3 of 3 people found the following review helpful:
2.0 out of 5 stars
Ellroy run amuck, March 11, 2010
James Ellroy is a strange bird. A novelist whose best work is his autobiography (the amazing _My Dark Places_), he comes across as someone you'd never invite into your home --- his politics are on the gross side and the guy is fixated on prostitution, drugs, the disgustingness of pornography, child killers, etc. --- and he keeps writing the same novel over and over and over. But he writes it so well. It's got this poppity pop style that has your eyeballs merrily skipping and dancing. . . until you hit one of his references to extreme depravity that leave you wrinkling your nose in disgust and your eyeballs moving even faster as they scan ahead to find a spot where you can pick up the story again.
Ellroy has done this same story so many times that there is now quite a range to the theme and variations, not all of which are top-notch: _Brown's Requiem_ (pretty good) to _LA Confidential_ (almost brilliant save his over-the-top libel of Disney) to _A Cold Six Thousand_ (so unreadable that it comes across as passive aggressive hostility toward the reader, like he's giving you the finger for having the temerity to buy his books).
Unfortunately the stories in _Hollywood Nocturne_ are close in spirit to _A Cold Six Thousand_. They are written in his typical lovely style and not the `See Dick snort coke' style of _A Cold Six Thousand_. But the plots of the stories are so egregiously ridiculous that it's hard not to laugh out loud. `The Dick Contino Blues' starts out strong but then it degenerates into a faked kidnaping plot gone wrong. Since the story is peppered with talk about serial killer on the loose in Hollywood, you'd have to be willfully naive to not be able to guess who's really going to do the kidnaping.
The self-parody hits its peak in `Gravy Train', a story about a guy (on probation of course) who is responsible for taking care of a white bull terrier that has inherited the fortune from a businessman who made millions (illegally of course) and given it all to his pooch Basko. There's an accidental dognaping by some burglars who also train fighting dogs (of course). Here's how Basko's rescue is described:
>Two burly shvartzes were fitting black leather gloves fitted with razor blades to his paws; Basko was wearing a muzzle embroidered with swastikas. I padded back and got ready to kill; Basko sniffed the air and leaped at his closest defiler. A hot second for the gutting; Basko lashed out with his paws and disemboweled him clean. The other punk screamed; I ran up and bashed his face in with the butt of my roscoe. . . I grabbed Basko and hauled ass.
What are we to make of this? Is this clever postmodern irony? Does Ellroy prefer to stick to the pre-Civil Rights era so that deranged ethnic stereotyping is somehow `authentic'? [ "burly shvartzes. . . embroidered with swastikas. . . " The aforementioned eyeballs go cross-eyed.] Is he making fun of us for reading him? Or is he just strung out on something?
Your guess is as good as mine.
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3 of 3 people found the following review helpful:
2.0 out of 5 stars
ehh..., January 6, 2003
By A Customer
As a another reviewer stated Ellroy is best with the novel format. I've read a lot of his books and it's taken me at least 100 pages to get into the stories, except for American Tabloid and The Cold Six Thousand.
"Dick Contino's Blues" is the best story in this collection. "High Darktown" is also good. The rest aren't very impressive. Having said that, I cannot wait until Ellroy's next novel.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars
-, July 30, 2000
Ellroy is a love/hate man. Love him or hate him, there isn't much in between. I do recommmend this as a starter book of Ellroy. The shorrt stories are easy to pick up, especially if you've begun from viewing the movie LA Confidential. If these are like pie to you, then move on to the books.
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