Customer Reviews

The Great Summit: The Complete Sessions

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Collaborations can be tricky things. Once in a great while two artists - people with no prior connection to each other and no plans of ever working together again, from different countries, cultures, generations - step into a studio and create magic. The place lights up, the combo gels, and a best-of-genre level record is produced. John Coltrain/Johnny Hartman, Ella Fitzgerald with Louis Armstrong, Getz/Gilberto, Sinatra/Jobim, Oscar Peterson with just about anyone.

Other times what seems like a natural pairing leaves both parties looking worse than they did when they went in; check out "Dylan and the Dead" if you dare.

And then there's sessions like Sinatra/Ellington or this one. Not great, by no means bad, not what they could have or should have been, and occasionally brilliant.

While Armstrong and Ellington are the twin towers of the jazz landscape, they are very different temperments. Louis is Storyville, exhuberent, red hot. Duke is Harlem Renaissance, sophisticated, cool blue. They don't always fit together, and the rest of the players are left to take sides.

The band is unfamiliar with the charts and Duke is unfamiliar with the band, so the composite rhythm section doesn't always click into place, and the tunes are somewhat under-rehearsed.

BUT...

When it works it really, really, really works. Black and Tan (the most New Orlean-sy sounding tune on the album) is remarkable, Beginning to See The Light makes you do just that, It Don't Mean A Thing is definitive, and I Got It Bad (And That's Not Good) may well be the best recording of anything ever.

Also worth getting for the premiere of Azalea, Louis's rewritten words to Drop Me Off In Harlem, and of course that second disk where the whole thing takes shape.

Don't miss it,this two CD set is one of the most indispensable purchase you have to do.There is some of the most talented,incredible,outstanding music here.This is the first real encounter between these two absolute giants,Louis and Duke,and also the last one,and jazz listeners had to wait until 1961 to hear this.Even if they met frequently since the thirties,they never really recorded together,and this time will be the last one (except for the soundtrack of the movie,"Paris blues").Before,they recorded a couple of tunes together ("Snafu"),but this is the ONLY album commited by these kings.Ellington was in a very rich period for five or six years (in fact,since Sam Woodyard took the drums chair;Sam's coming into Duke's band gave to this very somptuous orchestra the little something it needed).At the same time,Armstrong's career,after he recorded some inestimable albums in the fifties ("Satch plays Fats","plays W.C.Handy","the Good Book","a musical autobiography","Porgy and Bess"),Satch's career was going down slow,allways playing the same repertoire,and losing some of his greatest musicians.In fact,I think this is Louis Armstrong's testament,his last great record.No,this is not a great record;it's a terrific,outstanding,amazing moment of music,some of the greatest he ever blowed.My father owned this album,and I'm used to listen to it for more than 25 years.
The challenge was to make Duke Ellington meet Armstrong's band (Barcelonna,Kyle,Shaw,Young and Bigard,who spend many years in Duke's band,a long time before).The result is majestuous.Armstrong has allways been addicted to Duke's music,even if he rarely played his songs;and Duke has a rare opportunity to shine as a piano player (and he surely could !!!).
The first CD is made of master takes;it is almost impossible to make a choice between these 17 tunes.Louis' imperial talent shines from the first second to the last one.He plays with supreme majesty all through these tunes,and his voice may be at its highest level."I got it bad" is an indescriptible masterpiece;Louis plays some very simple phrases,and sings like nobody did;Duke's piano counterpoints are the essence of piano playing."Azalea" simply is one of the most magnificent tunes ever recorded,but we'll talk about it later."I'm just a lucky so and so" has some down home blues playing by Duke,and an infectious vocal part by Satch.Etc,etc.Each and every tune is at the same highest level.17 tunes,17 masterpieces;two LPs,or one CD,one of the ten records you HAVE to own.My only regret is that Duke couldn't go to the studio with is drummer,Sam Woodyard,who simply was one of the greatest drummers in the history of jazz.
The second CD includes tracks recorded during the rehearseals.And this is very interesting.It's terrific to hear how these guys could play a tune together.But the most interesting tune here is "Azalea".Just as Monk's unbelievable work on "'round midnight",issued on the CD version of "Thelonious himself":a study in progress.Duke wrote this piece in the late fourties,recorded it twice,and was never pleased with the result,because he wrote it with Armstrong in mind;now was the opportunity to have Louis playing this incredibly beautiful tune,and singing these improbable verses.And after a couple of false starts,and some vocal troubles,Louis manages to make this tune his own,and gave an immortal masterpiece.I mean,this is not a good tune,or a great one;this is one of the greatest masterpieces I ever heard in jazz.The version opf "black and tan fantasy" is magnificent,too,and here,Louis was confronted to Bubber Miley's version,recorded more than thirty years before,and which will never be surpassed.But Louis makes this tune his own,one more time,he doesn't use a plunger like Bubber did,and gives us a new conception of the tune.And what a majestic one !!!
This (or these,because they originally were issued on two separate Lps) record is an absolute must in every jazz lover's discotheque.It's one of the records I listen to very often (and I have some 6000 records at home);something unreal,some magical minutes in the musical career of two of the greatest kings of jazz,Louis Armstrong and Duke Ellington.

