One of Austria's most prominent and controversial writers, Jelinek won the Nobel Prize for Literature in 2004; film aficionados will recognize her as the author of
The Piano Teacher (1983; Eng. trans., 1988), which inspired Michael Haneke's darkly intense film of the same name. Here, Jelinek tells the story of a debt-ridden, small-town policeman who cynically seduces lonely women to separate them from their real estate, violating them emotionally and sexually in the process; when a teenage girl turns up dead, the policeman's scheme unravels, and the true depth of his all-encompassing, life-denying greed emerges. Sandblasting her characters with a relentless stream of linguistically sophisticated contempt, Jelinek again explores some of her perennial themes, including pervasive loneliness, the ubiquitous ugliness of sexual relationships, and the tragedy of environmental destruction. But she also steps outside of her narrative, implying that textual relationships may also be complicit in the web of exploitation. An original and provocative condemnation of much that other novelists deem sacred, it may also attract Pynchon and Barthelme fans looking for a new challenge.
Brendan DriscollCopyright © American Library Association. All rights reserved
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Review
"'A portrait of repressed female sexuality and a damaged psyche, The Piano Teacher glitters dangerously' Observer 'In this demented love story the hunter is the hunted, pain is pleasure, and spite and self-contempt seep from every pore' Guardian (on The Piano Teacher) 'There's no denying the chilly confrontational power of [The Piano Teacher]' Herald 'With all the stark immediacy of Burgess's A Clockwork Orange, Jelinek weaves a spell that is both enchanting and terrifying' Blitz (on Wonderful, Wonderful Times) 'Lust is intricately written with a tumbling pace, sustained and effective word-play and plenty of sharp, cynical authorial observation. More than good' The List"
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