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The Halfway House (New Directions Paperbook)
 
 
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The Halfway House (New Directions Paperbook) [Paperback]

Guillermo Rosales (Author), Anna Kushner (Translator), José Manuel Prieto (Introduction)
4.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

New Directions Paperbook May 27, 2009

“This posthumous translation of Rosales, a Cuban-American writer who committed suicide in 1993, delivers a raw, powerful story set in a Miami home for the mentally ill… It’s a frightening, nihilistic cousin of One Flew Over the Cuckoo’s Nest.”—Publishers Weekly

Never before available in English, The Halfway House is a trip to the darkest corners of the human condition. Humiliations, filth, stench, and physical abuse comprise the asphyxiating atmosphere of a halfway house for indigents in Miami where, in a shaken mental state, the writer William Figueras lives after his exile from Cuba. He claims to have gone crazy after the Cuban government judged his first novel “morose, pornographic, and also irreverent, because it dealt harshly with the Communist Party,” and prohibited its publication. By the time he arrives in Miami twenty years later, he is a “toothless, skinny, frightened guy who had to be admitted to a psychiatric ward that very day” instead of the ready-for-success exile his relatives expected to welcome and receive among them. Placed in a halfway house, with its trapped bestial inhabitants and abusive overseers, he enters a hell. Romance appears in the form of Frances, a mentally fragile woman and an angel, with whom he tries to escape in this apocalyptic classic of Cuban literature.

“Behind the hardly one hundred pages,” Canarias Diario stated, “is the work of a tireless fabulist, a writer who delights in language, extracting verbs and adjectives which are powerful enough to stop the reader in his tracks.”

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Editorial Reviews

From Publishers Weekly

Starred Review. This posthumous translation of Rosales, a Cuban-American writer who committed suicide in 1993, delivers a raw, powerful story set in a Miami home for the mentally ill. William Figueras, a 38-year-old writer who, like the author, is an exile from Cuba and suffers schizophrenia, is deposited in a boarding house by his aunt, because nothing more can be done. His writing was deemed morose, pornographic, and also irrelevant by the Cuban government, and now he has grown as hopeless and abandoned as the other desperate outcasts who inhabit the shabby home owned by the miserly Mr. Curbelo and run by a beer-guzzling flunky named Arsenio. Figueras despises the other residents and clearly recognizes how they are being exploited by Mr. Curbelo and Arsenio, yet out of his own state of self-debasement, he joins in the cruelty. Briefly, hope inspires him in the form of a new female inmate, and together they plan an escape. However, life outside promises to be more treacherous than staying in the ward. It's a frightening, nihilistic cousin of One Flew Over the Cuckoo's Nest. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Confronting an impassive world, Guillermo Rosales has left us this painful, violent, and lyrical testament. (Le Figaro )

It seems almost impossible to find so much cruelty in barely one hundred pages; but it’s just that behind these terrible and moving one hundred pages there are thousands of pages, millions of sentences, that reveal an entirely destroyed universe. Indispensable. (Revista Leer )

The real brilliance is…its portrait of a man...reduced to the very cruelty he had tried to avoid. (Jascha Hoffman - The National )

This book is a shot of light through the darkness of human misery. (Jeff Waxman - Three Percent )

The characters in the halfway house are tragically beautiful and unforgettable. (Susan Salter Reynolds - Los Angeles Times )

Hope inevitably implodes into disappointment, and love…curdles with the possibility of destruction. (Abigail Deutsch - The Literary Review )

We are fortunate to have this award-winning book finally available to English-speaking readers. Very powerful and gripping. (Bessy Reyna - Multicultural Review )

Perfect for the pool and beyond. (Joy Tipping - Fort Worth Star-Telegram )

With The Halfway House, Rosales joins the pantheon of the very best Cuban writers, José Lezama Lima, Piñera, and Reinald Arenas. (Thomas McGonigle - Review of Contemporary Fiction )

