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Most Helpful Customer Reviews
36 of 37 people found the following review helpful:
5.0 out of 5 stars
Guitar Trilogy: Clapton-Beck-Page,
By
This review is from: "The Yardbirds - Greatest Hits, Vol. 1: 1964-1966" (Audio CD)
This collection kicks of with "For Your Love," the Yardbirds' highest charting U.S. single (No. 6) and the song that led to the resignation of lead guitarist Eric Clapton. Despite Clapton's early exit from the band (March 1965), he appears on nine of the eighteen tracks. He especially shines on the final three tracks taken from Five Live Yardbirds. Listen especially to Clapton's guitar and Keith Relf's harmonica interplay on the nearly six-minute version of Smokestack Lightning!Clapton's replacement wasn't too shabby either. Listen to Jeff Beck on their rave-up of Bo Diddley's "I'm a Man" where Beck and Relf do a guitar and harmonica call-and-response. For a time the Yarbirds boasted the twin-guitar attack of Beck and Jimmy Page (although Page is not featured on this collection). All told, this is amazing music. My only complaint is that it doesn't include "Over, Under, Sideways, Down"--one of only six singles the band had in the U.S. [For that matter, this set also omits the Yardbirds' last top 40 hit, "Happenings Ten Years Time Ago." To get these two songs, buy the equally amazing Yardbirds' album Roger the Engineer.] ESSENTIAL
11 of 12 people found the following review helpful:
5.0 out of 5 stars
Indispensable,
By El Lagarto (Sandown, NH) - See all my reviews
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This review is from: "The Yardbirds - Greatest Hits, Vol. 1: 1964-1966" (Audio CD)
In 1966, Michelangelo Antonioni released a highly controversial movie called Blow Up. Set in London, the film starred David Hemmings, Sarah Miles, and a young, and exquisitely beautiful, Vanessa Redgrave. Thomas, (Hemmings), lives a fast, ultra-hip existence and at one point finds himself in a wild, psychedelic nightclub. It's loud, it's cookin', and on the bandstand Jeff Beck, Jimmy Page, and the other birds are rippin' up a version of The Train Kept A Rollin' which had been slightly altered for copyright reasons. The live energy is absolutely explosive; high voltage, raw electric blues like that was simply unknown back then.This CD chronicles the most important years in the short, but sparkling, career of a hugely exciting and influential band. When you consider that this music was recorded over 40 years ago it's easy to understand that, at the time, it was as revolutionary as the arrival of Hendrix. More remarkable still, the music sounds as great today as when it was released, full of edge, authority, and bite. Sure, there are clunkers that probably sounded dated even when they were released, You're A Better Man Than I finds the Yardbirds adopting a pious, and highly inappropriate, idealism while Still I'm Sad would have been better left to the Moody Blues or some other clinically depressed outfit. Putty (In Your Hands) is cute - a word that damns it - just too close to early Beatles for comfort. Pretty much everything else is fast out of the gate and hot as Georgia asphalt in August. I'm Not Talking is a perennial favorite of mine, as are The Train Kept A Rollin', Smokestack Lightning, Evil Hearted You, Heart Full Of Soul, I Ain't Done Wrong. The Yardbirds definitely had their limitations, Keith Reif is a mediocre vocalist - compare him with what the Beck/Stewart match up on Truth sounds like. And this whole "guitar academy" factor everybody likes to cite - Clapton, Beck, Page - actually stood in the way of The Yardbirds ever coalescing as a group. However, they did manage to keep it together for a while, and in doing so, accomplished something artists rarely achieve, they produced music that was genuinely new and good enough to stand the test of time.
9 of 10 people found the following review helpful:
5.0 out of 5 stars
Excellent best-of,
By Trevor Seigler (South Carolina) - See all my reviews
This review is from: "The Yardbirds - Greatest Hits, Vol. 1: 1964-1966" (Audio CD)
As I stated in my review of the "Live Blueswailing" CD, I prefer the Clapton-era Yardbirds, and was hoping to find "Five Live" at the mall or something after Christmas. Unfortunately I couldn't find it, but I did pick up this eighteen-track compilation yesterday and am quite pleased. Ranging from the time just before Eric Clapton left to the earliest Jeff Beck material, this CD is a nice mix of the two threads in the Yardbirds' music: a reverence for the R&B standards they perfected with a desire to branch out commercially. While not every song is an absolute winner, there's more than enough to make this a great purchase for any Yardbirds fan.
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