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Guernica and Total War (Profiles in History)
 
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Guernica and Total War (Profiles in History) [Hardcover]

Ian Patterson (Author)
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

0674024842 978-0674024847 June 1, 2007 1st

One of the most horrific innovations of the twentieth century was the deliberate strategy of total warfare--the obliteration of entire civilian populations. The first and in many ways the most striking use of this extreme measure came nearly 70 years ago when the ancient Basque hilltop town of Guernica was destroyed by the bombs of the German Condor.

Ian Patterson begins with a graphic account of what happened in Guernica on April 26, 1937, and its place in the course of the Spanish Civil War. This event focused the spotlight of media attention on the town of Guernica, and established Picasso's painting as the most famous modern image of the horrors of war. Yet Picasso's Guernica was only one of a huge number of cultural artifacts--paintings, films, novels, poems, plays--to explore the idea of indiscriminate death from the air. From the Blitz to Hiroshima to the destruction of the World Trade Center to daily carnage in Darfur and Iraq, war has been increasingly directed against civilians, who constitute an ever larger proportion of its casualties. Patterson explores how modern men and women respond to the threat of new warfare with new capacities for imagining aggression and death. An unflinching history of the locationless terror that so many people feel today, Guernica and Total War will engage anyone interested in the survival of cultures amid the disasters of war.

(20070601)

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Editorial Reviews

From Booklist

Seventy years ago, the Basque market town of Guernica was almost obliterated as the German Condor Legion attacked from the air. Immortalized by Picasso's painting, the attack has come to symbolize the horrors of total warfare in the modern age, where civilians are regarded as legitimate targets. What makes this work particularly interesting is Patterson's effort to place the attack within the broader context of modern aerial warfare. How have nations' standards and attitudes evolved in their views regarding the acceptability of attacks upon civilians? How have governments reacted when accused of unwarranted attacks from the air? Most importantly, how have the potential victims responded to the constant fear that death and destruction could rain down upon them with little or no warning? Patterson writes in a clear, cogent style and handles these emotionally charged topics with necessary objectivity. Unfortunately, these are issues we are likely to be confronted with on a regular basis in this age of global terrorism. This title is part of a Profiles in History series that explores iconic events and relationships in history. Freeman, Jay

Review

This is potent stuff. Guernica symbolizes the ethical dilemma of modern warfare. Patterson is a masterful storyteller, who seeks to convey the experience of "the sky falling on one's head." He offers profound historical reflections as well as a thoughtful meditation on our own times.
--Joanna Bourke, Professor of History, Birkbeck College (20070730)

What makes this work particularly interesting is Patterson's effort to place the attack within the broader context of modern aerial warfare. How have nations' standards and attitudes evolved in their views regarding the acceptability of attacks upon civilians? How have governments reacted when accused of unwarranted attacks from the air? Most importantly, how have the potential victims responded to the constant fear that death and destruction could rain down upon them with little or no warning? Patterson writes in a clear, cogent style and handles these emotionally charged topics with necessary objectivity. Unfortunately, these are issues we are likely to be confronted with on a regular basis in this age of global terrorism.
--Jay Freeman (Booklist )

Patterson has written a rich and engaging study...A slim book of considerable rewards.
--Jeffrey Burke (Bloomberg.com )

A short but piercing account of the 1937 bombing of the Basque town that Picasso's painting helped turn into an image of total war (or war by obliteration of whole civilian populations).

The book's strength is its incisive treatment of the post-Guernica literary reaction to bombardment.
--J. Daley (Choice )

Product Details

  • Hardcover: 208 pages
  • Publisher: Harvard University Press; 1st edition (June 1, 2007)
  • Language: English
  • ISBN-10: 0674024842
  • ISBN-13: 978-0674024847
  • Product Dimensions: 8.3 x 5.7 x 0.7 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #346,988 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Interesting look at Total war and "Strategic bombing", August 14, 2008
This review is from: Guernica and Total War (Profiles in History) (Hardcover)
In this short but highly readable and potent book the author unwraps the meaning of total war and its real consequences in the modern history.Unlike the previously reviewer who harshly and unjustly trashed the book, I found the book's strong point is the author's presentation of various literary works that , if not perfectly, delivers how the so-called the concept of strategic bombing was closely related to sundry reception of the modernity. Especially strong part is the 2nd chapter. In which the author clearly and succintly juxtaposes Guilio Duhet's concept of strategic bombing and "Air-mindness" of Marinetti and its revolutinary aspect from the inception.

