Let The Great World Spin [Hardcover]

Colum McCann (Author)

Product Details

• Hardcover
• Publisher: HarperCollins Publishers. Toronto, Canada; 6th edition (2009)
• ISBN-10: 155468482X
• ISBN-13: 978-1554684823
• Product Dimensions: 9.1 x 6.2 x 1.3 inches
• Shipping Weight: 13.6 ounces
• Average Customer Review: 4.0 out of 5 stars  See all reviews (371 customer reviews)
• Amazon Best Sellers Rank: #3,234,029 in Books (See Top 100 in Books)

More About the Author

Colum McCann is the internationally bestselling author of the novels Zoli, Dancer, This Side of Brightness, and Songdogs, as well as two critically acclaimed story collections. His fiction has been published in thirty languages. He has been a finalist for the International IMPAC Dublin Literary Award and was the inaugural winner of the Ireland Fund of Monaco Literary Award in Memory of Princess Grace. He has been named one of Esquire's "Best and Brightest," and his short film Everything in This Country Must was nominated for an Oscar in 2005. A contributor to The New Yorker, The New York Times Magazine, The Atlantic Monthly, and The Paris Review, he teaches in the Hunter College MFA Creative Writing Program. He lives in New York City with his wife and their three children.

Customer Reviews

Most Helpful Customer Reviews

645 of 679 people found the following review helpful:

5.0 out of 5 stars Do "Things Arise Out of the Ashes of Chance" or are They Meant to Be?, May 3, 2009

By 

Bonnie Brody "Book Lover and Knitter" (Port St. Lucie, FL) - See all my reviews
(VINE VOICE)    (TOP 100 REVIEWER)   

This review is from: Let the Great World Spin: A Novel (Hardcover)

(What's this?)

This is a brilliant book; lyrical, poignant and powerful. It is that rarest of books, the kind that you know will reside inside you for a very long time and will have changed you in some profound way that words can not address. It is a book that, when you reach the last page, will leave you feeling stunned and not sure whether to take a deep breath to digest it all or turn to page one and begin all over again.

In a sense this book is an homage to the city of New York. It begins with a true historical event, when Philippe Petit walked a tightrope between the twin towers of the World Trade Center in 1974. It is a marvelous sight. It was "one of those out-of-the-ordinary days that made sense of the slew of ordinary days. New York had a way of doing that. Every now and then the city shook its soul out. It assailed you with an image, or a day, or a crime, or a terror, or a beauty so difficult to wrap your mind around that you had to shake your head in disbelief". (p.247)

Several people look up to see this tight-rope walker and this shared act of perception is the glue for this book. In some way, each of their lives are inter-connected and will remain connected through time.

There is Corrigan, very religious in a social/political/and theological sense, who is struggling between his faith and the woman he loves. Corrigan's love is a Guatamalan nurse, hoping that he will choose her over his God. Ciaran, whose life is in flux, is Corrigan's brother. Tillie is a prostitute in trouble with the law and hoping that the legacy of prostitution will not be passed down to her granddaughters as it has been to her daughter. Claire lives on Park Avenue but also lives in a world of grief, forever mourning her son who died in Vietnam. Gloria is Claire's friend who has also lost sons in the war and wakes up every day to the violence of the Bronx city projects. Soloman is a judge, Claire's husband, who has lost his idealism as he deals with the criminals in his courtroom and tries to please the bureaucracy he is a part of. And then there is Lara, attempting to rebuild her life after a tragedy forces her to look more closely at herself.

The book deals with two very powerful themes. One theme is that things occur by utter chance. "Things happen. Things collide". (p.133) There is also the idea that things might happen for a reason.

"We have all heard of these things before. The love letter arriving as the teacup falls. The guitar

striking up as the last breath sounds out. I don't attribute it to God or to sentiment. Perhaps

it's chance. Or perhaps chance is just another way to try to convince ourselves that we are

valuable." (p68)

In this novel, the inter-connectedness of people and events is played out in a way that could be interpreted as either eerie, spiritual, or just plain chance. New York is there, always, in the background. It is a city of crime, love, hate, justice, peace, war and beauty. The city is personified to contain just about every human emotion I can think of. The people are a part of this city and they, too, are a mixture of good and evil, beauty and ugliness. As McCann says in the book, people can be half good sometimes, a quarter bad at other times, but no one is perfect.

