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Hall & Oates
 
 

Hall & Oates

Hall & OatesAudio CD
4.5 out of 5 stars  See all reviews (6 customer reviews)


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Biography

Singing and songwriting duo Daryl Hall and John Oates were one of America's most popular acts in the early 80s. Their first breaks came in 1976, when "Sara Smile" and "She's Gone" were Top 10 hits, before "Rich Girl" became Hall & Oates' first Hot 100 chart-topper the following year. However, their next seven singles all flopped, so Hall & Oates decided to ditch their producers and do it… Read more in Amazon's Hall & Oates Store

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Product Details

  • Audio CD (May 10, 1994)
  • Number of Discs: 1
  • Label: RCA
  • ASIN: B000008GBS
  • Also Available in: Audio CD  |  Audio Cassette
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #640,164 in Music (See Top 100 in Music)

1. Camellia
2. Sara Smile
3. Alone Too Long
4. Out Of Me, Out Of You
5. Nothing At All
6. Gino (The Manager)
7. (You Know) It Doesn't Matter Anymore
8. Ennui On The Mountain
9. Grounds For Seperation
10. Soldering

 

Customer Reviews

6 Reviews
5 star:
 (3)
4 star:
 (3)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful:
5.0 out of 5 stars It Really Does Matter, June 8, 2010
All too often in the mid 70's there was so much excellent and well crafted soul,funk and jazz inspired music that was delivered to pop radio as "soft rock" or "singer-songwriter pop". People like Todd Rundgren,Edgar Winter,Gino Vannelli and to a lesser extent Laura Nyro since she never charted on her on own all kind of fell into this world at one time or another along with many others. One duo decided that after three mildly unfocused albums on Atlantic that they would adopt the idea of soul-pop for it's own sake. They were Philledelphia's own Daryl Hall and John Oates and this self titled debut album for RCA set the pattern for the sound they would continue to refine and develope for the next decade. Of course the silver embossed,airbrushed androgony of the album cover was a big attention getter so,because so many people do tend to look at an album cover and make guesses based on that about the music within. Needless to say this isn't a glam rock sounding project as the cover might mislead you stereotypically. For the most part the album is a cleanly produced,romantic Philly soul style production with plenty of smooth,bluesy guitar riffing and on many of the songs some great,at times very funky Fender Rhodes work. "Camellia" and "Alone Too Long" are two uptempo pop/funk that could also work as radio friendly pop/rock too. Both are sung by John Oates whose mildly untutored,scaling low tenor tremmelo takes a bit of getting used to if your not used to it but it's because of that quality they sound somewhat different the usual Hall & Oates fare. "Sarah Smile" is of course the best known tune on this album and there are a number of Daryl Hall sung songs here that continue in the same Philly soul slow jam vein such as "Nothing At All" and "It Doesn't Really Matter" that find the duo developing their distinct harmonic style and major/minor chorded transitions both vocally and musically. The roots of many of their 80's classics like "One On One" and even "I Can't Go For That" can be found on these tunes. Because they were still relatively early in their career however they were still all too willing to experiment still. "Gino (The Manager),written about Tommy Mottolla and the bluesy shuffle of "Ennui On The Mountain" are both pretty edgy guitar rockers but because their comming at it from their soul roots there's still an unusually sussinct rhythm style rather than the noisy solos of a lot of rock music. Both explore,in a rather metaphorica way now and again explore the ups and downs of sudden fame. "Out of Me,Out Of You" and "Grounds For Seperation" kind of strech some of these soul rock concepts into more constructed tunes with multiple parts wheras "Soldering" is actually a very strong stab at rhythm box bassed reggae. So many pop CD reissues should be so lucky when it comes to reissues since the two bonus cuts-the funky soul/pop of "What's Important To Me" and "Ice",the former sang by Daryl and the latter by John are both strong tunes that actually sound as if they're just part of the original album itself. While this album still has a few awkward production moments and unusual musical shifts atypical of their later self produced efforts this album emcompasses a number of sub genres of rock,soul and pop/funk within it's framework and gave them a good flying start at their future success.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Underated Hall & Oates Classic, September 10, 2009
By 
Ronald A. Olcen "Beatle fan" (Port Coquitlam, British Columbia Canada) - See all my reviews
(REAL NAME)   
Although it only included one big Hall & Oates hit (Sara Smile), the rest of the album is very strong and the added bonus tracks make it extra special. It is my personal favorite Hall & Oates album of all time.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Another Favorite Of Mine, January 12, 2011
Great album. Most of the tracks are absolute classics. "Camelia", "Sara Smile", "Alone Too Long", "Out Of Me, Out Of You", are clear examples of the superb songwriting and vocals that H&O is known for. This album back in 74 also wore out the needle on my turntable. Worth having.
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