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The Green Ray
 
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The Green Ray [Hardcover]

Jules Verne (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

June 1, 2003
When the Morning Post writes about the legendary Green Ray's elevating effects on the mind and soul, Helena Campbell vows to experience it for herself, postponing the wedding being forced upon her against her will. Together with her uncles, Sam and Sib Melville, she sets off on what becomes a near-epic quest. Joining them in the search are two would-be suitors for Helena, one an artist, the other an amateur scientist. Together, they will voyage to a distant shore--and beyond--braving hurricanes, testing their patience and resolve, and ultimately finding their own true selves. A Wildside Fiction Classic, long unavailable in any form.


Editorial Reviews

About the Author

Jules Verne (1828-1905) used a combination of scientific facts and his imagination to take readers on extraordinary imaginative journeys to fantastic places. In such books as " Around the World in Eighty Days, From the Earth to the Moon, " and " Journey to the Center of the Earth, " he predicted many technological advances of the twentieth century, including the invention of the automobile, telephone, and nuclear submarines, as well as atomic power and travel to the moon by rocket.
--This text refers to the Paperback edition.

Product Details

  • Hardcover: 128 pages
  • Publisher: Borgo Press (June 1, 2003)
  • Language: English
  • ISBN-10: 1592240356
  • ISBN-13: 978-1592240357
  • Product Dimensions: 9.4 x 6.1 x 0.6 inches
  • Shipping Weight: 13.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,514,698 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
3.0 out of 5 stars For Rohmer Fans, April 1, 2011
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This review is from: The Green Ray (Hardcover)
A Jules Verne love story from and set in the 1880s is unlikely to be of interest except those with an interest in period literature, or fans of what Eric Rohmer did with this tale in his 1986 film "Le Rayon Vert", and to which Rohmer most cleverly acknowledged.

Verne is no Jane Austin. There's no subtlety of character development. All of the characters are lacking in dimensions. His is an adventure tale. His tale is about a privileged young woman, Helena, who hears about the mystical properties of the green ray and with determination sets out to experience it, bringing family and servants along. Her relatives use the quest to further their matchmaking goal, to match Helena with the preposterously unsuitable Aristobulus Ursiclos. Through adventure, fate intervenes as a matchmaker, and a most suitable match results.

Rohmer takes most of the same ideas and retells this matchmaking story under greatly different conditions of social expectations in 1984 France. But Rohmer, in his own way, is a Jane Austin, and a much more fascinating and nuanced tale results. For those who were moved by that tale, the back story of Verne's novel is interesting, and illuminates Rohmer's genius.
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17 of 28 people found the following review helpful:
3.0 out of 5 stars Difficult Heroines Soak Summer's Last Rays . . ., December 24, 2003
By 
Robert Shuler (Friendswood, TX USA) - See all my reviews
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This review is from: The Green Ray (Paperback)
Verne's Helena hears of the Green Ray from a newspaper article. Delphine of French director Eric Rohmer's "Summer" hears friends discussing Verne's book. And so the book cannot help but be of interest to fans of Rohmer's eccenetric talkies. It is worth the read, but a few warnings might be in order.

Rohmer writes and directs in a post feminist age in which love is universally viewed as the perogative of the lovers, but in which its expression is so free and expected that nothing is clear to the lovers.

Verne writes to a rationalist age in which the attitudes of science and business are ascendant, romance is presumed to follow suit, and so love is not clear to anyone except the lovers.

Those expecting Verne to be writing about the lovers will be disappointed. Rohmer writes about lovers, and in retrospect it is easy to see how Rohmer got his idea from Verne. But Verne writes about social expectations and matchmaking. The irony is all the higher in realizing that Rohmer dwelt on the insights of the matchmakers in other movies, notably Autumn's Tale, but not in Summer.

Both heroines are annoying. Verne's is psychotically so. When compared with, say, a Jane Austen heroine, she is impulsive and one dimensional. But perhaps she is all that is required in a short moral tale. Because I expected more, and because the book is so dated in its context and references, I gave it only three stars, but fans of Rohmer's movie should add back one star. And students of romantic history, because of a rare reference to an old Gaelic tradition, St. Olla's Fair, apparently resembling the Roman festival of Lupercalia (pre-Valentine's), should add back another star.

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