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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Ambrosia of the Gods, March 16, 2010
This review is from: Greek Street Vol. 1: Blood Calls for Blood (Paperback)
Peter Milligan's new Vertigo title Greek Street is purportedly a modern retelling of classic Greek mythology. Purportedly is the salient word here as the association to those legendary fables primarily comes down to patent variations of characters' names more so than literal updating of celebrated storylines. Among the identifiable analogues on stage are Eddie (Oedipus), Sandy (Cassandra), Lord Menon (Agamemnon), and a family of Fureys (Furies) to name a few. Alas beyond that the correlation is dubious with much creative leeway being adopted, which isn't necessarily critical, but diminishes the key selling point of the entire series. Certainly there are recognizable plot elements on display fittingly prefaced via narration as in proper Greek tradition. The main protagonist Eddie indeed sleeps with his mother and Sandy plays the part of omniscient yet ignored oracle, but here she is Lord Menon's daughter, not lover, and the Fureys are a family of crime committing offenders instead of a unit of sin punishing avengers. With its' limited effectiveness in providing the reader with the literary stimulation of uncovering who is who in their respective roles, the responsibility falls on the intrinsic merits of the story itself to attain its' grand objective, and here is where the book is found wanting. Significant Greek themes like tragedy and betrayal will undoubtedly be explored, but without a closer and more faithful relation to the original myths, the loose and cluttered premise plus overall unremarkable writing in general may not be compelling enough to warrant continued commitment to the series.
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2 of 3 people found the following review helpful:
2.0 out of 5 stars
Name recognition, April 6, 2010
This review is from: Greek Street Vol. 1: Blood Calls for Blood (Paperback)
It is very interesting that I agree with most of the points with the review of AeroRep, but none of them make me think it is a four star book. Actually, I could not find anything that is complimentary in his review, but hey, maybe it's just me. In my opinion, it would be something closer to 2 stars, mostly because of the excelent art of Davide Gianfelice, creating a very engaging atmosphere. There is a lot of name dropping, enough to call your atention and to make sure this is a greek tragedy. I thought there are a few loose ends, some actions of the characters seems without reason, and others seem without purpose. But since this is the first volume of an ongoing series, it may be too soon to make a final judgement.
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5.0 out of 5 stars
Comic Tour De Force, October 1, 2010
This review is from: Greek Street Vol. 1: Blood Calls for Blood (Paperback)
This is why I read comics! Peter Milligan takes the classic Greek Tragedies and puts them in the present, in a noirish London street. Beyond the brilliant high-concept idea, the execution is nearly perfect. Whether you've studied the classic Greek dramas or not, this story will blow you away.
I had to re-read the first chapter because I was so astounded by what I should have seen coming. Only in the modern milieu of gritty urban life can we see how amazingly depraved the original greek stories were. Its a bit like reading Crumb's version of the Bible. Only in graphic form do you realize how twisted the stories are. Sure, some of the allusions are a bit too "on-the-nose" but Milligan is just hammering home his point for those that have never read Oedipus or Agamemnon.
The artwork pops in this volume as well, perfectly portraying a seedy, dark, sexy vision of the urban underworld. The use of colors- vibrant reds, purples and oranges create an ominous mood. I haven't been this excited and surprised by a book since "Fables" or "Last Man."
This book just sizzles!
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