Gun, with Occasional Music (Harvest Book) [Paperback]

Jonathan Lethem (Author)

Book Description

Publication Date: September 1, 2003 | Series: Harvest Book

Gumshoe Conrad Metcalf has problems-there's a rabbit in his waiting room and a trigger-happy kangaroo on his tail. Near-future Oakland is a brave new world where evolved animals are members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage.
Metcalf has been shadowing Celeste, the wife of an affluent doctor. Perhaps he's falling a little in love with her at the same time. When the doctor turns up dead, our amiable investigator finds himself caught in a crossfire between the boys from the Inquisitor's Office and gangsters who operate out of the back room of a bar called the Fickle Muse.
Mixing elements of sci-fi, noir, and mystery, this clever first novel from the author of Motherless Brooklyn is a wry, funny, and satiric look at all that the future may hold.

Editorial Reviews

From Publishers Weekly

Chandleresque, hard-boiled detective narrative finds a quirky new milieu in this SF/mystery/farce of murder and mass mind control set in a near-future Oakland, Calif. Conrad Metcalf is a private dick, but in his era that profession is even more ignominious than in the past. Due to some extreme governmental measures aimed at maintaining public docility, asking questions is taboo, leaving memory as Metcalf's sole resource. Government-distributed "Make," a cocaine-like blend of synthetic, mind-altering drugs, is now de rigeur . So is the magnetic card each citizen carries to keep track of his or her karma points. These points are awarded or docked by "the Office" for good or bad behavior and if the balance hits zero, a cryogenic prison term may ensue. Most of the menial work is done by genetically engineered English-speaking, bipedal "evolved" animals--sheep, apes, rabbits and kangaroos--and one of the latter is gunning for Metcalf. In this confusing age, the murder of Dr. Maynard Stanhunt, Metcalf's former client, leads the detective to a convoluted conspiracy, unimaginable in our own time. Lethem's invocation of Chandler often wears a bit thin--the prose here is a good deal clumsier than the real thing, and this sort of imitation has already been done too often. Still this colorful first novel is a fast and lively read, full of humorous visions and outlandish predicaments.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Private detective Conrad Metcalf finds himself the victim of an official inquisition when the murder of a former client and an obvious cover-up attempt lead him into dangerous political territory. Set in a near-future where only police and detectives are licensed to ask questions and where drugs to suppress memory are commonplace, this first novel imparts a new meaning to the word mystery . Spare prose and tight plotting create a taut sf thriller that should appeal to both sf and mystery fans.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 271 pages
• Publisher: Harvest Books; First Harvest Edition edition (September 1, 2003)
• Language: English
• ISBN-10: 0156028972
• ISBN-13: 978-0156028974
• Product Dimensions: 8 x 6.4 x 0.7 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (95 customer reviews)
• Amazon Best Sellers Rank: #77,349 in Books (See Top 100 in Books)

More About the Author

Jonathan Lethem was born in New York and attended Bennington College.

He is the author of seven novels including Fortress of Solitude and Motherless Brooklyn, which was named Novel of the Year by Esquire and won the National Book Critics Circle Award and the Salon Book Award, as well as the Macallan Crime Writers Association Gold Dagger.

He has also written two short story collections, a novella and a collection of essays, edited The Vintage Book of Amnesia, guest-edited The Year's Best Music Writing 2002, and was the founding fiction editor of Fence magazine.

His writings have appeared in the New Yorker, Rolling Stone, McSweeney's and many other periodicals.

He lives in Brooklyn, New York.

Most Helpful Customer Reviews

54 of 57 people found the following review helpful

5.0 out of 5 stars Noir, With Frequent Weirdness July 28, 2003

By Jeffrey Leach HALL OF FAMEVINE™ VOICE

Format:Paperback

"Gun, With Occasional Music" is my first Jonathan Lethem book, and it certainly won't be my last. Although reading just one of his books hardly ranks me as an expert on his career, I will say that this story about a private detective in a future, dystopian nightmare will probably be one of the most unusual experiences you'll ever have with a book (unless you make a habit of reading quirky, ultra bizarre fiction). Lethem must have been the product of a union between Raymond Chandler and William Burroughs, with genetic material donated by Dashiell Hammett and Aldous Huxley. That's the only way to describe this amazing blend of noir, science fiction, and political commentary. "Gun, With Occasional Music" is the type of book you introduce your friends to in order to see their reaction after they finish it.

