Customer Reviews

Gunfight at the O.K. Corral

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Thom Ross knows his O.K. Corral history -- there's no doubt about that -- but it is the O.K. Corral myth that he really seeks to translate into the painting contained in this book. Whereas most Western American art is firmly realistic, often almost photographic in intent, Ross's art dares to venture into the realm of the abstract to better capture those elements of myth. In nearly fifty paintings, accompanied by his own text, Thom Ross tells the story of this most famous gunfight in history. I cannot think of another book which has ever sought to achieve such an end, so I believe that Ross deserves double praise for his creativity. If you don't know much about this event, then "Gunfight at the O.K. Corral" is not at all a bad place to begin learning. But even if you have read a dozen books about that day in Tombstone, Ross's book will still have a powerful impact. And after you close the covers of this slender volume, those images remain in your vision, haunting and somehow very alive.

Normally on the 26th of October, I view the 1957 movie
"Gunfight at the O. K. Corral" with Burt Lancaster and
Kirt Douglas. I know exactly what I am getting which is
entertainment.

This year I flipped through the Thom Ross book by the
same title and again I was entertained. The Preface said
History but my gut reaction said entertainment. The
history here is fast and loose. Like the movie this book
is FICTION and should be accepted as such.

Enjoy the exquisite paintings. but ignore the connection
between the paintings and the text. And between the text
and History because it isn't here. In fact ignore the text
altogether. Buy this book for the paintings.
and you have a bargain

I do not wish to list the many historical errors of the Ross
and Hutton book here. That might ruin your enjoyment of the
paintings. On this the 120th anniversary of the gunfight
between good and evil, stay focused on the main event.
Don't worry about desecration. Think consecration. History
can wait. this is the age of art and entertainment. If you
have to blame anyone, blame the proofreader. What does he
know?