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Hanns Eisler Political Musician
 
 
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Hanns Eisler Political Musician [Paperback]

Albrecht Betz (Author), Bill Hopkins (Translator)
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

0521034345 978-0521034340 December 14, 2006
Eisler's role in German music is similar to that of Brecht in German literature and the two men worked together for nearly thirty years. Together with Webern and Berg, Eisler is considered one of the three great pupils of Schoenberg. Albrecht Betz divides Eisler's life and music into four periods. The early formative period as student of Schoenberg includes compositions written in Vienna up to 1925. From 1926 to 1933, the second period, Eisler lived in Berlin and made his greatest impact with his political vocal music. The third phase of Eisler's life, fifteen years of exile, was spent principally in the USA, and the fourth (from 1948) in East Germany. The author shows how Eisler is distinguished from other great twentieth-century composers in his belief that music had a social function, and how he liberated modern music from what he and others felt was its isolation. Originally published in German in 1976, this English edition is illustrated with music examples and includes a complete list of works, and a bibliography which has been adapted for the English-speaking reader.

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Editorial Reviews

Review

'This first comprehensive monograph on Eisler describes the man and the composer with, as yet, unequalled precision and wealth of detail. The author's aim is to portray the conflicts and development of the last 50 years as focussed upon the historical personality of Harms Eisler. Special attention should be called not only to the amount of new information the book contains, but also to the author's concise style.' Radio Bremen

Language Notes

Text: English, German (translation) --This text refers to the Hardcover edition.

Product Details

  • Paperback: 340 pages
  • Publisher: Cambridge University Press (December 14, 2006)
  • Language: English
  • ISBN-10: 0521034345
  • ISBN-13: 978-0521034340
  • Product Dimensions: 8.4 x 5.4 x 0.9 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #4,132,794 in Books (See Top 100 in Books)

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4 of 4 people found the following review helpful:
5.0 out of 5 stars comprehensive,analytic history of a 20th Century master, April 14, 1999
By A Customer
Although written in the mid-Eighties this is still an exhaustive,detailed account of a Twentieth Century master,the first in English. Eisler was a Marxist and wrote music as well, two ultimately unique facets of a creator today. No one forsaw the emergence of culture as a last bastion of internal resistence to the state of the world. This is why Betz's book here is so important, for it gives both the analytic and the historical. Betz traces Eisler's entire career. Beginning with the early days as a Schoenberg student. Eisler to my mind anyway had more of a realist vision of the state of Germany,than his counterparts Weill,Berg or Webern in the Twenties,which is why he adopted his political convictions. His early music adopts a Schoenbergian free atonality but he finds his own voice there. Compelling, neurotic and momentum bound are the main features of this early music,He wrote a powerful "First Piano Sonata" from this period and began dabbling in music as social discourse He utilized newspaper clippings, or "Zeitungsausschnitte" the title of the work for piano and voice. Betz extends his analysis to Eisler's meeting in Berlin with Brecht, one of the most prolific and profound collaboration of this century. Betz develops a concept of Eisler's modernity and the unique creative challenges he faced in uniting text with music. Eisler, who wrote over 500 songs during his life was like the Schubert of our age,almost no text was beyond a run through with piano accompaniment. The thrust of this modernity was Eisler's penchant for a striking image, a compact,terse lyrical musical means. Often his songs are quite short which points to this modernity in fast development and quick,concentrated musical motives, where single exposed tones can trigger an image of violence or terror. There is also here an elaborate discussion of Eisler's last major work the opera "Johann Faustus". When Eisler was thrown out of the United States he returned to the DDR, East Germany, and was wholly ignored by the apparatcik authorities,despite the fact that he wrote their National Anthem. This opera was reason enough for this institutional neglect, with veiled barbs on the seductive sides of tyranny. He used the "Peasant Wars" in Germany in the early 1500's as a remote yet very immediate reality for this opera. Betz also includes a comprehensive list of all of Eisler's works including reference to numerous filmscores.
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1 of 2 people found the following review helpful:
2.0 out of 5 stars Books is overpriced and inaccurate, September 2, 2007
You would expect that for a book that cost as much as this one you would get an accurate history of Hanns Eisler, his life, his family, and his troubles with his family, but that is not the case. The book spends too much time mitigating Hanns and his brother Gerhardt controversial ties with the Communist party while marginalizing his sister, Ruth Fischer, their chief accuser. Sorry to say that this books, although interesting, is afraid to go beyond the surface and is a whitewash of this controversial, but brilliant musician. By the time you finish it, you will would think that his sister was crazy and that Hanns and his brother were just plain ordinary folks hounded out of America by that mean old committee and Richard Nixon. Go ahead and read it. Read his much marginalized, but brilliant sister's book too. By the time, you are finished both, you just might break out into a chorus of Night and Day instead of the Eisler composition, The Comintern March. Eisler's life, relationship with his familyand politics were much more interesting and complicated than you will find in the pages of this overpriced whitewash. I doubt, however, a true account of the man will ever see the light of day.
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Inside This Book (learn more)
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First Sentence:
In the spring of 1923, Schoenberg launched the career of a pupil to whom he had been particularly attached - a pupil whose subsequent development was to take him a long way from anything his teacher could have anticipated. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
militant music, version for small orchestra, militant songs, steh auf, two clarinets, young comrade
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Die Massnahme, Die Mutter, Hanns Eisler, Soviet Union, Thomas Mann, Communist Party, Harms Eisler, Deutsche Sinfonie, Kuhle Wampe, Popular Front, Ruth Fischer, East Germany, Joris Ivens, New School, Weimar Republic, October Revolution, Rote Fahne, Ernst Busch, Johann Faustus, West Germany, New Earth, Arnold Schoenberg, Cold War, Neue Sachlichkeit
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