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266 of 278 people found the following review helpful:
5.0 out of 5 stars
I loved this book, March 17, 2008
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In 1914, fourteen-year old Grace came to Riverton Manor as a housemaid. There she met the Master's grandchildren, whose lives would forever be linked with her own. Now 98, Grace looks back at those early years of duty, selflessness, and silence. To give away more of the plot would be to rob other readers of the sublime delight I found in reading this book. It is told through the eyes of an old lady who has known great sorrow and some joy, who has seen Edwardian society give way to hard rock and managed to adapt to it all with wisdom and humor. The story paints a vivid picture of life among the idle rich before and after the first War, how carefree children became conflicted adults, and how passion erupted in gunfire one grand summer night. The author has written such a wonderful story I sobbed through the last chapters, not wanting it to end. It would make a great movie - it's powerful, dramatic, and heartbreaking, equal parts of mystery, romance, and history - and is the best book I've read in a long time.
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100 of 105 people found the following review helpful:
5.0 out of 5 stars
Deliciously Engrossing!, February 4, 2008
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The first two lines of "The House at Riverton" by Kate Morton, are an homage to "Rebecca" and then the novel is reminiscent of "Remains of the Day", "Gosford Park", "The Great Gatsby" and other gothic and romantic novels...all acknowledged by the author in the Afterward. All this makes Morton's first novel deliciously readable, engrossing and fun. She takes the tried and true literary motif of an elderly woman, Grace, recounting the story of her life with heavy hints at a few gothic secrets to be revealed in due course. And it works beautifully! I used to love reading these kinds of stories when I was young; who didn't? Thus it was a wonderful treat to find this gem of a novel which completely captivated me for several days. Yes, one can have a first person narrator who is also omniscient when she is a servant; ubiquitous yet silent, hearing and seeing almost all. I won't recount the plot or slip in any spoilers, but I want to make note of what a wonderful job Morton does of depicting the unraveling of the constricting social mores after WWI, especially for women and for the service class as they shed the oppression of the Victorian age and entered the "Roaring 20s" with its bohemian and jazzy style. There are the usual and expected "errors of birth" that we won't be terribly surprised by...we know some secrets before Grace figures them out herself, but one is saved for the end and nicely slipped in. "The House at Riverton" has been a best seller in England and Morton's homeland, Australia, and I can understand why; I expect it will do very well here in the US, too, as we are endlessly fascinated by tales of British high society and all the intricacies of the upstairs/downstairs ways of life. I will anxiously await Morton's next novel!
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67 of 69 people found the following review helpful:
5.0 out of 5 stars
Upstairs/Downstairs Charm and Haunting Mystery Combine for Compelling Novel, May 20, 2008
It's hard to believe this magnificent novel is a first effort by Kate Morton. I will certainly be looking forward to her future work, as this is a well-crafted narrative that exposes a story from the past through the remembrances of ninety-eight-year-old Grace Bradley. A scandalous tragedy at a lavish English party in 1924 is about to be made into a movie and, as the last surviving person from the event, Grace is interviewed by a dedicated young filmmaker. The filmmaker wants to be clear on all details of a young poet's suicide and present an accurate portrayal. Only Grace knows that history in not correct and what everyone thinks happened did not happen at all. She has kept the secret for over 70 years and it has haunted her memory. Morton does a masterful job of taking the reader into the lives of the idle rich, the servants who are devoted to them, and the secret liaisons that connect the two classes in forbidden ways. The conflict between desire and possibility is played out generation after generation. The unreliability of accepted facts, the haunting of the present by the past, and the inescapability of inherited social standing determining one's fate all combine for a searing story I could not put down. The characters are wonderfully three-dimensional, the plot well-paced and highly believable, the explosive conclusion well worth the time invested. I cannot recommend this one highly enough and can only hope Kate Morton continues to gift us with her talent for storytelling.
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