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Gwen John: A Painter's Life
 
 
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Gwen John: A Painter's Life [Hardcover]

Sue Roe (Author)


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Book Description

0374113173 978-0374113179 December 5, 2001 1st
A revealing, animated biography of a sexual and intellectual rebel and a great painter

In 1942, at the height of his fame, Augustus John predicted that 'fifty years from now I shall be known as the brother of Gwen John'. Gwen John (1876-1939) is indeed now recognised as a great artistic innovator, yet for years her life remained shrouded in the myth of the solitary recluse. Born in Pembrokeshire, Gwen followed her brother to the Slade. Her future was bound up with Augustus, his women and his coteries, yet she was also daring and highly original, living determinedly in her own way.

Defiant yet shy, she painted and modelled amid the Bohemian circles of early twentieth-century Paris and embarked on a long, intense love affair with France's most legendary artistic figure, the sculptor Rodin. A friend of Symbolist poets and post-Impressionist painters, later she turned increasingly to religion, achieving a deep serenity which masked her inner turbulence and creating her haunting paintings, described as delicate and austere, restrained and still.

Based on her lively and passionate unpublished letters and lavishly illustrated, this vivid new biography challenges our prejudices about the ways we evaluate women artists and finally uncovers the life of this ardent and complicated personality, one of the finest artists of her day.

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Editorial Reviews

Amazon.com Review

Her brother Augustus is better known today, but in the early decades of the 20th century Gwen John (1876-1939) was equally, if not more, respected as a painter (and not just as model and muse to her lover Rodin). Particularly in Paris, where she made her home, and in New York, where she was represented by pioneering art dealer John Quinn, she was acclaimed for the sureness of her technique and the haunting psychological penetration with which she captured the inner lives of her subjects. Drawing on her letters and journals, novelist and poet Sue Roe is able to chronicle the evolution of John's artistic, emotional, and spiritual strivings in fascinating detail. Rodin encouraged her work, but Roe perceptively notes that John's passionate desire to submit to the sculptor warred with her "profound sense of independence [and] need to access and control her own muse." She was sustained by a series of intimate friendships with other women (including her brother's wife and mistress), as well as a burgeoning Catholic faith. Far from being the eccentric recluse of posthumous legend, John exhibited and sold her work regularly and had an active social life. The stillness and harmony of her work, Roe convincingly argues, were the product of enormous self-discipline and restraint imposed on a turbulent psyche. This sensitive, sympathetic biography arouses our admiration and awe for a woman who "lived uniquely, with dedication and daring." --Wendy Smith

From Publishers Weekly

British novelist, poet and critic Roe (Estella) offers a biography of the painter John (1876-1939), who focused on Whistler-like portraits and spent some time as mistress to the great French sculptor Auguste Rodin. Once undervalued because of the celebrity of her now-neglected painter brother Augustus John (1878-1961), Gwen John is an utterly British subject in her lifelong shyness and reticence, yet offers a welcome alternative for Brit-o-phile readers weary of the Bloomsbury circle (Roe's Writing and Gender: Virginia Woolf's Writing Practice among the plethora of titles). This new book tells more than most readers will want to know about degrees of feeling in John's relationship with Rodin and her emotions when she loses her cat, Quinet. Despite the book's subtitle, there is mostly vague and generalized analysis of the paintings themselves: "...her work gained a strong, fluid sense of immediacy and an intimacy between artist and subject," is a typical assay. The many women Johns painted reveal some interesting psychological states, including bleary depression, sexual repression and clear excitement sometimes all in the same image. But Roe gets too caught up in landlords' bills and the like, and fails to focus clearly on John's highest achievements (shown in 16 pages of b&w and color images). As a modern woman artist, Johns had a life about one-tenth as interesting as that of contemporaries like Mina Loy, but this recognition of her contribution should at least restore her to the era's artistic ferment.

Copyright 2001 Cahners Business Information, Inc.


Product Details

  • Hardcover: 464 pages
  • Publisher: Farrar, Straus and Giroux; 1st edition (December 5, 2001)
  • Language: English
  • ISBN-10: 0374113173
  • ISBN-13: 978-0374113179
  • Product Dimensions: 9.3 x 6.4 x 1.4 inches
  • Shipping Weight: 1.6 pounds
  • Amazon Best Sellers Rank: #1,386,581 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
The lanes surrounding Haverfordwest are leafy and high-banked, lit in spring and summer with the starry points of wild flowers. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Terre Neuve, Edgar Quinet, Madame Roche, Gwen John, Yew Tree Cottage, Marie Laurencin, Maud Gonne, Constance Lloyd, Louise Roche, Miss O'Donel, Arthur Symons, Gwen Salmond, Mother Superior, Villa des Brillants, Isobel Bowser, John Quinn, New Year, Ruth Manson, Edwin John, Michel Salaman, Whistler Muse, Fitzroy Street, Lady Reading, Albert Rutherston
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