112 of 117 people found the following review helpful:
5.0 out of 5 stars
No More Excuses - It's Time to Read Gulliver's Travels, August 10, 2005
I am certain that nearly every person in the Western world (and some beyond it) is familiar with the quintessential scene of "Gulliver's Travels," that of a man tied down to the ground and surrounded by tiny humans. I am equally certain however, that only a very small percentage of these people have actually read Jonathan Swift's satirical novel, first published in 1726. If you consider yourself a serious reader, then "Gulliver's Travels" is essential reading, one of the many classic novels that you simply *have* to read before you die.
Divided into four parts, "Gulliver's Travels" is presented as the historical memoirs of Lemuel Gulliver who narrates his strange adventures in undiscovered countries. In doing so, Swift explores and satirises almost every conceivable issue important in both his time and in ours: politics, religion, gender, science, progress, government, family and our basic ideas of defining humanity. As well as this, the novel is full of wonder and humour (some of it bordering on the vulgar!) and Swift's exploration of imaginary societies and countries is satire at its peak - no one before or since has reached Swift's mastery of this style.
Some of the more direct parodies concern people and events that have long since passed away, and as such an index or extensive background is required in order to fully understand the allusions that Swift is making. However, a far larger portion of the text discusses issues that are still relevant to today's readers, especially in the responsibilities of power and the limits to technological/scientific progression.
Part One: "A Voyage to Lilliput" is the most famous segment of the novel, and the context of the afore-mentioned "hostage episode". After taking leave of his family and country, Gulliver is washed up on the shores of an island inhabited by humanoid beings not more than six inches tall. Though at first suspicious, Gulliver soon earns the trust of the Lilliputian people who enlist their newfound giant in defending them from their enemies on the bordering island of Blefufeu - who likewise are desperate to use the giant in their war against Lilliput. Hmm, a squabble over what is considered a weapon capable of mass destruction. Sound familiar? This ability to place modern day references over older texts and their meanings is what separates literature from books - universal themes and concerns that do not age with time.
In Part Two, Gulliver reaches the polar opposite of Lilliput in "A Voyage to Brobdingnag", a country of giants where he becomes the helpless victim of a greedy farmer who exploits his diminutive stature to his own advantage. Displayed as a freak of nature, the tiny Gulliver is forced to perform circus tricks till he finally comes into the care of the royal court. Despite being cared for by the gentle farmer's daughter Grildrig, Gulliver has to survive wasp-attacks, hungry cats and a malicious dwarf before he is finally seized by a hunting bird and set adrift at sea.
One of the most appealing things about Gulliver's travels in both Lilliput and Brobdingnag is the disorientation he feels on re-entering the company of humans of a normal stature - each time they seem either too small or too big and Gulliver is constantly slouching or tip-toeing in an attempt to reconcile his body to what his mind tells him he should see. The best part is that we share this confusion with him, as we ourselves become accustomed to life in the tiny and giant worlds.
Part Three is the least known of the four parts, and for those who have read the novel, the least popular. I consider this unfortunate as it is more full of variety and wonderment than the other segments, contains some of his sharpest parodies and is my personal favourite `voyage' in the novel. Titled "A Voyage to Laputa, Balnibarbi, Luggnagg, Gluggdubdrib and Japan", it is easy to see that it this episode is filled with Swift's most creative inventions. It is here that Gulliver discovers a floating island, a race of immortals, a university in which they attempt to discover the answers to all things and an island of spirits who summon historical figures up out of the past. With everything from inward-eyed people to Alexander the Great to exploding dogs, Part Three has it all.
Finally, in Part Four, the novel reaches its most critical and thought-provoking statement on humankind in "A Voyage to the Country of the Houyhnhnms". Gulliver reaches a country inhabited by a remarkable race of horses with the intelligence of humans - perhaps with even *more* intelligence than humans. Also living here is a disgusting race of beings known as "Yahoos" - filthy, greedy, slothful, lecherous creatures who embody every vice known to mankind - and who are suspiciously humanoid in shape and form. Gulliver is faced with a crisis of the soul: does he really come from the race of Yahoos? Will the Houyhnhnms accept him as one of their own or as a Yahoo? And how can he ever return home with the devastating wisdom he has gained? Swift presents a fascinating study on the dark side of humanity and the nobility of animals in the climax of the novel that is the most controversial, the most studied and the most memorable.
"Gulliver's Travels" is not an easy book to read; like all older literary novels it requires the attention and patience of the reader, has complicated and contemporary issues to discuss and a tendency to be a bit long-winded at times. But regardless of this, "Gulliver's Travels" is a fascinating and enjoyable read and one of those books that just *has* to be read during your lifetime - if not for any other reason but to say that you *have* read it. Though the scanty amount of reviews on this page is disheartening, "Gulliver's Travels" is a must-read, pure and simple.
I also recommend the Hallmark adaptation of Swift's novel - NOT to be watched instead of reading the book, but as a surprisingly faithful and intelligent miniseries that accompanies the novel well.
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46 of 48 people found the following review helpful:
4.0 out of 5 stars
Not just for kids!, June 23, 1997
By A Customer
It's amazing how our perspective changes as we age. What we thought was important as children may now seem completely insignificant, replaced by entirely new priorities, priorities children wouldn't even understand. At the same time, things we used to take for granted, like having dinner on the table, being taken care of when we're ill, or getting toys fixed when they are broken, have become items on adult worry lists.
Your perspective on literature can change, too. Reading a story for a second time can give you a completely different view of it. "Huckleberry Finn" by Mark Twain, which I enjoyed as a sort of an adventure story when I was a kid, now reads as a harsh criticism of society in general and the institution of slavery in particular.
The same thing is true of "Gulliver's Travels" by Jonathan Swift. The first thing I realized upon opening the cover of this book as a college student was that I probably had never really read it before.
I knew the basic plot of Lemuel Gulliver's first two voyages to Lilliput and Brobdingnag, home of the tiny and giant people, respectively, but he had two other voyages of which I was not even aware: to a land of philosophers who are so lost in thought they can't see the simplest practical details, Laputa, and to a land ruled by wise and gentle horses or Houyhnhnms and peopled by wild, beastly human-like creatures called Yahoos.
While this book has become famous and even beloved by children, Jonathan Swift was certainly not trying to write a children's book.
Swift was well known for his sharp, biting wit, and his bitter criticism of 18th century England and all her ills. This is the man who, to point out how ridiculous English prejudices had become, wrote "A Modest Proposal" which suggested that the Irish raise their children as cattle, to be eaten as meat, and thereby solve the problems of poverty and starvation faced in that country. As horrible as that proposal is, it was only an extension of the kinds of solutions being proposed at the time.
So, although "Gulliver's Travels" is entertaining, entertainment was not Swift's primary purpose. Swift used this tale of a guillable traveler exploring strange lands to point out some of the inane and ridiculous elements of his own society.
For example, in describing the government of Lilliput, Swift explains that officials are selected based on how well they can play two games, Rope-Dancing and Leaping and Creeping. These two games required great skill in balance, entertained the watching public, and placed the politicians in rather ridiculous positions, perhaps not so differently from elections of leaders in the 18th century and even in modern times.
Give this book a look again, or for the first time. Even in cases in which the exact object of Swift's satire has been forgotten, his sweeping social commentary still rings true. Sometimes it really does seem that we are all a bunch of Yahoos.
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