Lethem's future is one in which I would not want to visit, let alone live in. For private investigator Conrad Metcalf, this nightmare is the only world he knows. What's so bad about this author's horrific visions? In the world of tomorrow, society is quite different from the world we know. For one thing, animals (rabbits, sheep, kangaroos, and cats) now walk upright, speak, commit crimes, and work. It's all a part of what authorities call "evolving," and it isn't just about the animals. Human infants take part in the hijinks as well, since society decided that it takes too long for people to grow up. The result is "babyheads," infants that speak, smoke, and drink thanks to massive infusions of growth hormones. As if that's not enough to cause you screaming fits, and apparently many of the people in this brave new world feel like screaming about it, the authorities provide "make," a drug used to modify behavior. Moreover, people can make their own blends of the drug, adding such great substances as forgettol so they don't have to remember their miserable existence. Those brave souls who wish to challenge the system, or the innocents just caught in police nets, face the dread terror of the inquisitors. This secret police directorate possesses the power to ask questions, arrest people, and carry out sentences that include freezing people for years in a sort of cryogenic state. Conrad Metcalf is a private inquisitor, a former member of the secret police who struck out on his own after his disillusionment with the system led to an early retirement.

Now Metcalf has another case, one that promises to be a real doozy. After a doctor turns up dead in a seedy motel room, a client named Orton Angwine turns up on Metcalf's doorstep. Angwine claims he had nothing to do with the murder, and he wants Metcalf to clear him from the looming cloud of suspicion. Metcalf's subsequent investigation leads him through a labyrinth of underworld types, corrupt doctors, a jilted wife, a cranky babyhead, a kangaroo with a grudge, and inquisitors who would rather see this case disappear forever. Whatever happens in the end, Metcalf must tread a fine line during his investigation because if his personal karma drops to zero he will find himself facing a six year snooze in a cryogenic tank. As Conrad homes in on the murderer, he discovers his noirish wisecracks bring more trouble than answers. The future is a dangerous place, and Conrad Metcalf is right in the middle of it without an umbrella.

You really must love the dialogue in this book. It crackles with snappy comebacks and hooked barbs, all done in a grand tradition which states that detectives in crime noir stories must speak in clever metaphors and insults. What makes it so jarring here is when Metcalf trades verbal jabs with a gun-toting kangaroo named Joey Castle. In "Gun, With Occasional Music," dialogue assumes an added dimension when you realize that the only people allowed to ask questions in the future are inquisitors, thus the reason that Conrad often frets over his inadequate responses when grilling someone for information. His stock and trade is not as a hired gun or bodyguard per se; it literally involves possessing the necessary verbal acumen to properly make inquiries and to look good while doing so. Lethem studied and mastered the style of the noir masters before writing this book, and it shows on virtually every page.

"Gun, With Occasional Music" is weirdness incarnate, but at the same time it is immensely amusing. The best recommendation I can give you is to pay close attention to the various characters Metcalf runs into during the course of his investigation. The twists and turns of the Angwine case are monumental, and easily lost track of amidst the strange scenery Lethem throws at you with unremitting frequency. This book really is one that requires a second reading because there is so much going on. The conclusion is an interesting one that wraps the plot up just as a good noir story should. Yep, all in all Lethem's little beast is a great way to spend a few days. For those unaccustomed to the joys of warped fiction, Jonathan Lethem exists to show you the way.

24 of 26 people found the following review helpful

5.0 out of 5 stars Enthralling February 27, 2000

By D. Smith

Format:Paperback

After reading Letham's less-than-coherent "Amnesia Moon," I almost made the mistake of not reading him again, but a couple of reviews posted here convinced me otherwise. This book was magnificent: brilliant ideas and brilliant writing. I'm just surprised that I hadn't heard more about this author, because this work is far superior to most modern fiction I've read. Not being much of a genre fan myself, it was nice to see a hard-boiled detective story in a sci-fi (though entirely conceivable sci-fi) setting. Rich, developed characters (be they detectives, doctors, evolved apes or tiny mental giants) and a thick plot with no holes in the story to worry about. Be forwarned, its a real page-turner, and not something you want to pick up unless you've got a day or two free.

11 of 11 people found the following review helpful

3.0 out of 5 stars Better Than Most, But Not Lethem's Best August 2, 2001

By Robert Carlberg

Format:Paperback

I guess I hold a minority view here, I was somewhat disappointed by "Gun, With Occasional Music."

The "comic noir" angle seemed overplayed, and the "forced evolution" trick served no real purpose I could discern. All the audaciousness and bold experimentation we've come to expect from Lethem was here (in spades... Sam Spades) but unlike, say, "Girl In Landscape" or "The Wall of the Sky" in this book they just made it seem mannered and self-conscious.

Still a very entertaining read, and way beyond run-of-the-mill, but as someone who has written some of the most inventive current fiction, he has far outdone this book in later works.