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An active member of the Haiku Society of America, he served as Vice-president in 1991 and again in 1995-96, and served as President in 1997. As a leader of HSA he was instrumental in organizing an International Haiku Conference in Chicago in 1995, and in 1997 he led a delegation of prominent English language haiku poets and editors to the second Joint Conference in Tokyo.
He is currently editor of Modern Haiku, the longest-running journal of haiku and haiku studies in English . He is also poetry editor for Illinois Times and haiku columnist for Solares Hill newspaper (Key West, Florida).
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Most Helpful Customer Reviews
63 of 64 people found the following review helpful:
5.0 out of 5 stars
An Excellent and Enriching Book!,
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This review is from: Haiku: A Poet's Guide (Paperback)
You might like to know the contents of this book:
Forward v An invitation to Haiku vii A Note On The Text ix Acknowledgements x Contents xii Haiku -- The Poetry of the Seasons 1 Haiku's seasonal Awareness 3 Japanese Haiku 4 The Development of American Haiku 9 The Art of Haiku 13 Form 14 Season 24 Haiku Moment, Context, and Order of Perception 33 Juxtaposition and Working with Images 38 Senses in Haiku 45 Suggestion and Reverberation 51 Significance and Effect 53 Not Exactly Haiku: Senryu and Zappai 55 Haiku with a Snap: Nature and Human Nature 55 Haiku with a Zap: Wit and Syllable Counting 57 The Craft of Haiku 59 Language 60 Haiku on the Page 67 Other Techniques of Japanese Haiku 77 Haiku Grammar 79 Poetic Devices 84 Objectivity, Subjectivity, and Subjective Realism 92 The Secret to Writing Haiku 104 Getting in the Mood 104 Writing and Revising Haiku 106 Beginners' Haiku 106 A Haiku Typology 108 Why Edit? 112 Guidelines for Editing 112 Publishing Haiku 116 Haiku Arts: Renku, Haibun, and Haiga 119 Linked Verse Forms 119 Haibun 121 Haiga 122 From Basho to Barthes 125 The Aesthetics of Classical Haiku 125 Shiki: Three Stages in the Development of the Haiku Poet 133 Barthes: Finding the Pleats in the Silk of Life 138 From Nature Sketch to Wordless Poem 140 Haiku's Universal Appeal 140 A Look Ahead 143 Works Cited 146 Resources 147 Books 147 Print Journals 152 Online Journals 154 Other Online Resources 154 Haiku Organizations 155 Credits 156 Index 163 *** This is a very informative book about haiku -- what it is and what it is not. The author's writing is unambiguous and insightful. He places examples of failed haiku beside successful ones to illustrate the difficulties and subtleties of technique. *** I was very pleased to find a point addressed that I had always wondered about concerning whether it is better to use the present-tense or participle form for verbs in haiku -- or whether it matters at all. A haiku almost always will present a moment in the present. That means that the verbs used are likely to be in the form of either the simple present-tense (e.g. runs, paints, fishes, etc.) or participle (e.g. running, painting, fishing, etc). Well, apparently there is no set rule about which to use, but here is an example of what the use of the participle will allow: One of my own (not necessarily good) haiku used as an example: a garden pond drawing the moon out from behind a cloud The use of drawing allows that it can be read as any of these: "a garden pond [is] drawing" or "...[was] drawing," or even "...[will be] drawing." Using the participial form provides the haiku with a versatility or flexibility with regard to the dimension of time. Here's what it would be using the simple present tense form: a garden pond draws the moon out from behind a cloud The versatility that the participle provided is gone, but it also may be true that this version rings more pleasurably to the ear. Well, anyway he speaks about that in his book and I just appreciated that he addressed that point; no other haiku book that I have ever read had ever done so. (By the way, if you are interested in reading about this particular point for yourself it is to be found starting on page 79 in the "Haiku Grammar" section.) *** In conclusion: The author thoroughly fills you in about haiku's origins, evolution and its future. There are many examples of successful haiku from many of today's practicing haiku poets included with valuable analysis for each. This is a very worthwhile book for becoming acquainted with the haiku verse form and I could find no fault with it. I heartily recommend it to you.
56 of 58 people found the following review helpful:
5.0 out of 5 stars
Not Just Beginners . . .,
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This review is from: Haiku: A Poet's Guide (Paperback)
. . . but anyone serious about writing haiku in English (or any language, if they read English) will find *Haiku: A Poet's Guide* invaluable. Unlike other books on haiku which make your head spin with lists and rules for beginners, this one helps beginners get off the ground and soon reach the point where they can evaluate their own work. Coming as it does from the editor of the premiere English-language haiku magazine and a fine poet (get his *Fresh Scent*, while you're at it), this book goes into more depth, yields more insight, than anything else available in the field so far. This is the one to keep on your desk or in your backpack.
42 of 44 people found the following review helpful:
5.0 out of 5 stars
Not One Word Wasted,
By Hortensia Anderson "Hortensia Anderson" (nyc, ny, usa) - See all my reviews
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This review is from: Haiku: A Poet's Guide (Paperback)
An excellent book for the advanced writer of haiku as well as the beginner. You will find yourself referring to it over and over and re-reading it for the sheer pleasure of it. The only error is in the title - I have recommended this wonderful book to many non-poet friends and discovered to my delight that they enjoyed it as much as I. Truly, a treat!
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