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Hamlet (Dover Thrift Editions) Paperback – Unabridged

ISBN-13: 978-0486272788 ISBN-10: 0486272788 Edition: Reprint

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Product Details

  • Series: Dover Thrift Editions
  • Paperback: 128 pages
  • Publisher: Dover Publications; Reprint edition (September 24, 1992)
  • Language: English
  • ISBN-10: 0486272788
  • ISBN-13: 978-0486272788
  • Product Dimensions: 8 x 5.2 x 0.3 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (265 customer reviews)
  • Amazon Best Sellers Rank: #155,903 in Books (See Top 100 in Books)

Editorial Reviews

From Library Journal

The big H comes to Penguin's great revamped "Pelican Shakespeare" line. What else do you need to know? Buy it!
Copyright 2002 Cahners Business Information, Inc. --This text refers to an alternate Paperback edition.

Review

- The Annotated Shakespeare General Editor: Burton Raffel --This text refers to an alternate Paperback edition.

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Customer Reviews

Hamlet is the longest, most complicated and famous of Shakespeare's 39 plays.
C. M Mills
The text notes that are included with the play are very helpful to understand some of the more difficult language nuances that are inevitable with any Shakespeare.
Curtis Barton
For high school students, like me, I very strongly recommend this book, if you really like Shakespeare, and aren't looking for a quick read.
drew carrigan

Most Helpful Customer Reviews

16 of 16 people found the following review helpful By David S. Wellhauser on February 6, 2012
Format: Kindle Edition Verified Purchase
This is one of my favourite Shakespeare plays, but in the Kindle edition the footnotes are not activated. Because of this you have to go to the end of the scene/act to look up a word, phrase, or historical data...then there is the issue of getting back to where you were before.

Is it too much to ask for publishers to do their job, and stop producing substandard Kindle books thinking the consuming public will take whatever crap they offer us.

Remember, Amazon allows us to return Kindle books withing a week of purchase. All you have to do is go to Manage Your Kindle and then find where all your books are kept, from there you go to the Actions Tab and select Refund.

If we all begin to complain and return these books then publishers will get the message and begin to do their jobs correctly/thoughtfully.

Again, this is one of my favourite Shakespeare plays but I am NOT going to stand for substandard eBooks anymore.
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19 of 24 people found the following review helpful By R. J. Maxwell on November 11, 2004
Format: Mass Market Paperback
I hated Shakespeare in high school, partly because I could only understand about one word out of every three. Recently -- that is, thirty years post-high-school -- I forced myself to read it again, in the Signet edition, and was dumbfounded at how different my response was. All the difficult terms were explained at the bottom of each page in footnotes. I learned the difference between the two terms of address, "Sir" and "Sirrah," and a lot of other things as well. As an adolescent I asked myself why the hero didn't just kill Claudius right of the bat and have done with it. The reason, it seemed to me, is that there wouldn't have been any play. Hamlet refuses to use his sword on his uncle for the same reason the Indians don't shoot the horses when they're chasing the stagecoach. What a change time has wrought. I guess when you're a kid you don't know the meaning of the term "moral doubt" because so many things seem black and white. It takes a certain degree of maturation to realize that murdering a king because some ghost told you to is a bit morally -- well, fuzzy. For instance, can you be absolutely certain that you're doing it to avenge your father instead of being jealous about your mother's affections? Questions like that, which a thoughtful adult might ask himself, are enough to give anyone pause. It's a fascinating tragedy. Probably the best film about it is still Olivier's from 1947 or 1948, which won an Academy Award if that still means anything. The signet edition is extremely helpful too in providing brief critical essays that review the play from differing perspectives, the Freudian, the feminist, and so on.
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16 of 20 people found the following review helpful By Nemo on July 23, 2008
Format: Paperback
There is little need to review the actual text: it is undoubtedly (along with many other of Shakespeare's plays) an extremely influential work of the human mind, and very well may be the best work of literature ever written, period.
The actual presentation and annotation of the text is rather indivdual as well. Whereas most annotated texts of Shakespeare place annotations on the other side of the page, here they are at the bottom. Considering your eyes spend much more time across the lines and down the page, instead of the small amount of time your eyes take jumping to another page, this annotation makes for a very fluid and efficient way of reading. I think this is the best annotation I've ever seen of Shakespeare. The quality isn't just present in form, however: the substitutions and explanations are always accurate and almost never redundant (to the average reader, not the average professor =]).
The introduction by Burton Raffel and the concluding essay by the legendary Harold Bloom only add to the benefits the book presents, and help to understand the book from a wider perspective once your ideas and feelings reconcile with theirs.
All in all, a great product for anyone who loves Shakespeare, literature, or expanding their minds!
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8 of 9 people found the following review helpful By Jon Chambers on November 28, 2011
Format: Paperback
Having the last word is often an advantage and this Oxford edition of Richard II, coming after its main rivals (Cambridge, 1984) and Arden (Arden, 2002), is consequently able to draw upon more recent research and performance. Its mention of a 2009 Vancouver production of the play (in the Commentary) and its discussion of recent books and articles (in the Introduction) make this volume very much up-to-the-minute. (Interestingly, one such book mentioned, by James Siemon, includes an ingenious interpretation of the allegorical 'garden scene', in which 'bushy' and 'green' excrescences are cut off! Two of Richard's favourites, Bushy and Green, of course, meet a similar fate under Bolingbroke.)

This Introduction is especially strong on the study of history and on Shakespeare's contribution to it. Shakespeare's Richard II is often noted for its conservatism - citizens are called 'subjects' throughout and commoners are much less conspicuous than in source texts. To the Oxford authors, however, Shakespeare's play is radical. As well as being encouraged to judge sceptically for themselves, spectators are made to feel involved in England's past and, from their vantage-point in the playhouse, part of a political community. (But to suggest that the play 'makes the audience a party to the regicide' is, perhaps, to overstate the extent of audience involvement.
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