Gullivers Travels (Arcturus Paperback Classics) [Paperback]

Jonathan Swift (Author)

Book Description

Publication Date: June 30, 2009 | ISBN-10: 1848373309 | ISBN-13: 978-1848373303

This Prestwick House Literary Touchstone Edition™ includes a glossary and reader’s notes to help the modern reader contend with Swift’s complex references and vocabulary. First published anonymously in 1727, Jonathan Swift’s Gulliver’s Travels created a storm of criticism—from those who believed the stories to be true and “knew exactly” who Lemuel Gulliver was, to those who demanded that the writer of the seditious tales be hunted down and executed for high treason. Even today, Swift’s vitriolic attacks on politics, culture, and human nature itself have earned him the reputation of a crazed misanthrope. Swift, through his hero, consistently rails against political whims, human follies, and the bestial behaviors of the human race: In Lilliput, Gulliver is twelve times the size of the European-like natives. In Brobdingnag, he is one-twelfth the size of the primitive but moral inhabitants. In Laputa, buildings collapse and clothing does not fit, although constructed by the most “modern” and “reasonable” means. Finally, in the land of the horse-like Houyhnhnms Gulliver realizes that he and his race are nothing but a brood of Yahoos.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

From School Library Journal

Gr 7 Up-Jonathan Swift's satirical novel was first published in 1726, yet it is still valid today. Gulliver's Travels describes the four fantastic voyages of Lemuel Gulliver, a kindly ship's surgeon. Swift portrays him as an observer, a reporter, and a victim of circumstance. His travels take him to Lilliput where he is a giant observing tiny people. In Brobdingnag, the tables are reversed and he is the tiny person in a land of giants where he is exhibited as a curiosity at markets and fairs. The flying island of Laputa is the scene of his next voyage. The people plan and plot as their country lies in ruins. It is a world of illusion and distorted values. The fourth and final voyage takes him to the home of the Houyhnhnms, gentle horses who rule the land. He also encounters Yahoos, filthy bestial creatures who resemble humans. The story is read by British actor Martin Shaw with impeccable diction and clarity and great inflection. If broken into short listening segments, the tapes are an excellent tool for presenting an abridged version of Gulliver's Travels.-Jean Deck, Lambuth University, Jackson, TN

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Review

[Coralie Bickford-Smith's] recent work for Penguin Classics is...nothing short of glorious Anna Cole Co. --This text refers to the Hardcover edition.

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Product Details

• Reading level: Ages 18 and up
  
• Paperback: 320 pages
• Publisher: Book Sales, Inc. (June 30, 2009)
• Language: English
• ISBN-10: 1848373309
• ISBN-13: 978-1848373303
• Product Dimensions: 7.7 x 5 x 0.8 inches
• Shipping Weight: 8.5 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (177 customer reviews)
• Amazon Best Sellers Rank: #1,954,720 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

113 of 118 people found the following review helpful:

5.0 out of 5 stars No More Excuses - It's Time to Read Gulliver's Travels, August 10, 2005

By 

R. M. Fisher "Raye" (New Zealand = Middle Earth!) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: Gulliver's Travels (Penguin Classics) (Paperback)

I am certain that nearly every person in the Western world (and some beyond it) is familiar with the quintessential scene of "Gulliver's Travels," that of a man tied down to the ground and surrounded by tiny humans. I am equally certain however, that only a very small percentage of these people have actually read Jonathan Swift's satirical novel, first published in 1726. If you consider yourself a serious reader, then "Gulliver's Travels" is essential reading, one of the many classic novels that you simply *have* to read before you die.

Divided into four parts, "Gulliver's Travels" is presented as the historical memoirs of Lemuel Gulliver who narrates his strange adventures in undiscovered countries. In doing so, Swift explores and satirises almost every conceivable issue important in both his time and in ours: politics, religion, gender, science, progress, government, family and our basic ideas of defining humanity. As well as this, the novel is full of wonder and humour (some of it bordering on the vulgar!) and Swift's exploration of imaginary societies and countries is satire at its peak - no one before or since has reached Swift's mastery of this style.

Some of the more direct parodies concern people and events that have long since passed away, and as such an index or extensive background is required in order to fully understand the allusions that Swift is making. However, a far larger portion of the text discusses issues that are still relevant to today's readers, especially in the responsibilities of power and the limits to technological/scientific progression.

Part One: "A Voyage to Lilliput" is the most famous segment of the novel, and the context of the afore-mentioned "hostage episode". After taking leave of his family and country, Gulliver is washed up on the shores of an island inhabited by humanoid beings not more than six inches tall. Though at first suspicious, Gulliver soon earns the trust of the Lilliputian people who enlist their newfound giant in defending them from their enemies on the bordering island of Blefufeu - who likewise are desperate to use the giant in their war against Lilliput. Hmm, a squabble over what is considered a weapon capable of mass destruction. Sound familiar? This ability to place modern day references over older texts and their meanings is what separates literature from books - universal themes and concerns that do not age with time.

In Part Two, Gulliver reaches the polar opposite of Lilliput in "A Voyage to Brobdingnag", a country of giants where he becomes the helpless victim of a greedy farmer who exploits his diminutive stature to his own advantage. Displayed as a freak of nature, the tiny Gulliver is forced to perform circus tricks till he finally comes into the care of the royal court. Despite being cared for by the gentle farmer's daughter Grildrig, Gulliver has to survive wasp-attacks, hungry cats and a malicious dwarf before he is finally seized by a hunting bird and set adrift at sea.