I don't think the previous reviewer's claim is appropriate.
first, the book's aim is showing the evolution of the concept of total war by means of aerial bombing. Not the kind of war waged by General Sherman. In fact, Sherman was only one of the many proponents of so-called total war. It is not terribly hard to find the ones planed and executed similar type of operations in history. A good example could be so-called Mongol hordes and their way of war that systematically and effectively demoralized the various countries by means of instilling fear to the hostile populations.

Secondly, the author did not explicitly claimed "Total war did not work". In fact, he did not even try to show why it did not work. What the author tried to show in his chapter 2 to 3 is the predicted amaggedon type of disasters never really happened ,notwithstanding the bombing of civilian target , or so-called area bombing , inflicted heavy civilian casuaties.

The book is short but the author intelligently presents the various reaction of first area bombing in European soil that such a mass fear among people.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Guernica as a harbinger of an age, May 11, 2010
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This review is from: Guernica and Total War (Profiles in History) (Hardcover)
Though on a small scale by later standards, the bombing of the Spanish town of Guernica on April 26, 1937 ranks as one of the iconic moments in the 20th century. Memorialized by Picasso in what is perhaps his most famous work, it was an event that shocked the West for the degree of death and destructiveness inflicted on a single, defenseless community. For many Europeans it symbolized their fears for what a new war would bring to the continent, and indeed in retrospect it also served as a precursor for the conflict that was soon to come. Ian Patterson's book about the bombing of the town is both more and less than a study of the attack, as he broadens his focus beyond the actual event to fit it into the context of its era.

Patterson's focus is evident from the start, as he begins not with the bombing of the town but with how it was initially covered by the media of the time. This approach serves to demonstrate how the meaning of the event was contested from the start, as both the Republican and Nationalist sides in the Spanish Civil War present it as an example of their opponents' barbarity. Charged with launching the attack, the Nationalists denied any responsibility and instead accused the Republicans of attacking the village in an effort to galvanize public opinion against General Franco's forces. The images of the destroyed town, though, quickly took on a larger meaning, as they served as visual embodiments of the new type of war, one in which civilians suffered as well as combatants.

From here Patterson brings in the larger context of the literature of the times about war, particularly war from the air. The limited use of air power against cities during the First World War created awareness of the threat, while the advances in technology and the warnings of experts served to magnify it. This anxiety was a consequence of the emergent concept of total war, where whole societies were now targeted by enemy forces as a means of waging war. Though the fears of the 1930s proved exaggerated in some respects, Guernica's fate was indeed one that would soon be inflicted on an increasingly escalating scale upon Rotterdam, London, Hamburg, Dresden, Tokyo, Hiroshima, Nagasaki, and others, all of which helped to cement Guernica's status as a harbinger for the decades that followed.

Short yet enlightening, Patterson's book is a thoughtful examination of the bombing of Guernica and the broader meaning it held for his age. While his definition of total war (which he limits to the use fo air power to effect destruction) is rather narrow, his book nonetheless serves to illustrate how closely we have come to associating the concept with the devastation brought by the bombing of cities. This is a work that should be read not just by people seeking to learn about Guernica's destruction, but also by anyone interested in modern warfare and its impact on Western thought in the modern age.
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2 of 8 people found the following review helpful:
1.0 out of 5 stars Completely missed the mark., June 23, 2008
This review is from: Guernica and Total War (Profiles in History) (Hardcover)
While this book was well written (as it says on the cover, the author is a great story-teller), it completely misses the point of his own writing. First, he presents the misconception that total war was invented in the early 1900s. What he misses is that General William Tecumsah Sherman was a great proponent of total war, and it broke the back of the South during the Civil War. Second, he makes no real argument for why "total war" doesn't work. Instead of showing that destroying the civilian homes of the enemy country actually emboldens them, he uses poetry as his references to show how terrible being bombed is. Also, as I stated above, total war can work in the proper setting and usage, but he fails to mention that. Thirdly, he bashes the RAF for using "strategic bombing," a term which he does not fully comprehend. Yes, the RAF did participate in "city busting," but he fails to recognize that "civilian targets" consist of more than residential areas and schools. The primary focus of civilian targets are places like dams, power stations, and industrial complexes that would suffer civilian casualties but mainly are military objectives in the long run (hence the term "strategic," as opposed to "tactical." Finally, he uses this to take weak stabs at the American Air Force in its bombing campaign over Afghanistan and Iraq, which has had the lowest numbers of collateral damage since the advent of aerial bombardment.

Another weakness that I would like to point out is the reliance upon poetry and literary works as references. These are sufficient for the section that points out the obsession during the 1930s with Armageddon, but they do not provide sufficient information for forwarding his point.

Overall, this book was a waste of time to read. I had time to waste, but looking back there were plenty of other books that I could have spent my time on and actually learned something.
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