Customer Reviews

Greatest Hits

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3 star:		(1)
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This album with a different cover (a barren tree, stone wall, stormy clouds) but identical track listings was issued in Ireland 1996 by K-Tel in its Celtic Collections series. Often the same 12 tracks have been issued as "Greatest Hits" and "Celtic Collections: Horslips" (K-Tel Ireland) "The Very Best of Horslips" and "[The] Horslips Greatest Hits." These are not the re-mastered, band-approved recordings that Horslips began issuing in the new century. Worth knowing, for many packagings of this pioneering band exist. "Greatest Hits" may be hyperbole, but Horslips could conjure up at their strongest truly stirring and naggingly unforgettable (in the true sense) hard rock/prog folk.

Horslips after decades of legal battles has re-released re-mastered versions of all their albums, the good, the bad, and the blah. I have all of their LPs, and some of these on CDs issued during said legal limbo (I apologize to the band, but I am a loyal fan, and there was no way of knowing especially in faraway lands about the band's being ripped off by their labels back in the 80s when I bought 'em.) If you live in America, these new issues are pricy beyond even what import CDs typically cost. So, in the meantime while you save your dough, this is a great appetizer and a fine introduction to lure new listeners. Despite what sounds a dubious K-Tel compilation, you get here a good case made for what the cover calls "the ultimate folk-rock album."

From their first album, "Happy to Meet": "An Bratach Ban." The Irish journalist (and former beau of Sinead O'Connor) John Waters wrote that when he heard this, he thought of what Irish music could have been like if the past 800 years of British rule had never happened. That is, how Irish music might have sounded if it had been exported and crossbred. This melds a reggae-ish bass & drum rhythm to a hoedown C&W banjo break atop Irish trad-meets-sprightly folk, not to mention Irish-language lyrics. Surely a unique song, and a catchy one, as are all on this album.

Four strong songs from "The Book of Invasions" and two from "The Táin" sample their two best LPs, those joining ancient legends with hard folk-rock akin to a prog-Tull blend circa mid-70s. Even their last album, the failed "Short Stories," gives the decent track "Guests of the Nation," although why this shares the title with Frank O'Connor's heartrending story from Ireland's war for independence eludes me. "The High Reel" also shows C%W and American folk's Irish roots well, and is a cut not on any of their studio CDs, only on the odds-and-sods "Tracks from the Vaults." From the first of their two humdrum stretches you get a fine trad version of "King of their Fairies;" their later lurch towards stadium rock anthems gives the bold "The Man Who Built America" title track (too many whirling keyboards for me, but it does stick in your memory) while the transitional, very Tull-sounding (not only to me) "Aliens" provides another trad song done heartily, "Speed the Plough."

Like I said, this is the most inexpensive assortment of Horslips available, and if you live outside Ireland or Britain, I recommend it, but warn you that you may well wish that you could easily afford their albums proper. But read carefully before buying them, as the band made very good albums yet at other times quite dull albums, although their knack for memorable tunes never completely failed them even in their two fallow periods amidst their more Irish-trad themed fertile sonic harvests. Literate, ambitious, clever music, they were Ireland's first DIY rock band, and future generations surely took notice of them in the mid-70s.

The great Irish rock group Horslips were the first group to successfully meld traditional themes of Celtic music with rock and roll. Long before the current "new wave of Irish rock and roll", long before Thin Lizzy, or Stiff Little Fingers, or U2, or The Cranberries, or the Pogues and Shane MacGowan, there was Horslips. Their glorious renderings of the Irish and Irish-American experience are captured in such songs as "The Man Who Built America," "The Power and the Glory," and "Trouble (With a Capital 'T')," all of which were minor FM radio hits in the mid-to-late '70's. The only possible misgiving to be had with this disc is that it's missing "Loneliness," which is without doubt the most joyous song you'll ever hear about the title condition. Happily enough, that particular song can be found on the re-release of the band's classic recording "The Man Who Built America."

Hey! I just discovered this band. I love how their music feels likes it's coming from another world. It reminds me of Outgrabe. When I'm listening it helps me get out of my same-old same-old headspace and dream. Really dream

Man! I remember, back in the day, pogoing to "Dearg Doom" in the Aula Maxima at UCG. So, there's something I love about this album.

Then, right next is "The Man Who built America." Were two songs ever more different? And that they came from the same group. Obviously they changed over time.

Anyway, point being that this is a collection of songs in a bit of a random order, that might be a bit confusing if you're meeting the band for the first time. Knowing the band, well, it's a collection of old favorites, as comfy as old slippers.

If you're a Horslips fan, not to be missed.

It's hard to know how well this represents the band's best as my only familiarity with them comes from Aliens, but it seems to be a decent representation of their work. Quite a bit softer than contemporaries Thin Lizzy, Horslips did not stray too far from a basic formula of adding some rock to the traditional vibe of Celtic music. Some pretty straight forward fiddling mixed in with rhythm guitar seems to be the tone and the singing, while not distinctive, is pleasant. This is of interest if you are intrigued by how the transformation of traditional music to its rock hybrid developed.

I got this CD because I had recently heard a cover of the Horslip's song "Dearg Doom" from my favorite band, the Lord Weird Slough Feg. I have to say that I was very disappointed with how bad that song sounds on this album, where it's choppy and muffled. The cover is far superior.

Even though this style of music isn't really my thing, though, the rest of this album is darned good. There are a few really good songs, like "Trouble", "Power and Glory" and "Guests of the Nation", and a few really lousy songs, the last three songs on the album really sticking out in that category, but the former far outweigh the latter.

This is my first experience with this band, and I have to say I'm impressed. If I were to get any more from this band, I'd have to do some research since most of the songs that I really enjoyed all sound like they came from the same album, but for the price, you can't beat this. All of the other Horslips albums are a lot more expensive.

I really enjoy this album. Generally, it contains all the features of Irish folk music, but with a pop/ rock frame. Some of the chorusing sounds repetitive and dated, but this is more than compensated by their "feel good" factor.