The Great Summit - The Master Tapes

Duke Ellington & Louis Armstrong | Format: MP3 Download

Product Details

• Original Release Date: March 3, 2003
• Release Date: April 1, 2004
• Label: BLUE NOTE
• Copyright: (C) 2000 EMI Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2000 EMI Records Ltd
• Total Length: 1:07:24
• Genres:
• ASIN: B000TENMV6
• Average Customer Review: 5.0 out of 5 stars  See all reviews (33 customer reviews)
• Amazon Best Sellers Rank: #12,913 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

69 of 70 people found the following review helpful:

5.0 out of 5 stars Why isn't this CD owned by everyone in all the world?, April 9, 2003

By 

William E. Adams (Midland, Texas USA) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: Great Summit: The Master Takes (Audio CD)

Oh, my gosh. Some dude nicknamed Duke plays piano on 17 of his own compositions. Featured is a trumpeter and singer nicknamed Satchmo, who brought along five of his band members. They recorded on two consecutive days in NYC in April, l961. They were geezers, and the record buyers were paying more attention to Miles and Coltrane and Brubeck at the time, although both old guys were still touring and pleasing audiences. Then Bob Thiele, a producer of all kinds of music, including Buddy Holly, but mainly a jazz expert, got Louis Armstrong and Mr. Ellington together at last. He couldn't get the whole Ellington Orchestra, so he compromised and got the Armstrong All-Stars as backup. The result is this total 67-minute masterpiece (and now a two-disc version as well, adding the rehearsal takes.) If you claim to love American music, buy one of these darn sets as quickly as you can. The sound is superb, the performances divine. If you don't love this, e-mail me and I'll buy your copy at a discount. But check for a heartbeat, because you may be dead and not realize it. This is the jazz pioneers' version of "Kind of Blue" in my opinion. The CD deserves much wider notice than it gets. Originally released on the small Roulette label, the album seems to have been overlooked even by Duke and Satchmo fans, which amazes me. If there are nearly 400 reviews of "Kind of Blue" posted on Amazon at this point, surely there should be 100 fans commenting on "The Great Summit."

18 of 18 people found the following review helpful:

5.0 out of 5 stars The Two Masters of 20th Century Music Together, January 28, 2005

By 

Tony Thomas (SUNNY ISLES BEACH, FL USA) - See all my reviews

This review is from: Great Summit: The Master Takes (Audio CD)

Norman Grantz who set up these dates was always casual and a bit cheap on production for the series of great ones together records he made. Many of these Louis with Ella or the Duke or whomever were done on a day or two's notice when Louis and whomever else Granz wanted him to record with happened to be in New York in the midst of touring.

Yet, for many of the artists, Louis and the Duke included, the natural chemistry that comes with genius, and knowledge of each other's work produced something great and new and wonderful. This is certainly the case here.

What is never said here, overlooked entirely, and can be a joy to the truth jazz lover is this is Louis's Swing Album. Louis transcends jazz genre to be sure, but I know of no Louis Armstrong album that is so much of a swing album. Thus it is to be studied or enjoyed or both as a special treat

You get things here that are simply not available anywhere else. There is never enough of Ellington playing piano solid with solos like he takes here, without the band being behind his driving rhythm, his subtle inflections, his commentaries.

On the other hand, there is very little of Louis playing and singing swing tunes as opposed to the New Orleans or Pop repertoire. For both Ellington and Armstrong there is hardly any other time when they are working together with an equal, perhaps only in the great Armstrong/Fitzgerald combinations, and in the live concerts with Ella that the Duke did do we find anything near an equal.

While I like Barney Bigard's work here, it really doesn't rise to the occaision the way that it sometimes did working with the Duke in the late 1930s, or some of his work with the all stars. Frankly, I think Jimmie Hamilton would have been more interesting here, helping the occaision be what it is, Louis showing he can swing too.

21 of 23 people found the following review helpful:

5.0 out of 5 stars As good as it gets, April 27, 2003

By 

Louis Gudema (Newton, MA USA) - See all my reviews
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This review is from: Great Summit: The Master Takes (Audio CD)

This is my favorite jazz CD, even better than Davis's "Kind of Blue," Armstrong's "Great Chicago Concert," Artie Shaw's "Highlights from Self Portrait," Sintra's "Songs for Swingin' Lovers," Ella (singing almost anything), and "The Complete Ella Fitzgerald & Louis Armstrong." Armstrong's All-Stars with Duke sitting in on piano, playing all Ellington. Great compositions with great improvisations.

Just listen to the five samples Amazon.com provides. "Cottontail" opens with consecutive solos by Ellington, the great Barney Bigard, Armstrong, and trombonist Trummy Young, then later features a great scat "verse" by Armstrong. Almost every one of the cuts is as strong.

This was the CD that brought clarinetist Barney Bigard to my attention. He played for years with Ellington's band, then with Armstrong's All-Stars, and I later read in Gary Giddins's "Satchmo" that Armstrong considered him the best jazz clarinetist he ever worked with. Listen to his solos on "Cottontail" (one is in the Amazon.com sample) and "Beautiful American", as well as his sparkling repartee with Armstrong on "In a Mellow Tone."

Buy it and enjoy -- over and over.