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Gutenberg: How One Man Remade the World with Words
 
 
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Gutenberg: How One Man Remade the World with Words [Hardcover]

John Man (Author)
4.4 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

March 29, 2002
A world forever changed...

In 1450, all of western Europe?s books were hand-copied and amounted to no more than are in a modern public library. By 1500, printed books numbered in the millions. Johann Gutenberg?s invention of movable type ignited the explosion of art, literature, and scientific research that accelerated the Renaissance and led directly to the Modern Age. In Gutenberg, you?ll meet the genius who fostered this revolution, discover the surprising ambitions that drove him, and learn how a single, obscure artisan changed the course of history.

"His story is one of genius very nearly denied. A few records less, and we would not now be revering the Gutenberg Bible as his. All we would have would be the results: an idea that changed the world and a book that is amongst the most astonishing objects ever created?a jewel of art and technology, one that emerged fully formed, of a perfection beyond anything required by its purpose. It is a reminder that the business Gutenberg started . . . contains elements of the sublime?that at the heart of the mountains of printed dross there is gold." —From the Introduction to Gutenberg



Editorial Reviews

Amazon.com Review

The invention of writing, the alphabet, and the Internet: these are three signal events in the history of human culture, joined by a fourth: Johann Gutenberg's introduction of movable type and the printed book to the West, the subject of this illuminating study. Of Gutenberg himself little is known, at least not until the 1440s, when the native of Mainz, Germany, began to apply techniques he had learned in the coin-making trade to the development of the printing press. (He had observed the work of men "who could carve a letter in steel that had at least six, and perhaps sixty, times the resolution of a modern laser printer.") His genius, writer John Man tells us, lay not only in the invention of the handheld mold for making type but also in developing a reliable technique for binding that type into a form, all of which required years of trial and error. The result, in time, was Gutenberg's famous Bible--not a "pretty book," Man allows, but one that would have a revolutionary effect. Full of details on the art of printing and the context of Gutenberg's time, this is a sparking detective study that will bring much pleasure to fans of books about books. --Gregory McNamee

From Booklist

In the fifteenth century, when Europe was not long out of the medieval age, the two halves of the Roman Empire were spiritually divided. Within Europe, the church was plagued by infighting among different factions of the clergy. The Renaissance had just begun. Europe was on the brink of a cultural revolution when a catalyst named Gutenberg invented the printing press. In this study, Man puts Gutenberg and the printing press in historical context by giving detailed pictures of the political situation in Europe at the time, on an international scale all the way down to a city level. He gives technical details on how a printing press works, and how to craft the movable type. In addition he gives a biography of the man, and attempts to construct a chronology of his publications. Man offers much speculation to fill holes in the historical record, but is very clear about what is generally accepted fact, and what is not. A heavily detailed account, but still accessible to a general audience. Gavin Quinn
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 320 pages
  • Publisher: Wiley; 1st edition (March 29, 2002)
  • Language: English
  • ISBN-10: 0471218235
  • ISBN-13: 978-0471218234
  • Product Dimensions: 8 x 5.7 x 1.1 inches
  • Shipping Weight: 14.7 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #767,534 in Books (See Top 100 in Books)

More About the Author

JOHN MAN

I usually write non-fiction, mainly exploring interests in Asia and the history of written communication. So 'The Lion's Share', available only on Kindle, is something different - a new edition of a thriller written some 25 years ago when I wasn't sure what I wanted to focus on. It's about the 'real' - in quotes, i.e. fictional - fate of Haile Selassie, Emperor of Ethiopia.

Most of the time, I like to mix history, narrative and personal experience, exploring the places I write about. It brings things to life, and it's a reaction against an enclosed, secure, rural childhood in Kent. I did German and French at Oxford, and two postgraduate courses, History and Philosophy of Science at Oxford and Mongolian at the School of Oriental and African Studies in London (to join an expedition that never happened).

After working in journalism and publishing, I turned to writing, with occasional forays into film, TV and radio. A planned trilogy on three major revolutions in writing has resulted in two books, 'Alpha Beta' (on the alphabet) and 'The Gutenberg Revolution', both republished in 2009. The third, on the origin of writing, is on hold, because it depends on researching in Iraq. (On the fourth revolution, the Internet, many others can write far better than me).

My interest in Mongolia revived in 1996 when I spent a couple of months in the Gobi. 'Gobi: Tracking the Desert' was the first book on the region since the 1920's (those by the American explorer Roy Chapman Andrews). In Mongolia, everything leads back to Genghis. I followed. The result was 'Genghis Khan: Life, Death and Resurrection', now appearing in 20 languages. Luckily, there's more to Mongol studies than Genghis. 'Attila the Hun' and 'Kublai Khan' came next.

Another main theme in Asian history is the ancient and modern relationship between Mongolia and China. 'The Terracotta Army', published to in 2007, was followed by 'The Great Wall', which took me from Xinjiang to the Pacific. 'The Leadership Secrets of Genghis Khan' (combining history, character analysis and modern leadership theory) and 'Xanadu: Marco Polo and Europe's Discovery of the East' pretty much exhausted Inner Asian themes for me.

