Grizzly Man 2005 R CC

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Available in HD
(565) IMDb 7.8/10
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In this mesmerizing new film, acclaimed director Werner Herzog explores the life and death of amateur grizzly bear expert and wildlife preservationist Timothy Treadwell, who lived unarmed among grizzlies for 13 summers.

Starring:
Werner Herzog, Carol Dexter
Runtime:
1 hour, 45 minutes

Available to watch on supported devices.

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Product Details

Genres Documentary
Director Werner Herzog
Starring Werner Herzog, Carol Dexter
Supporting actors Val Dexter, Sam Egli, Franc G. Fallico, Willy Fulton, Marc Gaede, Marnie Gaede, Sven Haakanson Jr., Amie Huguenard, David Letterman, Jewel Palovak, Kathleen Parker, Warren Queeney, Timothy Treadwell, Larry Van Daele
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Customer Reviews

I'm glad we watched it but I'd suggest renting it, it's not something I need to watch again.
S. Apostal
Grizzly Man is Werner Herzog's 2005 documentary about Timothy Treadwell, a man who spent 13 summers in a National Preserve in Alaska living amongst grizzly bears.
Joshua Miller
Chances are, you already know how the movie ends but you have to see the movie to really understand the madness that is Timothy Treadwell.
Zoe Paris

Most Helpful Customer Reviews

40 of 42 people found the following review helpful By Richard A. Ellis on February 22, 2006
Format: DVD
Before I saw Werner Herzog's documentary, I couldn't understand why the commentary on Timothy Treadwell's grizzly bear project was so negative. After all, he put himself in danger to protect and photograph these creatures whom he obviously loved to obsession. Others will certainly have different reactions, but the film certainly changed my mind about Treadwell. Unfortunately, he comes across, at least as I saw him, as immature, paranoid, self-centered (his girlfriend Amie hardly even figures in his many hours of filming), somewhat psychotic and lacking even the basics of any scientific standards for research. As the movie progresses, skillful editing brings out what I believe to be Herzog's justifiably critical attitude. Treadwell's rants against the Park Service, non-existent poachers (the grizzlys actually have to be "trimmed" down each year), a large "enemies" list, and worst of all, at least aesthically, his romantic sentimentalization of the bears, and giving them cutsey names, reveals an advanced case of severe anthropomorphism. Herzog lets Treadwell indict himself on all these counts, which he does only too well. The project ended in two tragic human deaths, as well as two bears who also had to be shot. However, the film is not structured as simply an indictment of Treadwell, as vestiges of Herzog's admiration for the man do come through now and again. I think the merits of the film rest largely on this openness and reluctance to simply condemn Treadwell, as well as the well-justified reluctance of Herzog to sensationalize the story (for instance by not playing the tape recording of the mauling of Treadwell and his girlfriend). The film can lead reasonable people to many different interpretations of Treadwell's behavior, some very different than mine, and I think this nuanced ambiguity and refusal to make snap judgments is at the heart of why I think this is a very important film.
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78 of 87 people found the following review helpful By The JuRK on February 26, 2006
Format: DVD
I liked this movie but I have to agree with all the reviews (who rate it both good and bad) that say Timothy Treadwell is emotionally and mentally ill. It's true: the most amazing thing about his story was that he wasn't killed and eaten any sooner.

I sympathize with the family and friends for their loss, but I can't gloss over what a crazy, grandstanding and ultimately suicidal "mission" this was. He wasn't exactly Diane Fossey, who literally fought poachers off the mountain gorillas in Rwanda--these bears were in a state park.

Absolutely NOTHING in science or life tells Treadway or anyone else that it's safe to live with bears. He ventures into the wild and lives in a constant state of delusion, even as the bears kill and eat each other, his cute little foxes, the adorable little cubs. As Herzog points out, there's nothing to support Treadway's fantasy world of harmony in the bloody Alaskan wilderness.

GRIZZLY MAN is a fascinating story but I have to agree with the reviews which compare the interviews with BEST IN SHOW or A MIGHTY WIND.

(If you were fascinated by this story, check out the book INTO THE WILD, about another young man who disappeared and died in the Alaskan bush in an attempt to live off the land. GORILLAS IN THE MIST is both a book and a movie about Diane Fossey, another controversial person who fought on behalf of endangered animals).
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23 of 24 people found the following review helpful By Stuart Berman on February 25, 2006
Format: DVD
After reading some remarkable reviews of Grizzly Man and catching much of it on Discovery Channel, I was very interested in seeing the DVD. The film first appears to be a documentary about the misguided naturalist Timothy Treadwell who befriended grizzly bears in Alaska and was eaten alive in 2003 by one. As a local native points out, what Treadwell did was irresponsible in that he crossed the line that had been drawn 7,000 years ago between humans and grizzlies - that is to avoid one another and maintain a respect for the danger one another poses. Treadwell also claimed that he was protecting the bears but his death resulted in the doom of the bear that killed him. When Herzog samples the tape of Treadwell's last moments (along with his girlfriend's), Herzog advises one of Treadwell's surviving ex-girlfriends to destroy the tape and never view the coroner's photographic evidence - just the coroner's descriptions are enough to chill one to the bone.

The director, Werner Herzog demonstrates again what a master filmmaker he truly is. Herzog also created the film that Treadwell never made by editing hundreds of hours of footage into a film that tells the story Treadwell would have himself made. But Herzog does not allow the audience to be seduced into the sentimentalism that caused Treadwell's death - Herzog indeed interrupts Treadwell's narration and explicitly disagrees with the notion that animals and humans can live in a harmonious relationship and indeed shows the fact that the worlds of humans and bears are separate and there is little room for the intersection of the two.

The extended on the DVD is even more remarkable as Herzog demonstrates his depth of understanding as the soundtrack is scored.
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46 of 52 people found the following review helpful By Wayne W. on December 5, 2005
Format: DVD
I must admit that my first reaction to this film was not immediately positive; Herzog's presence seemed overbearing and intrusive, and Treadwell himself was a figure so tragic as to be somewhat alienating. And yet I found that, days later, I found I was still thinking about it, still mesmerized by the questions it raised. How truly unsympathetic was Treadwell? Should I be somewhat jealous of him, for all the joy and depth of experience he found in his work? I have, as few have, found little in life so enriching and gratifying as what Treadwell appeared to find in the wilderness; are thirteen summers of that worth an early, terrible end?

So I saw the film again; I recommend that others do the same, if they find themselves at all intrigued after the first viewing. And then I saw the film again, and again. What I found with time -- as I let it develop into an obsession -- was an incredibly complex artwork, capable of provoking rich and sometimes startling meanings.

At its core, I now understand Grizzly Man to be a document of the desperate search for kinship in an alienating world; an insight into what happens when, failing to find an object which fulfills our desires, we resort to projecting our desires onto whatever might hold them. For as Treadwell imagines the bears to be his companions, so too does Herzog attempt to imagine Treadwell as a filmmaker of his own lineage, a comrade in the struggle to capture beauty in a wild and unforgiving universe. Intentionally or not, Herzog's intrusion into this documentary comes to parallel Treadwell's own intrusion into the bears' wild habitat; and we come to realize that the strange and austere beauty he finds in Treadwell's footage is more Herzog's invention than it is a product of the man who captured the images.
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