From Jazziz
If you ever saw Barrett Deems perform, you knew right away what Louis Armstrong meant when he said, "Deems made coffee nervous." The man could not sit still - tap-tap-tap. Could not stop talking, fast and loud. Most of all, he could not stop banging his drums. Thank goodness. Deems passed away last September, at the age of 85, but not before he went in the studio one last time and recorded this disc, along with a hard-driving, smoke-blowing, sweet-swinging big band. And don't think for a second that old Deems was slowing down.He handles this band like a sports car, and there's no question who's in control. Listen to him sprint through Neil Hefti's "Cutie" - sticks shimmering along skins like a thousand rocks skipping water. Or if it's power you want, check out the way he storms through "Well Alright Then," a Louis Bellson tune. Deems never got the credit he deserved as drummer for Armstrong's All-Stars in the mid 1950s, and after completing his tenure in the band, he settled back in Chicago. Well, "settled" isn't the right word. He came back to town kicking and swinging and driving young musicians crazy with his relentless energy. This disc shows just how much spark he could generate with a band. With a nod to Basie, Deems likes to turn his reed section loose for a lot of rambling. When they snap to a halt, he often follows with a honey-toned ballad. On this disc, there are pretty standards, such as "'Round Midnight," and also the occasional surprise, such as "Can You Read My Mind?" from the Superman movie. As you might imagine, Deems pushed his soloists hard, too, and, on this disc, there are some wonderful performances by tenor saxophonist Frank Catalano, altoist Andy Farber, and trumpeter Manny Lopez. If the man had to go, this disc is a wonderful farewell. But, hell, you had the sense all along that Deems would keep the beat long after his heart quit thumping.
--- Jonathan Eig, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.