So recently I have become interested in Japan. For 'Samurai: The Last Warrior', I followed in the footsteps of Saigo Takamori, the real 'Last Samurai', published in February 2011. After that, more fiction, perhaps.

I live in north London, inspired by a strong and beautiful family - wife, children and grand-children.

 

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12 of 12 people found the following review helpful:
5.0 out of 5 stars As real as today, August 4, 2002
By A Customer
This review is from: Gutenberg: How One Man Remade the World with Words (Hardcover)
One of the most delicate tasks when writing about history is to remain rigorous as to the facts while transporting the reader into scenes that feel like they are happening right now, just outside the door, the two-team oxcarts as real as today's FedEx trucks.

As his compatriots have before him, Mr. Man had relatively little hard fact to work with. For all that Gutenberg did for the profusion of the word, he left behind precious few of his own. Little is known about him until the 1440s, by which time he was somewhere in his 40s. He already was renowned for merging the techniques of the coinage trade with the casting of convex mirrorlike buttons, producing thereby countless medallions then in great demand by the trinket trade along pilgrimage routes. One of grander versions of these mirrors is depicted in Jan Van Eyck's "Marriage of Giovanni Arnolfini." Think of Gutenberg as having devised the latest thing in 15th century Sai Baba buttons. Frippery perhaps this was, but it led to the development of modern type casting, the key element in the evolution of moveable type.

Neither Gutenberg nor even the Western devotion to practical technique were the first at this. At the other end of the Silk Road, as far on it one could get without walking into the sea, a genius surpassing even Gutenberg, Sejong by name, devised both moveable type *and* a written alphabet where "even the sound of the winds, the cry of the crane and the barking of the dog-all may be written." Fate-blessed Sejong was given not merely his intellect and inventiveness, but also the title "Emperor" before his name. This gave him no end of advantage over the average type founder and alphabet inventor. Nor was he the first: the 28-letter Hangul ("Great Script") that he devised was based in part on a script devised by a Tibetan monk named Phangs-pa as a way of systematizing the many tongues of the Mongol Empire. Alas, although Sejong's efforts resulted in a library of over 160 works printed with moveable type based on Hangul, it did not create an information revolution of the sort inspired by his contemporary colleague in far-off Mainz. Why? Because the Korean elite insisted on sticking with Chinese, in great part because they wanted to preserve their status. Mr. Man's brief outline of events in Korea hint of a great tale to be told by a novelist-or Mr. Man himself-with a gift for creating in the mind's eye what the actual eye of the time would have seen. To say nothing of what the nose smelled and the tongue tasted. The sensuality of history is its least-examined feature.

Korea's triumph of elitism wasn't replicated in the West. The Catholic clergy stuck to Latin, in large part to keep the masses from finding out what they knew and said among themselves. But unlike Korea, the elitism of the Church was underlain by moral and economic corruption so blatant we can scarce imagine it today. Some say that once the words of the Bible became known to anyone who cared to read them, Luther or someone like him was inevitable. Maybe. What was inevitable, though, was the Enlightenment. Nearly everyone today nourishes from the fruits of that tree. Within fifty years of Gutenberg's first Bible circa 1450, the number of books of all kinds in Europe grew from thousands to millions. Science, literature, and the the writing of history as we know it emerged. Church hegemony collapsed. Kings created nation-states. Proof, not faith, became the criterion of truth. As Mr. Man points put, the book, and no less the man behind it, was the vehicle out of the Dark Ages.

It becomes very clear on a second reading of his book, cover to cover and this time looking at the air and light in the room as well as the furnishings, that Mr. Man is no less a scholar to the teeth than the myriads of Ph.D pensters who have made the Middle Ages and Renaissance such a huge section in the Dewey Decimal catalog. The difference is that Mr. Man can write rings around most historians. Pages 60 and 61 are such a recital of the fakery of the relics and pilgrimage trade that you might take it as satire until you reflect on how many Westerners today pilgrimage to Indian ashrams to lap up equally fanciful interpretations of Hindu legends, without much bothering to put into practice in their daily lives the moral and behavioral principles those gods commend.

Maypoles and meanders around the trees of history. If you don't have a love affair going with today's forest of words before Mr. Man, you certainly will after him.

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12 of 12 people found the following review helpful:
3.0 out of 5 stars Primarily Historical Secondarily Biographical, July 9, 2002
This review is from: Gutenberg: How One Man Remade the World with Words (Hardcover)
I have had the privilege of seeing pages of a Gutenburg Bible. There is only one complete Bible that remains in a private collection, and the balance are part of the inventories of museums or places like The Library of Congress. An exceptional example can be found at The Morgan Library in NYC, and thanks to a special group of people the work can also be viewed on the internet. To give an idea of the value of one of these Bibles, the last single page I saw at an antiquarian book show was priced at $30,000. If an entire book were to come to auction the price it would bring would be measured in many millions of dollars. William Gates, CEO of Microsoft, paid in excess of $35,000,000 for the Leicester Codex, a one of a kind notebook from the pen of Leonardo Da'Vinci. That is the record ever paid for a single, "book".

