No work of fiction has explored the undercurrents of love between a writer and a reader as seductively as "Hallucinating Foucault", a breathtaking literary debut. "One of the best novels of the year".--A.S.
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Most Helpful Customer Reviews
11 of 11 people found the following review helpful:
5.0 out of 5 stars
Writer and Read- Classic(?) Love Story,
By kip24@worldnet.att.net (New Jersey, USA) - See all my reviews
This review is from: Hallucinating Foucault (Paperback)
Many novels can hold a reader but very few, the great rare ones, can keep the reader enthralled, fascinated, and eager for every succeeding page. This is one of those rare, beautiful works that restores faith in the power of the novel, the subtle, beguiling beauty of fiction, and confidence that amid the trash being published, there are wonderful, creative new writers. While Michel Foucault, the great French writer and philosopher, is in the title of this book, it is more about the person reading it than about anyone else. Duncker explains the relationship between the writer and the reader so clearly that she also expresses it through her own creative relationship with the person who is reading her work. Hallucinating Foucault shows how a novel can be written simply and clearly while being deeply felt, philosophical, and astounding all at the same time. A wonderful, gorgeous, meaningful book that lingers in the memory long after the final page is turned and the last pieces of the puzzle- and the puzzle here is much more intriguing than those in most of other novels that rely on puzzles- are fit perfectly in place. The title may be somewhat intimidating but from the very first page, Duncker wraps the Reader in prose that makes her book almost impossible to put down.
8 of 9 people found the following review helpful:
5.0 out of 5 stars
An Academic Novel for Romantic Post-Structuralists,
By
This review is from: Hallucinating Foucault (Hardcover)
I sat down to read _Hallucinating Foucault_ one sleepy evening and became to engrossed I could not stop reading until I finished a couple energizing hours later. Duncker makes my brain work. She brilliantly brings forth the human side of late twentieth century post-structural philosophy and post-modern literature, binding the reader into a love triangle that's both solid and ethereal. What does the reader bring to the text? What sort of relationship does the reader have with the writer? What happens if the reader really does go to seek the author--who isn't dead after all--and blends his intellectual dream with "reality"? As a doctoral student, my favorite thing about this book is that the plot has the best possible happy ending--the protag. finishes his diss. and gets a job!! This is better than Byatt's _Possession_ and up there with Winterson's _The Passion_ for me.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Intriguing, absorbing,
This review is from: Hallucinating Foucault (Hardcover)
All fiction is allegory: it's just a matter of how much each author is willing to go either into what Hawthorne or O'Connor called "romance," or into any other number of less baldly allegorical avenues with their writings. That was brought home to me in a new way with Halluncinating Foucalt. At first I assumed I was reading, basic, contempory, post-modernist fiction. But within the first 50 pages or so I began to realize that Patricia Duncker's characters and plot were deliberately singular. The anonymous narrator; his hysterically funny, intense paramour (equally anonymous, known only because of her study of Schiller, as "The Germanist"); the insane author Paul Michel, whose life long obsession with Foucault is ostensibly the novel's key: are all very subtly drawn symbols of certain types of people, i.e., readers and writers of fiction or philosophy. As the narrative progresses with inevitability and predictability, the charactors become symbols of those genres of writing themselves. Once I realized this, called myself a hopelessly bourgeois pig-man and looked at it again, many things that had begun to annoy me about the book fell into place -- specifically, the narrator's one-dimensionality and some rather heavy-handed plot moves. (The Germanist's history and ultimate role in the plot to liberate the instutionalized Michel, even still, was a strain on the suspension of disbelief.)Still, once I could look at the novel as deliberately sidestepping many typical narrative mechanisms, I enjoyed it a great deal. Ms. Duncker has written a mystifying book, no matter how you approach it. Its questions about devotion and loyalty and passion and sanity will, as another reader put it, stayed with me long after I put it down and went on to other, more conventional fiction.
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