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  • Hans Otte: Das Buch der Klange
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Hans Otte: Das Buch der Klange Import


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Audio CD, Import, June 19, 2001
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Otte: Das Buch Der Klänge I-XII - I.10:33Album Only
listen  2. Otte: Das Buch Der Klänge I-XII - II. 9:41Album Only
listen  3. Otte: Das Buch Der Klänge I-XII - III. 6:20$0.99  Buy MP3 
listen  4. Otte: Das Buch Der Klänge I-XII - IV. 4:35$0.99  Buy MP3 
listen  5. Otte: Das Buch Der Klänge I-XII - V. 5:31$0.99  Buy MP3 
listen  6. Otte: Das Buch Der Klänge I-XII - VI. 3:42$0.99  Buy MP3 
listen  7. Otte: Das Buch Der Klänge I-XII - VII.11:25Album Only
listen  8. Otte: Das Buch Der Klänge I-XII - VIII. 5:15$0.99  Buy MP3 
listen  9. Otte: Das Buch Der Klänge I-XII - IX. 3:09$0.99  Buy MP3 
listen10. Otte: Das Buch Der Klänge I-XII - X. 9:56Album Only
listen11. Otte: Das Buch Der Klänge I-XII - XI. 2:37$0.99  Buy MP3 
listen12. Otte: Das Buch Der Klänge I-XII - XII. 4:52$0.99  Buy MP3 


Product Details

  • Performer: Herbert Henck
  • Composer: Hans Otte
  • Audio CD (June 19, 2001)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Ecm Import
  • ASIN: B000027DS5
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #467,548 in Music (See Top 100 in Music)

Customer Reviews

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16 of 17 people found the following review helpful By Scott MacFaden on April 10, 2002
Format: Audio CD
It has often been said that Liszt conquered the piano, while Chopin seduced it. Similarly, a great classical pianist was once asked what was more difficult to play--a bravura Liszt piece or the slow sections of Beethoven's Moonlight Sonata. His response--the Liszt, despite its overt virtuosity and blizzard of notes, was easy to play, whereas the slow pieces such as Moonlight were extremely difficult to play well. German composer Hans Otte's "The Book of Sounds" seduces the piano in such a fashion that Chopin himself would surely be pleased. This fragile, delicate, often ethereal, but deeply affecting work places enormous value on each and every note, and utilizes passages of silence and space between notes to astounding effect. At times, it is somewhat reminiscent of the best work of jazz pianists Bill Evans and Paul Bley, both of whom created works in which what is not played is as important as what is. It is works such as this that refute the juvenile notion that loudness and a high dynamic level are necessary to create intensely felt music. Sometimes, the slowest and most covert music has the greatest emotional impact. ECM and Herbert Henck deserve plaudits for providing wide exposure for this unforgettable music, and we can only hope that the composer's follow-up to the Book of Sounds referenced in the liner notes will soon appear on disc as well.
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12 of 23 people found the following review helpful By scarecrow VINE VOICE on April 21, 2006
Format: Audio CD
mini-malism, repetitive patterning(s) music whatever you want to call it,survives today in a corrupted form, so much so that its budding beginnings with La Monte Young and Fluxus Gesturings seem quite distant his/her/story, Later the "Altmeisters" Reich Glass Adams Riley market ideologies seem to put the nails in the coffins abounding around the globe with world cultures entering at fixed points all concocted with the cash box at the end of the tunnel,well culture at any level moves at break-neck pace now where no one can keep pace.On-going junkpace is thereby created as Rem Koolhaas has said someplace. (I neglected to mention those who saw something more as Harold Budd, Peter Garland, Charlemagne Palestine, who remain more interesting today than anyone)
Otte's finely elegant music here seems odd in a way. Although the piano as a timbral resonant chamber with this work has fostered far more long solo works from Otte; for the piano as his "Book of Hours" :Studenbuch: from 1991-1998, these more a spiritual focus(what else) to be played in canonical content is placed in and around. "The Book of Sounds" is from 1979-1982 and appeared at a time when minimalism was about to take off never to return primarily however in the USA,performative artists as Meredith Monk and Laurie Anderson were also getting, starting to get invitations to Europe with again their minimalist musics as a background warm-ups for whatever they do with text,and electronic manipulations. Otte though sees the corruptibility of the context even back in the early Eighties here so his works remain within traditional frames and gesturings.
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7 of 16 people found the following review helpful By leo on November 20, 2006
Format: Audio CD
here is my attempt at out-writing the previous reviewers:

this disc is soooooooooooooooooooooo good.

read and weep, scott and scarecrow!
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