H.P. Lovecraft's Favorite Weird Tales: The Roots of Modern Horror [Paperback]

Douglas A. Anderson (Compiler)

Book Description

Publication Date: November 1, 2005

In 1929-30, H.P. Lovecraft made some lists of both literary and popular stories "having the greatest amount of truly cosmic horror and macabre convincingness." These lists of his favorite weird tales make for a truly landmark Lovecraftian anthology. We present Lovecraft's own favorites horror

stories, including some well-known classics, alongside of a number of excellent rare tales by forgotten authors. Many of these stories are classics, inspiring several generations since of the world's best horror authors. Contributors include Edgar Allan Poe, Ambrose Bierce, Arthur Machen, Robert W. Chambers, M. R. James, Algernon Blackwood, M. P. Shiel, A. Merritt, Walter de la Mare, Paul Suter, M. L. Humphreys, H.F. Arnold, Everil Worrell, Arthur J. Burks, and John Martin Leahy. This is the anthology of favorite weird tales that Lovecraft himself hoped to compile!

"To understand why Lovecraft regarded these stories as the touchstone for greatness in the literature of supernatural horror is to understand the significance of the genre itself. The classic works included in this collection, along with Lovecraft's own best tales, both justify and represent the essence of this form of human expression." – Thomas Ligotti

Editorial Reviews

About the Author

Douglas A. Anderson is a Mythopoeic Scholarship Award Winner and one of the best-known fantasy scholars and anthologists. He is the author/editor of The Annotated Hobbit (Houghton Mifflin, revised 2002) and Tales Before Tolkien: The Roots of Modern Fantasy (Ballantine, 2003), and is Cold Spring Press's series editor for our classic fantasy and horror series.

Product Details

• Paperback: 360 pages
• Publisher: Cold Spring Press (November 1, 2005)
• Language: English
• ISBN-10: 1593600569
• ISBN-13: 978-1593600563
• Product Dimensions: 8.5 x 5.6 x 1.1 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #1,092,516 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

19 of 21 people found the following review helpful:

5.0 out of 5 stars Superlative collection, February 5, 2006

By 

Harold Billings (Austin, TX USA) - See all my reviews
(REAL NAME)   

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This review is from: H.P. Lovecraft's Favorite Weird Tales: The Roots of Modern Horror (Paperback)

This is an absolutely superlative collection -- important for its assemblage of some of the very best of the horror genre and also because it helps provide historical insight into the tastes of H.P. Lovecraft, serving as a reading guide for his classic SUPERNATURAL HORROR IN LITERATURE. It also helps that this has such nice readable type!--unlike many of the collections of similar material released in paperback. Doug Anderson continues providing excellent insight into the literature of the weird and the fantastic.

10 of 10 people found the following review helpful:

4.0 out of 5 stars A Solid Collection Of Artful Horrors, January 10, 2010

By 

Art Turner "decipheringhobshog.blogspot.com" (Rockford, IL USA) - See all my reviews

This review is from: H.P. Lovecraft's Favorite Weird Tales: The Roots of Modern Horror (Paperback)

The premise of H.P.LOVECRAFT'S FAVORITE WEIRD TALES is certainly interesting - take several stories that horror master Lovecraft regarded as his favorite pieces of weird short fiction, based on his correspondence, and compile tham together in one volume. If you think this would yield an enjoyable book, you'd be correct - there really isn't a bad story in the bunch (the closest thing to a clunker is M.P. Shiel's "The House Of Sounds", which struck me as merely bizarre for the sake of being bizarre), but I'll try to discuss what I thought was the crème de la crème as concisely as I can.

- "The Novel Of The Black Seal" by Arthur Machen: Machen was my great discovery in reading this collection. It's amazing to me that his work is seldom discussed anymore except amongst horror aficionados - like Lovecraft, Machen strikes me as a writer of brilliance who just happened to write horror fiction. "The Novel Of The Black Seal" has to be one of the eeriest stories I've ever read, centering around the notion that the legendary "little people" of the British Isles have been (to quote Machen) "called... 'fair' and 'good' precisely because [our ancestors] dreaded them, so they dressed them up in charming forms, knowing the truth to be the very reverse." If you enjoy stories like Lovecraft's "The Whisperer In Darkness", this one will likely knock you out of your chair.

- "The Yellow Sign" by Robert W. Chambers: In which we encounter an early use of what was to become a standard Lovecraftian trope: the Evil Grimoire. The last several paragraphs of this story are uniquely disturbing in a way that's difficult to describe - I found myself re-reading them several times, trying (unsuccessfully, I'm afraid) to pin down how Chambers got his effects. A really good one.

- "The White People" by Arthur Machen: I'm actually not that fond of hyperbole, but it seems to be hard to avoid in describing Machen's work; this might be the most accomplished English-language horror story I've ever read. I described it on my blog as "Ulysses (Penguin Modern Classics) meets Alice's Adventures in Wonderland (Unabridged Classics) in Hell", but that only begins to hint at the story's aura of unearthly dread. It's a shame that more critics and scholars aren't aware of this one.

- "The Floor Above" by M.L. Humphreys - a story of enormous subtley, originally published in the pulp magazine WEIRD TALES. I actually had to read this one a couple of times to figure out exactly what was going on.

Well, if you've read this far, you'll probably find this worth picking up, even if you already own a couple of the stories in other volumes. Lovecraft fans will, of course, find it particularly interesting, but I'd recommend it to anyone who'd like a demonstration of how horror fiction can refrain from explicit violence and be all the more effective because of it.