How to Grow a Woman from the Ground

Chris Thile (Artist)

Product Details

• Audio CD (September 12, 2006)
• Original Release Date: September 12, 2006
• Number of Discs: 1
• Label: Sugarhill
• ASIN: B000GY73HS
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (32 customer reviews)
• Amazon.com Sales Rank: #4,977 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #9 in	Music > Country > Bluegrass > Traditional
  #30 in	Music > Country > Bluegrass > Contemporary

Editorial Reviews

Amazon.com

What goes around, comes around. As the resident rock star in Nickel Creek (contrasting with the trio's more reserved Watkins siblings), mandolinist Chris Thile has sent his music soaring in surprising directions from its bluegrass base. Though this solo release finds him dipping into the songbooks of the White Stripes ("Dead Leaves and the Dirty Ground") and the Strokes ("Heart in a Cage"), much of the music sticks closer to tradition than Thile has in recent years. Among the highlights are an uptempo romp through Gillian Welch's "Wayside (Back in Time)," a pretty fair yodel on Jimmie Rodgers's "Brakeman's Blues," the close harmonies of the bluesy "If the Sea Was Whiskey," and Thile's original "You're an Angel and I'm Gonna Cry," classic country weeper. Five of the fourteen cuts are instrumental, with the opening "Watch 'at Breakdown" combining bluegrass instrumentation and jazzy sophistication, and "The Beekeeper" giving Thile's fingers a chance to fly. --Don McLeese

Customer Reviews

Most Helpful Customer Reviews

25 of 29 people found the following review helpful:

5.0 out of 5 stars Bluegrass, new grass, it's all good grass..., September 12, 2006

By	1969mets "Joe" (New York, NY) - See all my reviews

Think of all the bluegrass child prodigies that have crossed genres to create amazing music--Marty Stuart, Mark O'Connor, Ricky Skaggs, Alison Krauss. Now consider Chris Thile, who is on the verge of blowing them all away. This record is, perhaps, the finest "rock" album played on bluegrass instruments ever made. It's all here: impeccable musicianship, smart arrangements, bluegrass, jazz, a White Stripes tune, bla, bla, bla. This kid is growing fast, he has outgrown the grass, he has outgrown the wonderful Nickel Creek, there's no telling where he's gonna take this thing (Ornette Coleman?? Nicaraguan mountain music??) but I'd suggest you hop on right here and stay along for the ride.

16 of 18 people found the following review helpful:

3.0 out of 5 stars A Mix of Quality and Mediocrity, September 13, 2007

By	Aaron Rutledge - See all my reviews (REAL NAME)

To be blunt, I haven't particularly cared for Thile's recent, not-quite-successful synthesis of jazz, bluegrass, folk and alt/indie rock. I was excited to hear that Chris was trying to get back to his roots with this album, but am slightly disappointed with the net results. The reintroduction of the banjo, fiddle and upright bass, as well as the integration of more traditional tempos and melodies establishes that unmistakable bluegrass sound. However, this album lacks the grace and charm of Chris' work previous to the release of "Deciever". In my opinion, the drop in quality since "All Who Wander Are Not Lost" (NAWWAL) is due solely to Chris' new-found penchant for edgy, supposed-to-be deep lyricism. While the musicianship on this album is as good as it gets, and the song-craft is solid, I find that I find myself quickly annoyed with the psuedo-intellectual, self-involved tendencies embodied by the poetry. For whatever reason Chris has become enamored with the trendy "l'esprit" of the alt/indie rock scene, perhaps because it embodies all of the things he wanted to be, but never was, while growing up (i.e. cool, urban, hip, sarcastic, cutting edge, ansgty, controversial, ironic, etc). Personally, I think Chris' genius is confined to instrumentalism and song-craft. I enjoyed his forrays into jazz and classical musicianship on NAWWAL and believe that this is where he shines (by the way, The Beekeeper is my favorite song on this album). Vocally he has evolved a brash and confrontational style which comes off as grating to my sensabilities, and as a lyricist he has consistently disappointed me with an immaturity of content (though, apparently he has not disappointed others). To be fair, this work is five steps in the right direction since the release of "Deciever". While I am not overly impressed with this effort, I do recognize that many other people (including Chris) seem find it suitable enough. Like I said, its not really my cup of tea, but it will be interesting to see what Chris has in store for the future.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Solo wizard gets a band, September 19, 2006

By	Daniel A. Lewis (Logan, UT USA) - See all my reviews (REAL NAME)

Mandolin prodigy Chris Thile's last album, Deceiver, was a little off-kilter. He sang with himself and played every instrument on the album. What resulted was an almost private lyric in an unhappy marriage with merely average instrumentation (aside from the mandolin and a few other bright spots).

Deceiver is an illustration of Donne's axiom, "No man is an island, entire of itself," along with its lesser-known corollary, "so suck it up and get a band." How to Grow a Woman from the Ground provides the proof, QED.

Here, Thile is content to be first among equals. His emotional vision is intact, but he's brought in musicians to rival and even surpass the lyrics. With several covers and instrumentals, Thile is not a one-man show. He often takes a back seat to the awe-inspiring play of his bluegrass bandmates, and blends into the background on some great harmony singing.

I find it very difficult to single out songs for individual praise. I'm a fan of Wayside, The Beekeeper, and Heart in a Cage, but you'll have to choose your own. It's Thile's most complete album to date, and better yet, it sounds fun where Deceiver was merely earnest.

You'll listen to it over and over again.