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Handel: Furore - Mad Scenes From Operas

George Frideric Handel , Christophe Rousset , Les Talens Lyriques , Joyce DiDonato Audio CD
4.6 out of 5 stars  See all reviews (9 customer reviews)

Price: $16.91 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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MP3 Music, 14 Songs, 1 Digital Booklet, 2009 $9.49  
Audio CD, 2009 $16.91  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Serse (1737): Act III, Scene 11 - Crude Furie (Serse)Joyce DiDonato 3:43$1.29  Buy MP3 
listen  2. Teseo (1713): Act II, Scene 1 - Dolce RiposoJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 3:14$1.29  Buy MP3 
listen  3. Teseo (1713): Act II, Scene 6 - Ira, Sdegni, E Furore O Stringero Nel SenJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 4:46$1.29  Buy MP3 
listen  4. Teseo (1713): Act V, Scene 1 - Moriro, Ma VendicataJoyce DiDonato 4:46$0.99  Buy MP3 
listen  5. Giulio Cesare (1724). 1 Air De Sesto: Act II, Scene 6 - L'angue Offeso Mai RiposaJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 5:22$1.29  Buy MP3 
listen  6. Admeto (1727), Air D'Admeto: Act I, Scene 1 - Orride LarveJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 7:32$1.29  Buy MP3 
listen  7. Hercules (1745), Air De Dejanira: Act I, Scene 2 - There In Myrtle ShadesJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 4:39$1.29  Buy MP3 
listen  8. Semele (1744), Air De Juno: Act II, Scene 1 - Hence, Iris Hence AwayJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 3:39$1.29  Buy MP3 
listen  9. Imeneo (1740), Air De Tirinto: Act II, Scene 3 - Sorge Nell'alma MiaJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 5:20$1.29  Buy MP3 
listen10. Ariodante (1734): Act II, Scene 3 - Scherza Infinda (Ariodante)Joyce DiDonato/Christophe Rousset/Les Talens Lyriques10:54Album Only
listen11. Admeto (1727), Air D'Alceste: Act II, Scene 7 - Gelosia, Spietala AlettoJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 4:59$1.29  Buy MP3 
listen12. Amadigi (1715), 2 Airs De Meliisa: Act II, Scene 10 - Destero Dall' Empia DiteJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 5:23$1.29  Buy MP3 
listen13. Hercules (1745), Air De Dejanira: Act II, Scene 6 - Cease Ruler Of The Day To RiseJoyce DiDonato/Christophe Rousset/Les Talens Lyriques 4:44$1.29  Buy MP3 
listen14. Hercules (1745), Air De Dejanira: Act III, Scene 3 - Where Shall I FlyJoyce DiDonato 6:00$0.99  Buy MP3 


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Joyce DiDonato consistently earns ecstatic reviews wherever she sings. Among the world's most charismatic performers, she is winner of the Metropolitan Opera's Beverly Sills Award, among many other honors. "The buoyant progress of DiDonato's career has been one of the happiest opera events of the past decade," states Opera News magazine. Critics have called her technique ... Read more in Amazon's Joyce DiDonato Store

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Handel: Furore - Mad Scenes From Operas + Drama Queens + Diva, Divo
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Product Details

  • Performer: Joyce DiDonato
  • Orchestra: Les Talens Lyriques
  • Conductor: Christophe Rousset
  • Composer: George Frideric Handel
  • Audio CD (January 13, 2009)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Erato
  • ASIN: B001DZW7SE
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #79,874 in Music (See Top 100 in Music)

Editorial Reviews


Customer Reviews

Most Helpful Customer Reviews
19 of 19 people found the following review helpful
5.0 out of 5 stars My Choice for Best Recording of 2008 February 12, 2009
Format:Audio CD|Verified Purchase
Few albums in recent times have I anticipated the arrival of more than Joyce DiDonato's Furore - an album of Handel arias that should dispel the myth of baroque boredom for many. I've had to digest it before reviewing it, wanting to absorb its flavor, take a break and return to see how I felt on repeated hearings before just offering a rave. Having done so, here's the expected rave.

