Customer Reviews

Handel - Coronation Anthems / Gritton, Blaze, M. George, Choir of King's College Cambridge, AAM, Cleobury

5 star:		(6)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

If you only have room for one recording of the Coronation Anthems in your collection, this CD will do splendidly. It's pure, lively and 100% fresh Baroque and the chorus really gets into the act. The heavenly harmonies of "My heart is inditing..." and "Upon Thy Right Hand..." are royal pleasure. But as if this wasn't enough, this disc also contains the Ode for Queen Anne, and with it, the most perfect version of Eternal Source of Light Divine I have heard to date. This is one of Handel's most beautiful pieces, but it is not an easy one to nail; it was written for a countertenor, plus you need a great trumpet player- it is a trumpet-voice duet after all. While I enjoyed James Bowman's spirited rendition, I cringed while listening to many versions recorded by high, warbling sopranos- in particular, Kathleen Battle and Edita Gruberova have transposed this one up and out beyond recognition. But here we have Robin Blaze, a countertenor previously unknown to me, giving us an Eternal Source that is truly ethereal, sunlit and sung by a voice that is outstanding by itself and perfectly blended with that trumpet. And, after a beginning like that, the rest of the Ode actually lives up to the high standard.
King shall rejoice and so shall anybody who listens to this CD.

For many years I've been looking for my ideal version of Handel's great Zadok the Priest, and I'm somewhere near it at last. So far as this performance goes, I may actually have got there, all I miss in this account is a little more vividness in the recorded sound. As far as the rest of the disc goes, I have no complaints or reservations at all. The four coronation anthems are given this time in the sequence Zadok, Let thy hand be strengthened, The King shall rejoice and My heart is inditing. Opinions vary as to the appropriate order for them, but obviously if you take a different view of the matter it is very simple to sequence them however you think best. The balance of the disc is taken up with an earlier work, a birthday ode for Queen Anne, probably composed for that monarch's 48th birthday in 1713.

Back to Zadok. Please forgive a possible appearance of dogmatism if I say that the tempo is absolutely right. Cleobury's speed here is much as I remember it from the recording of the coronation of Queen Elizabeth II. It may be faster than one is used to, but there is a very good reason for it. Even at this speed, that spine-tingling orchestral introduction takes a full minute and 20 seconds to reach the great choral chords, and it measures out the tread of the monarch and consort, one stately pace to every four notes, as they advance towards the altar steps in Westminster Abbey, the choral outburst coming as they arrive at them. The choral tone here is very full and grand. I would have been interested to know whether Cleobury has used a larger chorus at this point than later - on one occasion Handel is known to have had 500 performers in Zadok. There are certainly not 500 here, and Handel's choral writing can convey an impression of multitudes even with a smallish choir. From this point on the chorus is appropriately small, clear in its diction and even, to my delight, producing a trill on `ever'. The other three anthems are beautifully done and beautifully recorded. There are various Alleluias in the first three including Zadok, and here, as in the great chorus in Messiah, Handel scans the word sometimes as All-e-LU-ia and sometimes as All-eh-EH-lu-IA. He learned the latter way of doing it from Purcell, and 150 years after Handel's anthems Brahms uses it again in his great Triumphlied celebrating the battle of Sedan.

The words to the birthday ode are by Ambrose Phillips. They are the usual sycophantic rubbish, but `twas ever thus. In days of old such toweringly great poets as Horace and Pindar had turned out equally wince-making sentiments, they just expressed them a lot better. The music is another matter, being simply exquisite. I have been familiar with these three soloists in Handel for a couple of years now, and what a pleasure it is to listen to such perfect singing and perfect sense for the composer's style. The opening number is a heavenly duet for counter-tenor and trumpet. I was very let down at not seeing the trumpeter credited in the liner. It may be Crispian Steel-Perkins (it's good enough to be him) but we are not told. The choir of King's, the Academy of Ancient Music and the director need no introduction by now, and are at their superlative best throughout.

The liner-note, by Anthony Hicks, is helpful, informative and readable, and is given in German and French as well as in English, as are the texts to the music. The recording is really very good too, except that I was eager for just that last ounce of `presence' at the start of Zadok that would have made this disc absolutely perfect for me. The set dates from 2001 I see, so perhaps it will be reissued sometime with a little remastering, fulfilling one of my remaining aspirations in this life.

As a Handel enthusiast, I can't think of any way this recording could be less than perfect. As another reviewer has noted, this disc features a brilliantly-executed Ode for Queen Anne's Birthday in addition to the four Coronation anthems. The tempo for "Zadoc the Priest" is the fastest I've heard, and that speed heightens the drama of Handel's score. That Cleobury and company can perform it thus without losing any richness of tone or color -- indeed, excelling in those very areas -- testifies to the quality of this recording.

This CD of Handel's Coronation Anthems shows the Choir of King's College Cambridge at its true professional height. The music is lively and tuned to perfection. This recording allows both serious and amateur listeners the chance to experience Handel's music as it should be heard.

I enjoyed every minute of this recording, from the soloists to the choir to the orchestra, etc. It was performed as though all the participants were smiling!
The orchestra are famous and here justified their reputation, as did the soloists. The choir were also good, in full sections as well as semi chorus. The only problem was that one alto dominated and was rather over exuberant. But I managed to shut that sound out and concentrate instead on all the plus points.

Cleobury has a genius when it comes to Handel. I decided to order this after hearing his 'Israel in Egypt' with the same forces. It was the best version of the oratorio I had ever heard, and the last third, 'Moses' Song,' was absolutely spine-tingling.
Well, so is this. I have loved the Coronation Anthems for years, and purchased recording after recording trying to capture the thrill I felt when I first heard them. I have finally succeeded. This is a subtle, yet full-blooded rendition that will knock the socks off any lover of Handel--who knew what he was doing when it came to ceremonial music. 'Zadok the Priest' (it made me jump) alone is worth the price of the disc, but every track is up to the same high standard. And the 'Birthday Ode' is beautifully performed too, and too rarely heard--some lovely music there.
I recommend this without reservation--it cannot disappoint, either in terms of the performance, or the recording, which is as near perfect as I can imagine.

While I am no monarchist, I am entranced by the heavenly beauty of this version of Handel's Coronation themes.

As a music piece the selections from this compilation should be deservidly included with other masterpieces such as Mahler's Resurection, and Bach's Brandenburg Concertos.

This recording is very much worth the money!!