34 of 36 people found the following review helpful:
5.0 out of 5 stars
If you're up for a challenge..., January 8, 2005
This review is from: Guitar (2 Cd) (Audio CD)
An album like this will challenge your ears in several ways. Like most of Zappa's output, this CD isn't for everyone. Those who criticize Frank's guitar playing from a technical standpoint, however, are completely missing the point. Steve Vai et al. are certainly better technically on the guitar, but I think Vai would be the first person to admit that he couldn't improvise in a live setting on this level. Zappa was trying to create spontaneous compositions as he played, and he was unafraid of trying absolutely anything in his quest to do so.
If you hear on this set a lot of repetition, a lot of exploration of similar melodic/rhythmic themes, this is mainly due to the fact that a lot of the solos were recorded around the same time (even at the same shows) so that was what was in his head. I think of them as variations, not perhaps in the classical sense of a "theme and variations" but multiple explorations of the same material.
On the other hand, I think if you listen closely it's amazing from a compositional standpoint. There is an inner logic and coherence to the solos, whether self-proclaimed "expert guitar players" choose to acknowledge this or not. Frank's guitar technique was highly unorthodox and it might not be what you would like to hear from a guitar player, but he wasn't interested in playing clean, perfect lines. He was interested in doing something different every single time he got out there to play a solo, and this is a document of his attempts to do just that. It is a record of experiments with an audience.
The other major complaint about this CD is the sound, particularly the sound of the band playing behind Frank. As an experimenter, Frank Zappa was bound to be drawn to the new synthesizers and other gadgets that came out at this time, just as many, many other bands and musicians were in the 80's. However, when I listen to this album I am always struck by how natural-sounding it actually is versus a lot of other material from the 80's. I mean we are talking about the decade of Duran Duran, Devo, Joy Division, Culture Club, Madonna and a ton of other bands that sounded far more "plastic" than Zappa's band ever managed, even during the much-maligned 1984 tour (the one with all the fake handclaps and electronic drums).
Any modern music listener who isn't able to have an appreciation for electronic sounds is pretty much lost at sea as far as I am concerned. Compare this album with the Postal Service or the Prodigy and you tell me who sounds more machine-like. To my mind there's nothing cold or unexpressive about machine-made music at all. I think the real issue is that the sounds on this album serve to underscore the emotional coldness of Frank Zappa himself, something with which a lot of his fans are uncomfortable.
I don't see a huge gulf between Frank's playing or his tone in 1979 versus 1984. It's different, yes, but it's clearly the same guy playing and I don't immediately prefer one to the other. I agree that Vinnie Colaiuta is more attuned with what Frank was doing than Chad Wackerman is. However, Wackerman is more than competent and he does have his moments if you're willing to listen without prejudice. Also, critics of Scott Thunes' playing on bass have no idea what they're talking about. Just listen (with a really good pair of headphones or a great stereo) to the first track, "Sexual Harassment.." and you realize that Scott is playing his ass off while still completely supporting Frank.
I think Guitar deserves to be listened to very carefully by anyone who enjoys experimental music and wants to hear someone who is reaching for something rather than trying to stay inside a musical box or do what is expected. And I actually enjoy the hell out of this album. I get a lot of pure pleasure listening to Frank and the musicians he was playing with on these recordings. So there are those of us out there who truly enjoy listening to Guitar in its entirety.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
INTENSE, July 12, 2002
This review is from: Guitar (2 Cd) (Audio CD)
This is awesome stuff. Two hours and ten minutes of intense and relentless fret abuse. No vocals, no tunes, just guitar solos and nothing else. "Guitar" was more than good enough when it was first released in 1988, but this expanded edition with extra tracks is a considerable improvement on the original. The material is culled from live performances recorded over a five year period (1979 to 1984), and from the opening chords of "Sexual harassment in the workplace" (the album also features some of Frank's most creative titles) it just builds and builds with no pause for breath. Although the sound isn't always 100% perfect, I much prefer the raw spontaneity of "Guitar" to the more refined approach of its predecessor "Shut up and play your guitar", which seems positively weak in comparison. Frank didn't recommend it for children or Republicans, but to the rest of us this is one of the truly essential Zappa albums.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
Not "Shut Up & Play...", but still a great record, March 2, 2002
This review is from: Guitar (2 Cd) (Audio CD)
This collection of Frank's live playing skills is a great showcase of not only his compositional skills, but his incredible playing. He can make a slow groove smoke and we already know what he does to the not-so-straight-ahead rock tunes.
The fact that they're instrumentals really gives you the chance to appreciate the songs and his abilities, but also shows you the record's one pain: the songs aren't as great as the ones on his similar collection, "Shut Up and Play Your Guitar". If you want great Zappa or just great guitar, you have to eventually own this record...just not before you get his "Shut Up" record.
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