Product Details

• Actors: Grigory Sokolov
• Directors: Bruno Monsaingeon
• Format: Classical, Color, DVD, NTSC, Widescreen
• Language: English
• Region: All Regions
• Aspect Ratio: 1.77:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: IDEALE AUDIENCE INTL
• DVD Release Date: June 30, 2009
• Run Time: 123 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (17 customer reviews)
• ASIN: B0027DQHB4
• Amazon Best Sellers Rank: #88,153 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

GRIGORY SOKOLOV:LIVE IN PARIS - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

41 of 41 people found the following review helpful:

5.0 out of 5 stars Mix Michelangeli with Richter and you come close to Sokolov, January 31, 2005

By 

J Scott Morrison (Middlebury VT, USA) - See all my reviews
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This review is from: Grigory Sokolov - Live in Paris (DVD)

Grigory Sokolov was not particularly on my radar screen--I'd heard his CD of 'Art of the Fugue' only--until a friend lent me this DVD. But, boy, is he in the center of the scope now! This pianist is absolutely superb, and one of a kind I suspect. First of all, he reportedly does not make recordings unless they are done live and preferably in one take. He has not, as far as I know, ever been filmed before, certainly not by anyone as sensitive as music filmmaker Bruno Monsaingeon, whose Richter videos are well-known. This DVD is a two-hour recital filmed straight, with no editing other than for camera angle choices. There are really only a few stationary cameras, and generally each camera shot is a lengthy one so that there isn't the frenetic intercutting one so often sees, presumably to jazz things up a bit. We get plenty of close-ups of Sokolov's hands.

The program is strong. He starts with three early Beethoven sonatas, Nos. 9, 10 and 15, played without pause--that is, there are no breaks and no applause until the end of the third sonata. Sokolov is an extremely meticulous technician, but he is not mechanical in the least. Indeed there are what some might call rather many tempo and dynamic variations. But the overall results are powerful, sensitive and expressive readings of what are, after all, fairly early works that could be played as if by Haydn, and often are. The slow movements--two of them gorgeous sets of variations--are particularly effective. Sokolov's control is amazing. His legato is seamless and he seems to manage it without much finger-shifting. His attacks in fortissimi are frightening in their intensity and they are also absolutely spotless technically. This is what reminds me so much of Michelangeli. One has the feeling that every single note, transition, dynamic, tempo has been considered deeply.

After the interval comes a set of six dances by the single-named Armenian composer, Komitas (1869-1935; sometimes called Komitas Vartabed but born Soghomon Soghomonian). They are like nothing I'd ever heard before. They are based on folk melodies and are extraordinarily strangely laid out for the piano. The first dance, for instance, is played with the two hands entirely in unison but two octaves apart. Yet, there are diversions and interruptions in the line rather like what one gets in an unaccompanied violin piece, but not for counterpoint per se. Rather, the diversions are in the nature of imitations of percussion instruments or other indigenous instruments. The six dances taken together are hypnotic in their Near Eastern melos and fervor. I was really quite taken by them.

This, then, is followed by Prokofiev's Seventh Sonata in the most titanic performance I've ever heard. Richter is the only player who is in the same league with this one. The intensity of the attack is, again, frightening and if there were any dropped notes I certainly didn't catch them. In the gentler sections there is a passionate singing tone. The first movement is still resounding in my mind's ear.

There are several encores--Chopin, Couperin, the Siloti arrangement of Bach's B minor prelude, BWV855a--that round out a very satisfying evening. The recital was performed in the Théâtre des Champs-Élysée before a quiet but appreciative audience. Sound is lifelike.

Strongly recommended.

TT=123:02

Scott Morrison

22 of 24 people found the following review helpful:

5.0 out of 5 stars Sokolov Should Be A House-Hold Name: A Genuine Herculean Virtuoso, October 4, 2005

By 

Dr. Ervin Nieves - See all my reviews

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This review is from: Grigory Sokolov - Live in Paris (DVD)

This may be the most effortlessly herculean performance of piano playing I've seen on DVD. After playing three Beethoven sonatas in their entirety, Sokolov continues and delivers what amounts to three recitals at one sitting. But we are not talking merely of stamina here. Maestro Sokolov -- of whom I had never heard a word -- is unquestionably one of the world's best least-known pianist. His technique is far greater than Brendl's or even Kissin's (which would have been better had Kissin's teacher not failed to correct Kissin's improper claw-shaped hands). I haven't been as excited about a pianist since I discovered Arcadi Volodos. Sokolov's reclusiveness is certainly the reason he is not a house-hold name. Here is a genuine "maestro" or "grand maestro" of the piano of the highest level. Buy this DVD with your eyes closed. You will NEVER NEVER regret it. I value it amongst my favorite three or four DVDs -- and I've purchased almost every piano DVD/videotape on the market.

19 of 21 people found the following review helpful:

5.0 out of 5 stars Russian genius in appearance perpetuated by Monsaingeon, April 11, 2004

By A Customer

This review is from: Grigory Sokolov - Live in Paris (DVD)

Although Sokolov has gained recognition in recent years, he isn't nearly as well known as most of his present day competition, not to mention his Russian predecessors. This dvd, truly a welcome addition to the collections of a growing number of devout fans, is a must especially for its stupefying account of the Prokofiev sonata. The program is customarily as varied as Sokolov's approach to it - you'll think he's playing on different instruments shifting from Beethoven to Komitas, from Prokofiev to Chopin. If you don't like this dvd, chances are you're tone-deaf. Or perhaps just plain deaf. If you don't have it, buy it now!