Hangover Music, Vol. 6

Black Label Society | Format: Audio CD

Product Details

• Audio CD (April 20, 2004)
• Number of Discs: 1
• Label: Spitfire
• ASIN: B0001Z363W
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (102 customer reviews)
• Amazon Best Sellers Rank: #55,424 in Music (See Top 100 in Music)

Track Listings

1. Crazy or High

2. Queen of Sorrow

3. Steppin' Stone

4. Yesterday, Today, Tomorrow

5. Takillya (Estyabon)

6. Won't Find It Here

7. She Deserves a Free Ride (Val's Song)

8. House of Doom

9. Damage Is Done

10. Layne

11. Woman Don't Cry

12. No Other

13. A Whiter Shade of Pale

14. Once More

15. Fear

Editorial Reviews

"Hangover Music Vol.VI" was Black Label Society's fifth studio album (and sixth overall), originally released in April 2004. The album is much more mellow than the band's other releases and in many ways harks back to Zakk's solo album "Book Of Shadows". The tracks include a piano driven version of Procol Harum's classic "A Whiter Shade Of Pale", a song that Zakk has played a number of times in "unplugged" sets over the years. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars The clue is in the title..., May 2, 2004

By 

Goldenduck (Deepest Devon) - See all my reviews

This review is from: Hangover Music, Vol. 6 (Audio CD)

Er, hello? Anybody home? The name of this record is 'HANGOVER MUSIC'. Not 'Music To Go Crazy And Break Stuff To' or 'Monster Riffs From Hell'. Jesus, how ignorant can people be? Did all you people complaining about this album not read any press or bother to go over to his website before this was released? Or when you were handing over your cash did you not even stop to think what an album entitled 'HANGOVER MUSIC' might contain? Er, how about music that you'd like to play when you're hungover?.....

Anyway... Quite simply I think this album is fantastic and as much as I love Zakk's previous work I think he has written something incredibley special here. I just can't over the huge leap Zakk has made with this album. His songwriting, lyrics, vocals and solos have all improved with this release and I for one have an even greater respect for the man.

Everything is here. Although there are a lot of acoustic guitars and pianos there are still lots of electric riffs and out of this world solos. I cannot possibly see how ANYONE who likes Book of Shadows cannot fall in love with this album. I appreciate that everyone hears music differently but, to my ears at least, this album is something very special indeed. It's certainly darker than BoS but I see this as a wonderful thing!

I love the fact that he isn't singing "oh mama" in every song and that he's dealing with a lot of dark stuff. Also, seemingly out of nowhere his solos have suddenly gained something which they've sometimes lacked in the past; feeling. There's even a section during the 'Layne' song that sounds a bit 'trippy'.

I've always had a tremendous respect for him as a guitarist and riff writer but now I can say that I also have the same amount of respect for him as a songwriter. I'm not saying that he hasn't written good songs in the past (which he has) but what I'm trying to say is that he's never written a single collection of songs as good as this. Steppin Stone, Damage is Done, Crazy or High, House of Doom, Fear etc etc. They're ALL amazing.

Next time someone tells you Zakk can't write good songs, give them this.

8 of 9 people found the following review helpful:

4.0 out of 5 stars Zakk gets back to the basics, August 15, 2004

By 

N. Durham "Big Evil" (Philadelphia, PA) - See all my reviews
(VINE VOICE)    (TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Hangover Music, Vol. 6 (Audio CD)

"Hangover Music", the sixth offering from Zakk Wylde's Black Label Society, shows the guitar hero getting back to the basics which made his solo album's "Pride & Glory" and "Book of Shadows" so great. Just about every song featured here is purposely slow tuned and loaded with soul, from the opening "Crazy or High", "Queen of Sorrow", "House of Doom", "Damage is Done", and the touching "Layne" which is a fitting tribute to late Alice in Chains frontman Layne Staley, and a much more heartfelt tribute than a song of the same title done by the supremely overrated Staind. Zakk's guitar talents are as amazing as ever, and his voice sounds better than it ever has. The only problem with "Hangover Music" is that people expecting the same kind of BLS brand music from earlier albums like "Blessed Hellride", "1919 Eternal", "Stronger Than Death", and "Sonic Brew" will be in for a bit of a surprise when they hear this whole album, but longtime fans of Zakk will appreciate the musicianship and diversity found here. All in all, this is yet another solid album from Zakk, and I anxiously await any new material to come from him.

5 of 5 people found the following review helpful:

5.0 out of 5 stars Black Sabbath meets Southern Rock, December 22, 2004

By 

LUIS "wise in the ways of metal" (Obregon, Mexico) - See all my reviews
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This review is from: Hangover Music, Vol. 6 (Audio CD)

With "Hangover Music Vol. 6" Zakk Wylde mixes the acoustic elements from his excellent solo album "Book of Shadows" with the more aggresive rock of the rest of Black Label Society's catalogue. The end result is a very doomy, boozy, southern rock collection of songs that are among the best Zakk's ever written. Nowhere else is the doom/stoner rock feel more prevalent than in the excellent track "House of Doom", a very catchy number with great riffs and some very good vocal work. Now Zakk Wylde is not exactly a standout singer, but he does interpret the songs with a lot of feeling.
As I said, there's a lot of acoustic work in some songs but also a lot of heavy handed riffing that should please most metalheads. And of course Zakk's signature guitar soloing really elevates the songs to a whole new level. He never resorts to just fiddling about the fretboard (like some other guitar "heroes"), but makes each solo a part of the song, the way it should be. An interesting track is the cover "Whiter Shade of Pale" which is a piano only ballad, its OK, but I found Zakk's vocals somewhat lacking and not fitting the mood of the song.
In closing, one of Black Label Society's best so far, no doubt!