Customer Reviews

Gulf Music: Poems

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Pinsky is an amazing poet and this is a strong collection. Some of the poems were published in a chap book recently which I had already purchased awhile back. Still, the rest of the poems were so enjoyable I had to pick this up, too. If you like contemporary poetry (yeah, what does that mean?), especially with a political flavor, this may be just what you are looking for.

Robert Pinsky is well known to many, having been Poet Laureate, written a book review column, appeared on the Newshour, and led the Favorite Poem Project. But how many read his poetry? In Gulf Music, Pinsky shows us what a strong poet he truly is, with a great range and all kinds of strategies for making a poem interest and delight his reader and listening audience. Truth in advertising: I have myself been a participant in Pinsky's Favorite Poem Project, one of the really great services done for poetry in our daily life that I can think of.

But look at these poems, read them out loud and listen to their melody. You can take the political poems. They do put events of our lives in perspective, and they do it well. But look at First Things to Hand--a series of poems about ordinary objects that prove anything but ordinary--a glass, a book, a jar of pens, a door--really proving what poetry and Pinsky can do. By far my favorite, found among the few translations at the end of Gulf Music (more truth in advertising: I love Latin poetry and even wrote a poem about the Latin language) is The Wave, Pinsky's translation of Virgil, Georgics III:237-244:

A breast-shaped curve of wave begins to whiten
And rise above the surface, the rolling on
Gathers and gathers until it reaches land
Huge as a mountain and crashes among the rocks

Was Virgil a contemporary poet? This is a really deft treatment and brings this little gem from the Georgics (translations of which are usually plodding and dull) up to date. This is NOT the stuff of Latin class, but something we can understand and relate to emotionally.

You might want to take a look at my earlier review of Pinsky's
Democracy, Culture and the Voice of Poetry (The University Center for Human Values Series), where he makes a great statement about the place of poetry in our national life. But in the midst of all Pinsky's commentary and his great public argument about poetry--the 21st Century equivalent of Sidney's Defense--let's not forget what matters most: the truly fine poetry that Pinsky is creating.

Robert Pinsky has one of the great poetic voices, and if you read his earlier work, like _Sadness and Happiness_, the pleasure of that voice is immediate, and lasting. This book isn't in that voice, though; it's like a long vertical stack of other voices, discovered meanings, sounds that refused to settle in or lose their strangeness. It's beautiful, and unexpected.