Amazon.com: Hadley & Rubbra: Sacred Choral Music (English Church Music, Vol. 3): Patrick Hadley, Edmund Rubbra, Geoffrey Webber, Cambridge Gonville & Caius College Choir, Richard Hill, Michael Phillips: Music

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Hadley & Rubbra: Sacred Choral Music (English Church Music, Vol. 3)
 
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Hadley & Rubbra: Sacred Choral Music (English Church Music, Vol. 3)

Patrick Hadley , Edmund Rubbra , Geoffrey Webber , Cambridge Gonville & Caius College Choir , Richard Hill , Michael Phillips Audio CD
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Performer: Cambridge Gonville & Caius College Choir, Richard Hill, Michael Phillips
  • Conductor: Geoffrey Webber
  • Composer: Patrick Hadley, Edmund Rubbra
  • Audio CD (December 7, 1993)
  • Number of Discs: 1
  • Label: ASV Living Era
  • ASIN: B0000030UG
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #389,187 in Music (See Top 100 in Music)

1. Lenten Cant: Part 1 - John Mark Ainsley/Donald Sweeney/The Chor Of Gonville & Caius College, Cambridge/Geoffrey Webber
2. Lenten Cant: Part 2 - John Mark Ainsley/Donald Sweeney/The Chor Of Gonville & Caius College, Cambridge/Geoffrey Webber
3. I Sing Of A Maiden
4. A Song For Easter
5. The Cup Of Blessing
6. My Beloved Spake
7. Three Motets, Op.76: Let Us Now Praise Famous Men
8. Three Motets, Op.76: There Is A Spirit
9. Three Motets, Op.76: Except The Lord Build The House
10. Missa In Honorem Sancti Dominici, Op.66: Kyrie
11. Missa In Honorem Sancti Dominici, Op.66: Gloria
12. Missa In Honorem Sancti Dominici, Op.66: Credo
13. Missa In Honorem Sancti Dominici, Op.66: Sanctus
14. Missa In Honorem Sancti Dominici, Op.66: Benedictus
15. Missa In Honorem Sancti Dominici, Op.66: Agnus Dei
16. Three Hymn Tunes, Op.114: St. Colette (Prayer To Jesus)
17. Three Hymn Tunes, Op.114: St. Non's (That Virgin's Child)
18. Three Hymn Tunes, Op.114: Mater Misericordiae (Queen Of Mercy)
19. Magnificat And Nunc Dimittis in A flat, Op.65: Magnificat
20. Magnificat And Nunc Dimittis in A flat, Op.65: Nunc Dimittis

 

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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Some very fine choral music, May 21, 2001
By 
Rodney Gavin Bullock (Winchester, Hampshire Angleterre) - See all my reviews
This review is from: Hadley & Rubbra: Sacred Choral Music (English Church Music, Vol. 3) (Audio CD)
A music student who was at Cambridge, England,in 1952 recalled his professor: `I remember him several times coming into our supervision in his pyjamas, carrying his wooden leg, which he then proceeded to strap on'.* This was the Professor of Music and Fellow of Gonville and Caius College, Patrick Hadley. This unlikely academic had lost a leg in the First World War, and like Sir Arthur Bliss, a brother. He was friends with that group of hard-drinking English composers which included Philip Hesletine, Constant Lambert, Jack Moeran and Alan Rawsthorne and was also friendly with Vaughan Williams. As a composer, his output was very small but included some very fine pieces such as The Hills and The Trees So High. Although he was a great admirer of Delius, his style is closer to that of Vaughan Williams. The Lenten Cantata was composed in 1962. Here the original orchestra is replaced with the organ. The composer uses biblical texts with poems from 17th and 19th century poets to describe man's yearning for God, Christ's birth and crucifixion. It is unremittingly anguished or sad - even the final `Light of the lonely pilgrim's heart' is wan in its relative optimism. The other four songs, all set to biblical texts or devotional poems, are similarly elegiac in feeling. The music is undoubtedly beautiful but the monotony of mood can be wearing.

Edmund Rubbra was a totally different sort of man - deeply religious, even mystical. His choral music is very fine indeed. The Three Motets begin with `Let Us Now Praise Famous Men'. Extravert at first, the music then becomes more withdrawn and a low organ pedal note underpins the whole motet. `There is a Spirit' is breathtakingly beautiful. The choir sing a setting of The Beatitudes while a soprano - who has a glorious voice - soars above with the words of James Naylor.

Missa in Honorem Sancti Dominici is Rubbra's best known mass. The Credo is the longest and finest section -exhaltant and mysterious by turns. The short Agnus Dei consists of music of great tenderness. This is a masterpiece of liturgical writing.

Of the Three Hymn Tunes, Queen of Mercy is the most memorable. Strophic in form, it is based on a rocking melody.

The final Magnificat & Nunc Dimittis is a grand affair with a substantial organ accompaniment.

It is fitting that the Choir of Gonville & Caius College, Cambridge under Geoffrey Weber should perform the Hadley works. Their performance is very good as is the recording which was made in the Chapel of the Hospital of St Cross, Winchester. This is not a clinical hospital but a place where certain pensioners spend their last days.

*`Paddy' - the life and music of Patrick Hadley by Eric Wetherall, Thames Publishing, London, 1997

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1 of 1 people found the following review helpful:
5.0 out of 5 stars The Hadley works are the best material here, December 1, 2007
This review is from: Hadley & Rubbra: Sacred Choral Music (English Church Music, Vol. 3) (Audio CD)
Fans of Rubbra's rugged, spikey style of writing will certainly be happy with these performances. But this is not the most special part of this disk. That honor goes to the Hadley compositions -- especially the miniatures "I Sing of a Maiden," "The Cup of Blessing" and "My Beloved Spake." The last of these is Hadley's most famous composition, and along with John Ireland's anthem "Greater Love Hath No Man" it's probably the best example of an English anthem written in the modern era. This particular performance is as good as I've ever heard in the original chorus-and-organ arrangement -- you're certain to be transported to another dimension when you hear it.

The Caius and Gonville singers do a stupendous job throughout the entire CD -- it makes one wonder why they aren't as famous as their Cambridge Cathedral counterparts ... they're certainly as deserving of musical praise.
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