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When Red Garland was a member of
Miles Davis's band in the late '50s, Davis would regularly depart the stage to feature Garland in a trio format. He was a complete jazz pianist, able to find ideal chordal extensions to prod a soloist, to swing aggressively with block chords, and to string together single note lines with buoyant energy and a bright articulation. He was capable of real delicacy, but his playing never descended to the decorative. His regular trio featured bassist Paul Chambers, his gifted partner from the Davis quintet, and drummer Art Taylor, a rock-solid timekeeper whose balance of subtlety and drive also made him
Bud Powell's drummer of choice. Garland mated his harmonic sophistication to elements that communicated directly, his tunefulness, his rhythmic drive, and his vigorous roots in Texas and the Southwest blues traditions. They're evident everywhere here, from the medium-tempo swing of
Ellington minimalist masterpiece "C-Jam Blues" to the deep, melancholic blues that infuse "Willow Weep for Me." Garland's Prestige recordings of the late '50s are models for the piano trio in modern jazz, and
Groovy is among the best of them. --
Stuart Broomer
Product Description
2009 Limited Edition Classic LP's High definition premium vinyl pressing for super fidelity. 180 gram vinly audiophile pressing.
--This text refers to the
Vinyl
edition.