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Hangman's Pop
 
 

Hangman's Pop

GravyAudio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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MP3 Download, 14 Songs, 2004 $8.99  
Audio CD, 1997 --  

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Product Details

  • Audio CD (October 28, 1997)
  • Label: Q-Division
  • ASIN: B000007OEQ
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #641,544 in Music (See Top 100 in Music)

 
1. Memory
2. Noise
3. King's Castle
4. Absolution
5. A Scary Tree With Eyes Rating Eating Someone
6. The Song
7. The Big One
8. Pretty Krishna
9. 6/8 Time
10. Concerning Mr. G's Missing Digit
11. Sissy Blood
12. Embrace Your Plague
13. Closing Credits

 

Customer Reviews

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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3 of 3 people found the following review helpful:
5.0 out of 5 stars The Cavedog's legacy lives on!, June 7, 2000
This review is from: Hangman's Pop (Audio CD)
The Cavedogs exemplified the "power" in power-pop. The Boston based trio produced two brilliant albums in the early 90's and disintegrated. The band splintered, and the recording projects from the former Cavedogs showed that each was capable of putting out an album nearly recalled their former band's glory. Bassist Brian Steven's teamed up with XTC's Dave Gregory to produce his solo album "Prettier than You" which expanded upon the Cavedog's psychedelic pop tendencies, while Poundcake's "Aloha Via Satellite" (featuring drummer Mark Rivers) showcased the Cavedog's sense of irony while retaining its power.

Which brings us to The Gravy, featuring the Cavedog's guitarist Todd Spahr. "Hangman's Pop" recalls the manic side of the Cavedogs. Sure, there are great hooks and moments of sparkling clarity, but the album is dominated by a murky, mysterious quality that makes the contrast so effective.

This album is sonically dense, with layers of swirling guitars that suddenly make way for barrages of thundering drums and power chords (particularly in "A Scary Tree With Eyes Eating Someone"). Even seemingly straightforward rockers like "The Song" include scattered breaks with overdriven bluegrass chicken-pickin' to offset the grunge. The sound montages between songs add atmosphere and give the album an exotic feel. Then out of the mist charges the pure power-pop "Pretty Krishna" and "Sissy Blood". Spahr's voice recalls a more muscular Marshall Crenshaw and its beauty stands out wonderfully over the rocking power trio supporting it.

I don't mean to pass of this album as a Todd Spahr solo project because the band sounds very tight (although only drummer Michael Jordan reappears on 1999' self titled EP). But this is clearly Spahr's show.

If you were a fan of the Boston rock scene in the 80's, The Gravy recall the best elements of Mission of Burma, Moving Targets, early Lemonheads and, ultimately, the Cavedogs. Fans of hard rocking guitar pop should look no further.

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