The BEST Jazz CD Set since "Ellington at Newport '56 [complete]" This is required music for any Ellington or Armstrong Fan. Armstrong's "All-Stars" really are impressive here. The best Non Ellington band ive herad play with Duke, ever. Trummy Young and Armstrong really do play some mean horn. Armstrong gives Duke lots of room to embellish (not something Ellington ever was fanatical about) and the whole set is a pleasure to listen to.

SUPERB!

Without question Duke Ellington and Louis Armstrong are the two most important figures in 20th century American music. Here they're joined together for a historic session, performing a solid set of Ellingtonian chestnuts. The sheer joy of these seminal figures playing together for the first and only time reaches out and grabs you. If listening to Satchmo sing Duke's Place or Don't Get Around Much Anymore doesn't get to you, then call the undertaker, cause you died sometime ago.

This is a recording you must have.It's Duke & Satchmo the most important people of (American music) and probably the most important of the old millenium together.If you listen to or collect great music ya gotta have a copy of Azalea.It is amazing!

This CD is the best Louis Armstrong CD ever. If you haven't already gotten Louis Armstrong Greatest Hits, I think that you should. The two CDs should be listened to together. The greatest hits CD is an introdution to Louis Armstrong and the complete sessions is an extension to a it for a more mature Louis Armstrong fan. This CD has it all from variety in music tones to harmony. A must for Louis fans.

The styles of these two masters blend remarkably well on this collection of Ellington tunes performed with a combo of Ellington's rhythm section and Louis' Allstars.Duke's elegant playing and arrangements stand out and Armstong's blowing is as strong and direct as ever. Somehow it all adds up beautifully. Every track offers something unique. The masters seem to energize each as well as the other featured musicians. Anyone interested in Jazz who doesn't already own this should not hesitate.

This set is a fan's dream and anyone else who enjoys great music. I'd write pages for a review, but to sum it all up just make sure sure you hear this recording! Should be in your collection!

This is, in my opinion up there with the greatest jazz recordings of all time. First, you've got the two greatest jazz musicians ever together, playing 17 charts like they are all new. I would pay the full 2-CD price for just the one cut , "Azalea", Duke Ellington's composition that definetely stands out as one of his best! And with Louis Armstrong's amazing virtuosity, one can't go wrong....

In the immortal words of Louis Armstrong I open this page. The two greatest and earliest practioneers of classic jazz together in a historic set that really compliments both artists as jazz musicians and performers. They both had the polished stage performas and were at times worn out creatively but here we find the two giants performing an all Duke set with drive passion and creativity that is the deffinition of jazz. Listen to Louis on "..Mellow Tone" and hear the essence of American popular music flow through his peerless horn. Ellington is the pastel portrait painter in musical sound-one can smell the magnolias and taste Louis' beloved red beans and rice in "Azalea." Yeah-Daddy-this is a set with historic recordings and the two greatest artist that ever practiced playing American music.