Happy Apple Back on Top

Happy Apple | Format: Audio CD

Product Details

• Audio CD (August 28, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: Sunny Side Records
• ASIN: B000SFYZ0I
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #266,590 in Music (See Top 100 in Music)

Editorial Reviews

New Orleans, Chicago, Philadelphia, and New York are bona fide jazz capitals. You can add Minneapolis to that illustrious list, thanks to groups like Madhouse, The Bad Plus, and Happy Apple that town s non-traditional trio consisting of bassist Erik Fratzke, soprano-alto-tenor saxophonist/keyboardist Michael Lewis, and drummer David King with Back on Top, the long-awaited follow up to their 2005 Sunnyside release, Peace Between Our Companies . On this eleven track recording, their genre-busting, take-no-prisoners approach to the tradition continues to change the shape of jazz to come in the twenty first century.

Think of Happy Apple as a hyper-band, created from the DNA of the Sonny Rollins Trio, Dreams, Tony Williams Lifetime, and the Police, and you ll begin to comprehend how this towering triad, moulds, shapes, constructs, and deconstructs jazz, rock, fusion, avant-garde, and Latin genres. The New Bison, is the midtempo opener awash with dark and lovely, industrial-style improvisations, followed by the rockish ostinato driven number, Very Small Rock. 1996 A.D is perhaps the freest track on the date, with a spirited drum/sax dialogue, contrasted by the urban backbeats on Rise! Marc Anthony and the Dr, Dre grooved Calgon for Hetfield. Lefse Los Cubanos, shows that not even the Cuban clave remains unscathed from their transformative touch. He s Okay is a twilight-toned ballad, and Hence the Turtleneck is a selection that gives the aural imagery of Pharaoh Sanders backed by Led Zeppelin on a slow drag!

In today's age, when every type of musical genre, from "fusion" to "jam band" has been reduced to marketing clichés, it is a rare occasion to hear an ensemble like this Minneapolis trio. Writing for the website Allmusic.com, Steve Leggett writes, ... led by Lewis amazingly lyrical tenor sax playing and solid melodies written by all three members, Happy Apple keeps out of the fusion trap by implying rock dynamics without actually surrendering to them, giving the group a fresh, bright, and totally unique sound. Things can get hot and searing, certainly, and there is no aversion to sonic and free jazz experimenting, but the band always retains a strong melodic center.

Their iconoclastic explorations are par for the course for this trio ever since they burst on the scene in 1996. Named after a Fisher-Price toy, Happy Apple s previous releases: Blown Shockwaves & Crash Flow (which featured Cully Swansen on upright bass and Anton Denner on saxophone and flute), Part of the Solution Problem, Body Popping, Moon Walking, Top Rocking, Please Refrain From Fronting, Youth Oriented, and Peace Between Our Companies, were released from 1997 to 2005.

Happy Apple has built a loyal and diverse fan base from their hometown, to Manhattan and France. The New York Times wrote that they are "one of the best new jazz groups," while Down Beat hailed them as "intelligent, freewheeling fusion with rock energy." Whatever side of the musical spectrum you come from, Happy Apple will radiant you with their bopish licks and byte-happy beats. Put another way, this trail blazing trio uses jazz improvisation to drive from the gritty downtown dance beats to sonic suburbs of the New Thing!

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars important music, September 29, 2007

By 

greg s. (Minnetonka, MN United States) - See all my reviews

This review is from: Happy Apple Back on Top (Audio CD)

I can't add much to the wonderful Editorial Review above, and all the other great things said by many other noted individuals.

Happy Apple is important to music, by helping keep it vital, amidst the terrible effects of the music business' power to shovel "product" into the ears of the masses. This is highly irresponsible.

I love all types of music, as long as it is good. Many people have lost the ability, and attention span, for listening to music. Of course Happy Apple is not for absolutely everyone, but from their packed shows, I am certain that they have opened the ears of people who may not have been exposed otherwise.

The positive result is that this expands their joy and appreciation of music, and then they urge their friends to lend a receptive ear. Hopefully, this will eventually raise the level of our culture more to where it could, and should be.