A masterful kick-in-the-teeth…savagely beautiful. (Bill Marx - The World, Public Radio International )

Product Details

  • Paperback: 121 pages
  • Publisher: New Directions; 1 edition (May 27, 2009)
  • Language: English
  • ISBN-10: 0811218023
  • ISBN-13: 978-0811218023
  • Product Dimensions: 7.8 x 5.1 x 0.4 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #332,880 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Amazing!, June 28, 2010
This review is from: The Halfway House (New Directions Paperbook) (Paperback)
I found this gem in a used bookstore. I see it hasn't been reviewed many times, and that's such a shame. This quick read is incredibly entertaining and moving. Give this book a chance and you won't be able to put it down!!
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Brutal and Beautiful, October 13, 2009
This review is from: The Halfway House (New Directions Paperbook) (Paperback)
Guillermo Rosales, a Cuban-American writer who suffered from mental illness, committed suicide in 1993 after destroying most of his work. The Halfway House survived and is the first of Rosales's novels to be translated into English.

In this autobiographical novel (a novella, really), Rosales's protagonist, William Figueras, flees to Miami from Cuba. Instead of the "future winner" Figueras's relatives expect to greet at the airport, they discover "a crazy, nearly toothless, skinny, frightened guy who had to be admitted to a psychiatric ward that very day." After a couple unsuccessful moves, Figueras's relatives eventually abandon him to a decrepit halfway house. The Halfway House, comprising Figueras's first-person narrative of his life in the halfway house, begins with this characteristically dark and pointed line: "The house said `boarding home' on the outside, but I knew that it would be my tomb."

This compact novel (under 150 pages) is structured around the routines of the halfway house: its inedible meals, the residents' unsanitary habits, the nightly dramas of sexual abuse, and Figueras's rambling walks through the city. The Halfway House's elegant structure contrasts markedly with its squalid subject. In another stark contrast, Figueras exhibits very few symptoms of mental illness and, thus, finds himself in a position of relative power. As if from the perspective of an objective observer, Figueras's narrates his own gradual transition from victim to victimizer and then back again. Although he exerts some control over his status as a victim or a victimizer, his attempts to break out of the cycle altogether fail.

Anna Kushner's masterful translation retains the bite of Rosales's prose and also its subtle humor and playfulness. The Halfway House reveals the horror of a halfway house run by unscrupulous men and, at the same time, the beauty of the residents' undeniable humanity.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars An unflinching but humor filled look at mental illness, July 19, 2009
This review is from: The Halfway House (New Directions Paperbook) (Paperback)
Like the author, the narrator of The Halfway House, William Figueras, is a Cuban writer who emigrates to Miami, and meets his expatriated relatives, who are disappointed to learn that the "future winner" they were expecting is, instead, a "crazy, nearly toothless, skinny, frightened guy who had to be admitted to a psychiatric ward that very day because he eyed everyone in the family with suspicion and, instead of hugging and kissing them, insulted them." After he spends six months in and out of psychiatric wards, his aunt drops him off at a halfway house that caters to Latinos, telling him that "nothing more can be done."

William very quickly learns that he has landed in Hell. His housemates are all demented, stuffing toilets with clothes and relieving themselves all over the house. The owner, Mr. Curbelo, steals their Social Security checks, and provides them with less amenities than the worst jail. Order is kept by several "employees", especially Arsenio, who steals from and beats the male residents, and rapes the female ones. Out of anger and frustration, William also begins to physically and sexually abuse his housemates, earning him the respect of Arsenio.

One day a young, innocent and disturbed woman, Frances, becomes a resident. William immediately takes to her, and the two create a plan to escape from the halfway house and build a life together. However, Mr. Curbelo and Arsenio have a plan for them.

This novella, although quite sad, was not morbidly depressing, as it is infused with warmth and humor, and the narrator does not descend into madness or despair despite his obvious pain and anguish.
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