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The setting (which is a beautiful house on Long Island, between 1880 and 1920, for those of you who were wondering) is lush, colorful, and exciting, which is a huge change from the typical drafty, cold, dark castle in which we see Hamlet sulking around.
The cast does amazing work with their interpretations -- Campell Scott and LisaGay Harding's being two of the most original I've seen yet -- and are all believable characters, not at all overacted. The cuts in the script are understandable (they had a three-hour limit), and work very well. Polonius works surprisingly well as a respectable elderly right-hand man to the king, rather than a bumbling idiot who likes to hear himself talk.
Also, the music in the film is gorgeous and engaging -- it is contemporary jazz, the main instruments being piano, drums, and trumpet, but it works beautifully with the film. It is rather unpredictable and subtle, in that it doesn't always tell you when you should pay attention to the action. Finally, a sountrack that plays to the intelligence of the audience, rather than pandering to it!
My class was fortunate enough to have Campbell Scott (who is an alumnus of my university) come in and talk with us about the interpretive choices they made while making the film, and after I heard what he had to say, I loved it even more. I highly recommend it for anyone who is a fan of Shakespeare -- it is a fresh, original, believable take on an old classic, but it stays true to Shakespeare's intent with dignity and class. Five stars!
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