Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured.
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MATTHEW TINKCOM is Associate Professor in Communication, Culture and Technology at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema (Duke University Press, 2002) and co-editor of Key Frames: Popular Cinema and Cultural Studies (Routledge, 2001). He is currently working on a book manuscript on the digital moving image and its relation to on-line queer discursive communities.
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