This book is near perfect. I found the first 25 pages a bit slow but don't let that stop you. This book is a treasure, one that opens up more and more with each page. It is one of the best books I have read in a long time.

123 of 134 people found the following review helpful:

5.0 out of 5 stars A Startling Portrait of NYC in the 1970s, July 14, 2009

By 

B. A. Chaney (Baltimore, MD USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Let the Great World Spin: A Novel (Hardcover)

(What's this?)

Colum McCann's "Let the Great World Spin" follows the lives of a group of individuals immediately before and after Philippe Petit walked a tightrope between the World Trade Center on August 7, 1974. Although the book does not feature Petit as one of its central characters, the lives of all of the main characters intersect with Petit's walk in a key way, creating a neat puzzle around the event. The book looks at people from all walks of life in NYC in the 1970s--from Bronx hookers to a Park Avenue matron. As the lives of each of these people comes together you wonder who will survive this vicious city, where people and souls seem to be eaten alive.

This was the first work I had ever read by McCann, and wow, was I impressed. McCann is a master storyteller and the way he weaves words together creates such vivid pictures, you feel like you can smell the smoke from the burning Bronx. While this novel wasn't my typical style--it is much darker and rawer than what I typically read--McCann's literary gifts can only leave a reader in awe. I did have a few problems with the structure of the novel--the jumping from character to character sometimes felt jumpy and abrupt, but I think this technique was intended to jar the reader--mimicking the realities of life in 1970s New York. The ending also felt out of place to me.

While this is not exactly light summer reading, I would definitely recommend this book to fans of great english literature. This work has marked McCann as one of the greats of the modern world, and I can't wait to see what else he produces.

58 of 61 people found the following review helpful:

5.0 out of 5 stars Highly Recommended, July 25, 2009

By 

Mary O. Garm "mairzydoats" (Forest City, PA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Let the Great World Spin: A Novel (Hardcover)

On the morning of August 7, 1974, Philippe Petit strung a wire between the new, not entirely occupied, twin towers of the World Trade Center in New York City. He proceeded to step out onto the wire, a quarter of a mile above the pavement, and walk across, eight times, for a period of 45 minutes, while office workers, commuters, and police looked on in wonder, admiration, and consternation.

Colum McCann tells the story of this aerial crime, enriching it with the stories of ten people who saw or were affected by the aerialist's action that day, including an Irish-born "street priest" in the South Bronx and his brother; Petit's sentencing judge, his wife, and son; mother/daughter hookers; and computer programmers on the West Coast. The reader is treated to a series of narratives that could stand alone as short stories, but that are, in the end, interconnected on the day of Philippe Petit's performance.

The novel introduces a stunning variety of social and historical issues that played out in the decade of the 1970's. The breakdown of social class is seen in the coming together of a group of mothers, mourning the loss of their sons in the Vietnam War, while celebrating their lives. The effects of poverty and drug addiction on women and children are illustrated by the "family business" of prostitution. The power of interlinked computers and telecommunications was in its infancy and creating excitement among the programmers who were thinking and dreaming big. The Vietnam War, moving towards its close in 1974, divided friends and family in New York City and elsewhere. The World Trade Center towers, newly constructed and occupied, represent a beginning in this novel, rather than the iconic destruction and terror we associate with them today.

Reading this novel, I was struck by the vast changes in communication between 1974 and the present. The Manhattanites on the sidewalk looking up at Petit paused in their busy lives to try to figure out what was happening 110 stories above them. They could not check CNN or their smart phones, as we would do today. They couldn't go online when they got to work to learn about what they'd seen. Computer programmers on the West Coast, who heard rumors of Petit's stunt, hacked into the phone system and began calling pay phones in New York City, hoping someone would pick up and tell them what was happening. In the era of the 24-hour news cycle and the Internet, it is hard to imagine how slowly, just 35 years ago, a sensational story could develop.

This book is extraordinary -- for its writing, for its depiction of 1970's New York, and for the way it captures the emotions of the lives being lived in its pages.