From Publishers Weekly
Starred Review. Susan Denaker brings twice-widowed farm wife Hannah to life with soft-spoken but resolute dignity. As the 20th century closes and a new millennium begins, the elderly—yet fiercely self-sufficient—Hannah reflects on her past, especially the crucial threads of family, community and the soil. Denaker does an especially effective job of portraying the other figures in the Port William Membership in a manner that fits the approach of the first-person narrative. She adjusts the octave and tone of the male and female characters of varying ages just enough to set them apart from each another, but listeners can be certain that Hannah maintains full control of her own storytelling. The experience evokes a sublime visit to a beloved grandmother figure with memories and wisdom to impart. A Shoemaker & Hoard paperback (Reviews, Oct. 4, 2004). (June)
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*Starred Review* For the first 40 pages or so, Berry's latest novel about the Kentucky farming community called, by its inhabitants as well as the author, the Port William membership, seems more of same. A good same, for few write American English more limpidly than Berry, and he has realized his characters as thoroughly as Faulkner did any of the people of Yoknapatawpha County. But as this telling of a farm woman's life in her voice continues--and voice it seems more than writing, so spontaneously speechlike are its cadences and the simple accuracy of its diction--it feels ever more poetic. Not gnomic and surrealist, like prose poetry, but flowing and long breathed, like epic poetry. Of course, the story it tells is epical, that of a heroine who expresses, in her living and doing, the essence of her people. Its character is domestic rather than martial; though, since its time span includes World War II, its trials include the MIA disappearance of Hannah's first husband and the ghastly combat experience of her second, Nathan Coulter, which Hannah learns of with any precision only after his death a half-century later. If its domesticity is more often happy and fulfilling, though, the cultural movement--the short, precipitate, ill-informed, poorly considered demise of the American family farm--over which Hannah's beautiful and heartbreaking story arches is as tragic as any war. Ray OlsonCopyright © American Library Association. All rights reserved
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