The 1903 "Mrdang aur Tabla Vadanpaddhati" is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
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James Kippen is Professor at the Faculty of Music, University of Toronto, Canada.
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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The Mrdang aur Tabla Vadanpaddhati - an instructional manual or notation-based 'method' (paddhati) for playing (vadan) the mrdang (also very widely known as the pakhavaj) and tabla drums - is by any standard an entirely remarkable and unique work. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
kita dhi, gadi gana, tiri kita, clapping structure, dasa prána, drumming legacy, surface rhythmic density, taka dha, kita taka, pakhávaj repertoire, closed bol, tabld players, kita dha, folk grooves, durational symbols, open bols, louange des dieux, dha dhiñ, dhiñ dha, bol combinations, other bols, bol patterns, tala system, closed stroke, rhythmic theory Key Phrases - Capitalized Phrases (CAPs): (learn more)
Maula Bakhsh, Gándharva Mahávidyálaya, New Delhi, Natthu Khan, Pandit Gurudevji, Vishnu Digambar Paluskar, Vishnu Digamber, Vinayakrao Patwardhan, Translation of the Mrdañg, Gurudev Patwardhan, Translation of the Mrdarig, North Indian, Prem Lata Sharma, Sadiq Ali Khan, Sourindro Mohun Tagore, Tablá Vádanpaddhati, South Indian, Tabla Vádanpaddhati, Tabld Vddanpaddhati, Mridunga Munjoree, Pandit Visnu Digambarji, Tabla Vadanpaddhati, Gandharva Mahávidyálaya, Vamanrao Chandvadkar, Bengal Music School New!
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
The Mrdang aur Tabla Vadanpaddhati - an instructional manual or notation-based 'method' (paddhati) for playing (vadan) the mrdang (also very widely known as the pakhavaj) and tabla drums - is by any standard an entirely remarkable and unique work. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
kita dhi, gadi gana, tiri kita, clapping structure, dasa prána, drumming legacy, surface rhythmic density, taka dha, kita taka, pakhávaj repertoire, closed bol, tabld players, kita dha, folk grooves, durational symbols, open bols, louange des dieux, dha dhiñ, dhiñ dha, bol combinations, other bols, bol patterns, tala system, closed stroke, rhythmic theory Key Phrases - Capitalized Phrases (CAPs): (learn more)
Maula Bakhsh, Gándharva Mahávidyálaya, New Delhi, Natthu Khan, Pandit Gurudevji, Vishnu Digambar Paluskar, Vishnu Digamber, Vinayakrao Patwardhan, Translation of the Mrdañg, Gurudev Patwardhan, Translation of the Mrdarig, North Indian, Prem Lata Sharma, Sadiq Ali Khan, Sourindro Mohun Tagore, Tablá Vádanpaddhati, South Indian, Tabla Vádanpaddhati, Tabld Vddanpaddhati, Mridunga Munjoree, Pandit Visnu Digambarji, Tabla Vadanpaddhati, Gandharva Mahávidyálaya, Vamanrao Chandvadkar, Bengal Music School New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
Citations (learn more)
This book cites 26
books:
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- Hindu Music by Sourindro Muhan Tagore on 10 pages
- Indian Music and the West (Clarendon Paperbacks) by Gerry Farrell on page 55, page 179, and Back Matter
- The Traditional Indian Theory and Practice of Music and Dance (Panels of the Viith World Sanskrit Conference, Kern Institute, Leiden : August 23-29,) by Jonathan Katz on page 81, Back Matter (1), and Back Matter (2)
- Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology (Chicago Studies in Ethnomusicology) by Bruno Nettl on page 181, Back Matter (1), and Back Matter (2)
- On Music and Musicians of Hindoostan by Ashok D. Ranade on page 40, and Back Matter
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