DiDonato is one of those artists who seem to have everything in the world going for her. A unique, sexy look (ever reminding me of the young Bette Midler), great sense of style (remember her Nancy Sinatra get-up as she hosted the Met's HD Orfeo offering.
From Teseo she offers Medea's breathtaking yet oddly constructed "Dolce riposo" that, while a little quicker in tempo than I would have liked, manages still to convey the emotions of the title, the brisker tempo allowing for no singerly indulgences or unduly stretching the vocal line out of proportion. This offers a nice constrast a more rubato delivery of the interior recitative sections, returning to the da capo with a hushed intensity, embellishing the line with varying rates of vibrato and volume, the dispatch of perfect trills and a perfect Handelian line. As much as I love the virtuostic pieces (and boy do I), it is in these quieter, introspective numbers that Handel wows me every time and DiDonato knows exactly how to put these types of arias over.

Following the "Dolce riposo" comes one of those very virtuostic arias - the one, in fact, responsible for the title of this delightful disc.

Recently I've been involved in discussions about historical singers, e.g.
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3 of 3 people found the following review helpful
4.0 out of 5 stars Excessive 'furore'? May 5, 2009
Format:Audio CD
Mrs Joyce Di Donata, IMGV, is about the best female operatic singer to emerge in this last decade. She has everything in terms of timbre, technique, musicality, and sensitivity.
However, I cannot give 5 stars to this solo album, which, again IMHV, fails quite flatly to present her artistry in the best possible light for one obvious reason: indiscrimination of choices.
Since the days of Bartoli's Vivaldi Album some decade ago, mezzo-sopranos, countertenors, sopranos, even tenors now, scramble to be succumbed to 'furore' arias, or 'bravura' arias. Fine, they want to showcase their coloratura technique. What those top singers do NOT realise is that, for the listeners, too much of coloraturas is a torture and not a pleasure.
And what I loath totally is the screechy sound of those lovely voices being mercilessly deployed to convey the so-called pathos, hatred, anger, or put simply, 'furore', track AFTER track.
This could hardly be a selling point of an entire album of 60 minutes plus stuff (or thereabouts).
What producers should forthwith realise is that the 'market' is already quite well saturated with such recorded 'furore' repertoire. Avaried programme would serve the artist 100 times better!
It would hardly do any service their star singers if such is being perpetuated further without discrimination.
Despite the performance of Mrs. Di Donato, only 4 stars.
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10 of 14 people found the following review helpful
5.0 out of 5 stars Top of the charts January 21, 2009
Format:Audio CD|Verified Purchase
This recording stands out among the best of the best. Ms. DiDonato is absolutely stunning, it is an amazing piece of work that gives me chills. Such a wonderful voice being able to sing such insane women!
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2 of 3 people found the following review helpful
4.0 out of 5 stars Too Much of a Furious Thing ... December 13, 2010
Format:Audio CD|Verified Purchase
... or of a good thing gone overboard. Fourteen straight arias of fury and despair can wear a listener out, even one as devoted to Handel as I am. Moreover, such an overwrought performance can also expose even the slightest weakness in a singer's technique.

Joyce di Donato is a very fine singer, and on this CD she aims to prove it, particularly with her astonishing flurries of arpeggios and ornaments. But here she's rather exaggeratedly singing a whole recital of arias as if she were performing them on stage. Really, to my ears, any of them would be impressive, effective, affective in the context of a staged opera. Some of them would surely knock my socks off, especially since di Donato is also a striking musical actress. Nevertheless, as item after item of an aria recital, di Donato allows her dramatic mode to endanger her musical technique. She gives us too much of her harshest timbres. She colors her notes with vibrato too relentlessly. Worst of all, she lets her furor spoil her tuning altogether too often for a recital, that is, for a purely musical delight to be heard multiple times. Don't believe any reviewer who fails to object to the tuning errors on this CD; on the other hand, if you can't hear them for yourself, count yourself lucky for small favors. The bottom line on this performance is that it's not as good as similar recital recordings by Simone Kermes, Sandrine Piau, Philippe jaroussky, or Emanuel Cencic.

The accompaniment by Les Talens Lyriques, conducted by Christophe Rousset, is so good, so supportive, that it deserves a separate mention. But even so, I can't imagine that I've reach for this CD very often unless my marriage takes a wrong turn.
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5.0 out of 5 stars SPECTACULAR!!!!! January 20, 2014
Format:Audio CD|Verified Purchase
The best singer I've heard in ages. A spectacular voice. Is there anything she can't do? The more I listen to this repertoire, the more I like it.
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