One of the most appealing things about Gulliver's travels in both Lilliput and Brobdingnag is the disorientation he feels on re-entering the company of humans of a normal stature - each time they seem either too small or too big and Gulliver is constantly slouching or tip-toeing in an attempt to reconcile his body to what his mind tells him he should see. The best part is that we share this confusion with him, as we ourselves become accustomed to life in the tiny and giant worlds.

Part Three is the least known of the four parts, and for those who have read the novel, the least popular. I consider this unfortunate as it is more full of variety and wonderment than the other segments, contains some of his sharpest parodies and is my personal favourite `voyage' in the novel. Titled "A Voyage to Laputa, Balnibarbi, Luggnagg, Gluggdubdrib and Japan", it is easy to see that it this episode is filled with Swift's most creative inventions. It is here that Gulliver discovers a floating island, a race of immortals, a university in which they attempt to discover the answers to all things and an island of spirits who summon historical figures up out of the past. With everything from inward-eyed people to Alexander the Great to exploding dogs, Part Three has it all.

Finally, in Part Four, the novel reaches its most critical and thought-provoking statement on humankind in "A Voyage to the Country of the Houyhnhnms". Gulliver reaches a country inhabited by a remarkable race of horses with the intelligence of humans - perhaps with even *more* intelligence than humans. Also living here is a disgusting race of beings known as "Yahoos" - filthy, greedy, slothful, lecherous creatures who embody every vice known to mankind - and who are suspiciously humanoid in shape and form. Gulliver is faced with a crisis of the soul: does he really come from the race of Yahoos? Will the Houyhnhnms accept him as one of their own or as a Yahoo? And how can he ever return home with the devastating wisdom he has gained? Swift presents a fascinating study on the dark side of humanity and the nobility of animals in the climax of the novel that is the most controversial, the most studied and the most memorable.

"Gulliver's Travels" is not an easy book to read; like all older literary novels it requires the attention and patience of the reader, has complicated and contemporary issues to discuss and a tendency to be a bit long-winded at times. But regardless of this, "Gulliver's Travels" is a fascinating and enjoyable read and one of those books that just *has* to be read during your lifetime - if not for any other reason but to say that you *have* read it. Though the scanty amount of reviews on this page is disheartening, "Gulliver's Travels" is a must-read, pure and simple.

I also recommend the Hallmark adaptation of Swift's novel - NOT to be watched instead of reading the book, but as a surprisingly faithful and intelligent miniseries that accompanies the novel well.

46 of 48 people found the following review helpful:

4.0 out of 5 stars Not just for kids!, June 23, 1997

By A Customer

This review is from: Gulliver's Travels (Everyman's Library (Paper)) (Paperback)

It's amazing how our perspective changes as we age. What we thought was important as children may now seem completely insignificant, replaced by entirely new priorities, priorities children wouldn't even understand. At the same time, things we used to take for granted, like having dinner on the table, being taken care of when we're ill, or getting toys fixed when they are broken, have become items on adult worry lists.

Your perspective on literature can change, too. Reading a story for a second time can give you a completely different view of it. "Huckleberry Finn" by Mark Twain, which I enjoyed as a sort of an adventure story when I was a kid, now reads as a harsh criticism of society in general and the institution of slavery in particular.

The same thing is true of "Gulliver's Travels" by Jonathan Swift. The first thing I realized upon opening the cover of this book as a college student was that I probably had never really read it before.

I knew the basic plot of Lemuel Gulliver's first two voyages to Lilliput and Brobdingnag, home of the tiny and giant people, respectively, but he had two other voyages of which I was not even aware: to a land of philosophers who are so lost in thought they can't see the simplest practical details, Laputa, and to a land ruled by wise and gentle horses or Houyhnhnms and peopled by wild, beastly human-like creatures called Yahoos.

While this book has become famous and even beloved by children, Jonathan Swift was certainly not trying to write a children's book.

Swift was well known for his sharp, biting wit, and his bitter criticism of 18th century England and all her ills. This is the man who, to point out how ridiculous English prejudices had become, wrote "A Modest Proposal" which suggested that the Irish raise their children as cattle, to be eaten as meat, and thereby solve the problems of poverty and starvation faced in that country. As horrible as that proposal is, it was only an extension of the kinds of solutions being proposed at the time.

So, although "Gulliver's Travels" is entertaining, entertainment was not Swift's primary purpose. Swift used this tale of a guillable traveler exploring strange lands to point out some of the inane and ridiculous elements of his own society.

For example, in describing the government of Lilliput, Swift explains that officials are selected based on how well they can play two games, Rope-Dancing and Leaping and Creeping. These two games required great skill in balance, entertained the watching public, and placed the politicians in rather ridiculous positions, perhaps not so differently from elections of leaders in the 18th century and even in modern times.

Give this book a look again, or for the first time. Even in cases in which the exact object of Swift's satire has been forgotten, his sweeping social commentary still rings true. Sometimes it really does seem that we are all a bunch of Yahoos.

38 of 40 people found the following review helpful:

5.0 out of 5 stars Nice Affordable Edition of this Classic Work, January 8, 2008

By 

Brandon Wason (Atlanta, Georgia) - See all my reviews
(REAL NAME)   

This review is from: Gulliver's Travels (Sterling Classics) (Hardcover)

Gulliver's Travels by Jonathan Swift is classic work of satire and adventure that hardly needs my recommendation. Instead, let me comment on this edition published by Sterling. It's a nice hardcover with dustjacket and placeholder ribbon. There are a number of illustrations by Scott McKowen and an afterword by Arthur Pober. If you're looking for a inexpensive, but nice edition of Gulliver's Travels, this book would be a good choice.