As momentous a contribution that Gutenburg gave the world details about his life are few. Even when he had established himself as a printer of some renown, there are many years, and even groups of years that are blank, or filled by only supposition. There are times that the recording of a lawsuit is all that are available to document where he was at a given point in time. And as with many inventions that have changed the course of history, there are the usual arguments over who actually invented what, and then there are the pretenders that history had accepted for centuries.

Those expecting a biography of the inventor will not be satisfied by this book. This is less the fault of the writer than the lack of documentary evidence about the subject. What the reader is given in great detail is a description of history before during and after the printing press became a reality. The Bible that is so routinely associated with the name of Gutenburg has certain volumes that are not only exceptional for the type but also for the decoration that was produced. The fragment of the picture on the cover only hints at the beauty of these books.

And this is the greatest criticism I have of this book. The work of Gutenburg was visual, and in many examples exceptionally beautiful. I cannot reconcile these facts with a book that offers a single black and white photograph of one page of this historic Bible. The invention of the press that Gutenburg created is exceptional, and exceptionally complicated. All the reader is offered is a brief description on how complicated it is, and two pages with a handful of drawings that raise more questions than they answer. The author should have let readers decide how much effort they wished to invest to understand this invention rather than presuming readers would be pleased with the barest of details.

If you have never read anything about this topic, the book will serve you better than if you already have knowledge in excess of the name of the man and what he created. The author also makes note of the idea that someday all books could be in electronic form and stored in, "hyperspace". I hope he meant cyberspace.

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12 of 12 people found the following review helpful:
5.0 out of 5 stars Slim Biography, Full Explanation of the Revolution, June 16, 2002
This review is from: Gutenberg: How One Man Remade the World with Words (Hardcover)
Few people know much about Johann Gutenberg, but everybody profits from the gadget he invented. And the book _Gutenberg: How One Man Remade the World with Words_ (John Wiley) by John Man has to concentrate on Gutenberg's printing press. There is not really enough known about his life to make a biography, but Man's readable book makes a stab at summarizing what we do know about Gutenberg's comings and goings; more importantly, it reveals much of the history of his time and place, and explains how very quickly printing took over Europe.

Most of the documents we have on Gutenberg come from his business dealings (and court suits), for as Man portrays him, he was nothing if not a determined businessman. His first business venture involved pressing out mirrors, and perhaps there was a spark that inspired his more famous product. Somehow, and we will never know how, Gutenberg had the idea of making multiple cheap copies of the metal punch that stamps out letters. Man can't show the process of invention, but he can show the invention, the "hand held mould" which was not replaced until mechanical typesetting came along. The other revolutionary idea was binding the type produced by the mould into a "forme," which seems a simple procedure, but is full of complexities detailed here. Before tackling the Bible, whose printing for common folks was controversial, Gutenberg wisely printed a standard Latin grammar, astrological and fortune-telling pulp, and forms for selling indulgences, quick tickets to heaven. When it came time to print the Bible, he produced a stunner. Man rhapsodizes over its type, layout, and the invention of right justification. The ones that remain are still as readable as when they were printed, and unlike the ungainly first attempts at such things as automobiles or personal computers, they have a beauty that is still worth aiming for.

Lacking material for a full biography, Man indulges in many fascinating digressions, like why comparable printing was not invented in China, and why the Muslim world did not start printing until the end of the nineteenth century. Especially fascinating here are the immediate results of printing, which could have unified the church but wound up helping to split it. Luther probably did not nail his theses on the door of the Wittenberg church; there is no contemporary account of anything like this legend. But he did write up theses, and as sensitive documents still do today, they got quickly leaked, published, and republished beyond his control. Before Gutenberg, a monk would have taken days to copy a few pages. After Gutenberg, a printer could do hundreds of copies of an entire book in a few days. A dozen years after Gutenberg's death in 1468, there were more than a hundred European towns with printing presses, and by the end of the fifteenth century, there were maybe twenty million books circulating. We are used to the electronic revolution, but Gutenberg's was more fundamental. Man's account of a tenacious inventor, entrepreneur, and artisan is a fine guide to just how far Gutenberg launched us, and how quickly.

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Inside This Book (learn more)
First Sentence:
Coming to Mainz in around 1400, you have the best view if you approach along the Rhine. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
hand mould, printing with movable type
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Nicholas of Cusa, Andreas Dritzehn, Line Bible, Johann Gutenberg, Christian Europe, Council of Basel, Great Schism, Gutenberg's Bible, Johann Fust, Roman Empire, Sibylline Prophecies, Hans Riffe, King Sigismund, Adolf von Nassau, Albert Kapr, Professor of History
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