From School Library Journal
Grade 2-5–It is the time of the tulips, and little Hana misses the attention previously given to her by her now much-distracted, dejected, tulipomaniac father. These days, he is interested only in wealth and trade, bulbs and business; Hana and her dog are banished from the North Garden where Papa's flowers, which once brought pleasure, grow. Noyes's unaffected child's-eye view of the baffling turn of events that drove Holland's economy to collapse focuses on family and on the innocent concern of a child for her father: he is sad, and her simple and fondest wish is to make him smile again. The illustrations are a haunting homage to Rembrandt, who has a peripheral role in the story and whose art typifies the day. Ibatoulline's paintings demonstrate the flexibility of his acrylic-gouache work, which so perfectly mimics Rembrandt's oils, inks, and bistre washes, and which deftly incorporates the chiaroscuro that was central to the master's work. Endpaper scapes of the cottages and canals he loved so well effect an instant time-slip, and the rich, atmospheric portrait work is eloquent. This introduction to a curious time and curious events includes a brief author's note that offers more concrete information on the tulipomania that seized 17th-century Holland (albeit for an older audience), and it functions as a fine vehicle for Ibatoulline's talents. Perhaps a bit esoteric for the elementary school set, but beautiful, nonetheless.
–Kathy Krasniewicz, Perrot Library, Old Greenwich, CT Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
K-Gr. 3. In seventeenth-century Holland, young Hana watches her wealthy father succumb to
tulipomania. Every evening, instead of playing with Hana, Papa worries with his associates over the precious bulbs that "might have been onions." Hana tries to lift Papa's spirits with small tokens--a sprig of rosemary, a chain of daisies--but his mood, and his fortunes, only worsen. Then Hana learns from family friend Rembrandt that painters support their families by creating pictures. Hana paints a rare tulip, presents it to Papa ("I will paint for our bread and butter like Rembrandt and his pupils"), and finally Papa smiles again. Children may need help understanding how tulips fit into Papa's distress. But Noyes tells an unusual story with appealing rhythm and rich, fanciful language, while Ibatoulline's exquisite paintings and ink drawings evoke the historical setting and lively characters with an old master's precise attention to light, form, shadow, and texture. With few titles about Rembrandt available for this age group, this is a fine choice for introducing the artist and his time period.
Gillian EngbergCopyright © American Library Association. All rights reserved
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