovtsian Dances ~ Beecham (Audio CD)
Sir Thomas Beecham was well-known for his fondness for colorful music. He was outstanding in French and Russian repertoire (as well as in Sibelius, of course). This is probably the finest available recording of Rimsky's often-recorded chestnut (competition includes Ansermet's famous account on Decca), though the 1950s sound isn't quite up to some recent accounts by Russian orchestras. All in all, though, this is highly recommended,and the mid-range price makes it very attractive.
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