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Great Tales and Poems of Edgar Allan Poe (Enriched Classics) [Mass Market Paperback]

Edgar Allan Poe (Author)
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Book Description

Enriched Classics June 19, 2007
Enduring Literature Illuminated By Practical Scholarship

A collection of the Gothic master's classic works in prose and verse.

This Enriched Classic Edition Includes:

  • A concise introduction that gives the reader important background information
  • A chronology of the author's life and work
  • A timeline of significant events that provides the book's historical context
  • An outline of key themes and plot points to guide the reader's own interpretations
  • Detailed explanatory notes
  • Critical analysis, including contemporary and modern perspectives on the work
  • Discussion questions to promote lively classroom and book group interaction
  • A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.


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About the Author

Edgar Allan Poe (1809-1849) was an American writer, poet, and critic.  Best known for his macabre prose work, including the short story “The Tell-Tale Heart,” his writing has influenced literature in the United States and around the world. Visit him online at madcreator.com

Excerpt. © Reprinted by permission. All rights reserved.

The Tell-Tale Heart

True! -- nervous -- very, very dreadfully nervous I had been -- and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily -- how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees -- very gradually -- I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded -- with what caution -- with what foresight -- with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it -- oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly -- very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! -- would a madman have been so wise as this? And then when my head was well in the room, I undid the lantern cautiously -- oh, so cautiously -- cautiously (for the hinges creaked) -- I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights -- every night just at midnight -- but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers -- of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back -- but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened, through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in the bed, crying out -- "Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; -- just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief -- oh, no! -- it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself -- "It is nothing but the wind in the chimney -- it is only a mouse crossing the floor," or "it is merely a cricket which has made a single chirp." Yes, he has been trying to comfort himself with these suppositions; but he had found all in vain. All in vain; because Death, in approaching him, had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel -- although he neither saw nor heard -- to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little -- a very, very little crevice in the lantern. So I opened it -- you cannot imagine how stealthily, stealthily -- until, at length, a single dim ray, like the thread of a spider, shot from out the crevice and full upon the vulture eye.

It was open -- wide, wide open -- and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And now have I not told you that what you mistake for madness is but over-acuteness of the senses? -- now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! -- do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me -- the sound would be heard by a neighbor! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once -- once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye -- not even his -- could have detected any thing wrong. There was nothing to wash out -- no stain of any kind -- no blood-spot whatever. I had been too wary for that. A tub had caught all -- ha! ha!

When I had made an end of these labors, it was four o'clock -- still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, -- for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, -- for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -- search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: -- it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definitiveness -- until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; -- but I talked more fluently, and with a heightened voice. Yet the sound incre...


Product Details

  • Mass Market Paperback: 432 pages
  • Publisher: Simon & Schuster; 1 edition (June 19, 2007)
  • Language: English
  • ISBN-10: 1416534768
  • ISBN-13: 978-1416534761
  • Product Dimensions: 6.6 x 4.3 x 1.2 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #80,088 in Books (See Top 100 in Books)

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9 of 10 people found the following review helpful:
5.0 out of 5 stars Poe is the best, February 11, 2010
This review is from: Great Tales and Poems of Edgar Allan Poe (Enriched Classics) (Mass Market Paperback)
Edgar Allen Poe is the essential for any horror enthusiast. He was the true master of the macabre and his stories have a truth about them that reaches into everyone's mind and soul. If you are a student of horror then you need to take the time to research Poe. Every story and poem of his is a classic to be admired for the ages. Poe has undoubtedly unlocked realms he was not sure existed until his mind explored them. From his detective which started a new age of police work to the inner workings of ones mind that gave away his deep routed secrets.
The Raven is a piece of work that no matter who you start to speak the beginning to they will know the poem. The Murder of the Rue Morgue was a brilliant way to drag you through the crime scene and how he worked out the problem was intriguing. The Tell Tale Heart was a great way to interpret the way you are not safe even with ones own mind. The Pit and the Pendulum was his best way to keep you on the verge of suspense.
I would recommend that you read everything that Poe has written and that you read it more then once.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars GREAT, MOST OF THE BEST ONES, June 25, 2010
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AL (Waverly, Tenn) - See all my reviews
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This review is from: Great Tales and Poems of Edgar Allan Poe (Enriched Classics) (Mass Market Paperback)
I got this book because I wanted to read certain of the Poe stories, such as THE BLACK CAT, PURLOINED LETTER etc. This book is just right for that intended purpose as it contains most of his most famous ones. Also my eyes are old & I was happy that the print is a reasonable size. Great book if you are interested in the stories it contains. If you want to read all of his stories, "the complete
stories" books are also available.





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5.0 out of 5 stars Master of the Macabre, July 21, 2011
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Lane Harmon (White Plains, NY) - See all my reviews
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This review is from: Great Tales and Poems of Edgar Allan Poe (Enriched Classics) (Mass Market Paperback)
Mr. Poe was messed up in his personal life, but he could write...and he knew how to disturb! It's said some of the tales in this collection are what modern writers of horror base their own works on, Poe was that good. The short story "Dolan's Cadillac" by Stephen King is just one example of Poe-inspired writing.

It's a great compilation at an affordable price, and would be a good addition to the library of any classic works enthusiast.
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Edgar Allan Poe, Massa Will, Prince Prospero, Quoth the Raven, The Parisian, Lady of Tremaine, Roderick Usher, Sullivan's Island, Purloined Letter
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