From Publishers Weekly
Rohrer won the National Poetry Series 10 years ago with
A Hummock in the Malookas; this fourth book of poetry follows hard on the heels of
Nice Hat.
Thanks, his comic-verse collaboration with Joshua Beckman. Though it includes serious ecological themes (notably in "Hone Quarry," a series of 56-syllable stanzas about a camping trip), this wary, slippery new volume's dominant notes are deadpan humor and bleak nonstop irony. "No one watches over us unless our uncles/ are flying planes," Rohrer warns in "I Hail from the Bottom of the Sea, the Land of Eternal Darkness." Another long poem, "MK Ultra" (named for the CIA's infamous LSD tests), shows a "patron saint of corridors" chowing down on "the most/ gorgonzola he'd ever eaten." If Rohrer sometimes seems (like James Tate) out to entertain, he also (like Tate) tries to learn from Eastern Europeans, whose juxtapositions poked fun at the absence of God, or described life inside a police state. On occasion Rohrer captures not just their humor but their urgency. Much of the volume, however, ends up so committed to its self-conscious stance that the poems have time for little else: with lines like "I want to be an interesting story/ none of you really remembers," they're less Tomasz Salamun than David Letterman.
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Review
Equal parts punk rock and pastoral... a voice that seems unearthly in its ability to be detached and simultaneously tender. --
American PoetRohrer's poems run up the banner of hopefulness... a book of brash clamour and hard-earned joy. --
Judges' Citation, the 2005 International Griffin Poetry Prize ShortlistThere are poems in
A Green Light that can break your heart with their unexpected twists and turns. --
James Tate