As a magnetic short story writer, Gilb, winner of the PEN/Hemingway Award, becomes his compelling characters. As an arresting essayist, he is unabashedly himself, and his zest for life, passion for illuminating Mexican American culture, and seductive storytelling skills infuse his astute observations, reminiscences, and critiques with compelling energy and momentum. Here are candid and nimble ruminations on growing up
pocho, that is, Americanized, in L.A. as a mixed-race son raised by a beautiful, divorced, and much sought after Mexican mother. Here is Gilb working as a carpenter and watching the INS round up his fellow crew members; considering a gig writing for a TV crime series set in El Paso; praising Steinbeck; caring for his family; and watering the lawn outside his rented El Paso house because his convention-bound landlady refuses to acknowledge the absurdity of grass in the desert. It is, in fact, this very blindness to the true nature and significance of the land, people, Spanish legacy, and Mexican spirit of the Southwest that goads Gilb into writing his potent and clarifying essays.
Donna SeamanCopyright © American Library Association. All rights reserved
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Review
"Distinguished by honesty . . . bittersweet optimism,and plain good writing, these pages offer . . . much to admire." --
Kirkus Reviews"Gilb is able to illustrate lifes transforming moments with a delicate appreciation of their power and evanescence." --
The Washington Post (Praise for The Last Known Residence of Mickey Acuña)"Gilb knows the dirty secrets of man stuck in emotional exile. And he knows, too, the tools of revelation." --
Mens Journal (Praise for Woodcuts of Women)
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