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Hanapepe Dream

Taj MahalAudio CD
3.5 out of 5 stars  See all reviews (6 customer reviews)

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Audio CD, Import, 2010 $23.55  
Audio CD, 2003 --  

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Image of Taj Mahal


American blues musician Taj Mahal, was born Henry Fredericks in New York in 1942. His music is a mix of blues, Caribbean styles, bluegrass and the music of Hawaii, where he lived for a number of years.

He formed Rising Sons with fellow bluesman Ry Cooder, playing at Whisky a Go Go, which gave him the opportunity to play with blues legends, amongst them Howlin' Wolf, Muddy Waters and ... Read more in Amazon's Taj Mahal Store

Visit Amazon's Taj Mahal Store
for 80 albums, 4 photos, discussions, and more.

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Product Details

  • Audio CD (June 10, 2003)
  • Original Release Date: June 10, 2003
  • Number of Discs: 1
  • Label: Tone Cool
  • ASIN: B00009KDRA
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #220,434 in Music (See Top 100 in Music)

1. Great Big Boat
2. Black Jack Day
3. Moonlight Lady
4. King Edward's Throne
5. African Herbsman
6. Baby, You're My Destiny
7. Stagger Lee
8. Livin' On Easy
9. My Creole Belle
10. All Along The Watchtower
11. Handpepe Dream

Editorial Reviews

Though he earned earliest acclaim as a blues traditionalist, Taj Mahal is no purist. Instead, he's an eclectic artist who finds common spirit with the blues in a multicultural array of styles. This album's acoustic arrangements lace the ukuleles, slack and steel guitars of Hawaii (where Taj lived for 15 years) with the airier strains of flute and saxophone and the lilt of the African kalimba. Within this follow-up to 1998's Sacred Island, the music island-hops from the Pacific to the Caribbean, as a blend of reggae and calypso influences highlight "Great Big Boat," "King Edward's Throne," and "African Herbsman." Taj and his Hula Blues band additionally apply their transformational power to a sinuously propulsive rendition of Bob Dylan's "All Along the Watchtower," as well as providing syncopated renewal for traditionals "Black Jack Davy" and "Stagger Lee" plus Mississippi John Hurt's "My Creole Bell." Straying furthest from bedrock blues, the lovely Hawaiian balladry of "Moonlight Lady" shimmers like moonbeams dancing across the ocean ripples. --Don McLeese

Customer Reviews

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Most Helpful Customer Reviews
9 of 9 people found the following review helpful
5.0 out of 5 stars a cool drink of summer July 4, 2003
Format:Audio CD
Taj Mahal has never done an album so good-natured and accessible as Hanapepe Dream. It's a perfect summer record, full of high spirit and sunny attitude -- not to mention, of course, the sort of splendid, inspired musicianship Taj and Hula Blues bring to the party.
Sometimes pigeon-holed as a bluesman, Taj is actually far more than that, more an old-fashioned songster in a modern context, picking up a variety of roots styles and incorporating them into a coherent art. Even so, I was surprised to see Taj take on the centuries-old ballad "Blackjack Davy" (aka "Gypsy Davy," "Raggle Taggle Gypsies," et al.), but not so surprised to hear how well he reimagines it. He fuses part of the ballad text with the floating "who's gonna shoe your pretty little foot" verses, setting it to gently rocking r&b sounds. It is sheer delight. The 108-year-old African-American murder ballad "Stagger Lee" is unkillable, of course, but Taj's reading sounds so fresh that you'd swear he'd come upon the song for the first time only last week. "Livin' on Easy," a traditional Hawaiian tune with charmingly goofy, playful lyrics ("She has the personality/ To suit my geneology"), is the perfect summer song. Taj expertly captures the breezy romantic wistfulness of "My Creole Belle," ordinarily associated with Mississippi John Hurt.
It's all here -- folk ballads, calypso, Hawaiian slack key, r&b, blues, reggae, vintage pop, Dylan -- and it's all Taj Mahal music. What a great artist. What a wonderful album.
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7 of 8 people found the following review helpful
5.0 out of 5 stars The wistful blues October 1, 2003
Format:Audio CD
Has Taj Mahal lost it? One might think so after a superficial listen to his latest outing. Closer attending renders a different conclusion.
It's all about the vibe, here--one that, apparently, not everyone can get on board with. How can you have the blues on Hawaii? Or in the Caribbean? Simple. Not everyone is a plantation owner or scuba-diving tourist guide. Read V. S. Naipaul's great book, The Middle Passage, and find out what it means to be a "client culture."
Yes, there's a kind of inanity in much of the lyrics (although a good portion of them are traditional). Yes, this is miles from Mississippi John Hurt (although it contains one of his tunes), let alone Cory Bell or even Muddy Waters.
But you know what? Taj Mahal still works his magic here: The trademark vocal gruffness, esp. manifesting itself at the end of "Blackjack Davey" (easy to see where Captain Beefheart got his basic approach from), the raw edge of his electro-acoustic guitar (which has pretty much replaced his National Steel guitar), the loosy-goosy ensemble playing--all of which is perfectly suited to the island-blues vibe he's evoking here.
I, for one, celebrate this nifty transformation of the blues into an island key. And if you've got big ears, I think you will too.
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5 of 8 people found the following review helpful
5.0 out of 5 stars This is great stuff! July 5, 2003
By Jim D.
Format:Audio CD
We were in Kauai for Christmas 2001 and they have kiosks which sell mostly Hawaiian music (slack key, etc) I spotted a Taj Mahal alblum on display and the clerk told me he lived on the island. I had not heard from Taj since the late 60's in San Francisco and was pleased to see he was still around. The clerk demo'ed a German release of this alblum and his Sacred Island alblum. I was blown away. It was the sound track for our two week vacation. My 86 year old father was with us and he loved it too. Sadly, he passed away shortly after our return. I still listen to these two often and remember our time there. Last Monday Taj was at Humphrey's in San Diego and we saw him there. After the show when only a dozen or so people were remaining, he came out and chatted with us. He is so pleasant and unpretentious and talented.
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