In his first published play, Kurt Vonnegut finds a powerful vehicle for his tragicomical imagination. When the great hunter Harold Ryan--missing and presumed dead--returns from Africa after eight years, his wife is aghast and his son is enchanted. Vonnegut's attack on phony heroes and male swagger uses some of the funniest dialogue ever created for the stage.
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More About the Author
Kurt Vonnegut was born in Indianapolis in 1922. He studied at the universities of Chicago and Tennessee and later began to write short stories for magazines. His first novel, Player Piano, was published in 1951 and since then he has written many novels, among them: The Sirens of Titan (1959), Mother Night (1961), Cat's Cradle (1963), God Bless You Mr Rosewater (1964), Welcome to the Monkey House; a collection of short stories (1968), Breakfast of Champions (1973), Slapstick, or Lonesome No More (1976), Jailbird (1979), Deadeye Dick (1982), Galapagos (1985), Bluebeard (1988) and Hocus Pocus (1990). During the Second World War he was held prisoner in Germany and was present at the bombing of Dresden, an experience which provided the setting for his most famous work to date, Slaughterhouse Five (1969). He has also published a volume of autobiography entitled Palm Sunday (1981) and a collection of essays and speeches, Fates Worse Than Death (1991).
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Wanda June,
By
This review is from: Happy Birthday, Wanda June (Paperback)
I read Vonnegut's first play "Happy Birthday, Wanda June," and thought it was really good. The basic plot of the book is a man who used to be considered a hero, but after an eight year absence from society, comes back and sees that he is no longer seen as he used to be. In this play Vonnegut expresses his protest of the Vietnam War. Vonnegut does this with the character of Harold Ryan and his family. Harold Ryan symbolizes a Vietnam veteran who comes back to the States after fighting. Just like the Vietnam veterans, Harold is seen as a warmongering brute by his wife. She now is interested in a man who doesn't believe in violence and is an intellectual. Vonnegut uses this to represent the protests of the war and the honor draft dodgers received by some Americans. The symbolism of the protagonist reveals Vonnegut's theme of the play: Times changes along with political viewpoints of society and the portrayals of heroes. Vonnegut is able to strengthen the theme by structuring the play in a linear fashion like a timeline. This is a great play that withstands time and can be seen now with the war in Iraq. I recommend this book to anyone who enjoys Vonnegut's style of writing and viewpoints.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
The Vonnegut on Stage!,
By
This review is from: Happy Birthday, Wanda June (Hardcover)
Happy Birthday, Wanda June is an anti-b.s. play. Anti-macho nonsense, anti-abuse, anti-syncophant, anti-war mongering, anti-violence, anti-abandonment. All the "living" characters in it are trying to be someone else....except Harold, who is so much himself (or forgone) that his personality is deadly against the others.
This is a very funny, bizarre, timely play. Now, as America is back in a questionable war, as we were when this was written in 1970, and blatant aggression is somehow acceptable here is Vonnegut standing up to show us all how ridiculous we are, and ridiculous just about everyone in the play is. Harold is single-minded and aggressive enough to not see its effect on others. Penelope, who is lost throughout most of it, is stuck and needs the borishness of Harold to see the error of her ways. Woodly is patently lost in a field of peace, joy and positivity full of rage, but smitten by the myth of manliness. Shuttle is an idol worshiper and caught in an Americana sport/brotherhood fetish. Looseleaf is in a haze of wonder and awe at his past, shocked by his own inhumanity. Paul is angry, needy for a father, but protective like a fatherless child is of his mother. The three "ghosts" are ironic and a hope for us all. Since this world is ridiculous and stupid, belief that the next one is anything but remains a peaceful possibility. A good play, full of social commentary, Vonnegut's wit and black humor. Recommended, especially in this day in age, and for Vonnegut fans.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
wanda june, how do i love thee? let me count the ways....,
By A Customer
This review is from: Happy Birthday, Wanda June (Paperback)
hello there, lovers of vonnegut!! i am currently playing penelope ryan in a high school production of "wanda june," and i simply do not have enough wonderful things to say about this play. to start with, it's absolutely hilarious. and for theater snobs like me, this is quite possibly the most difficult character i have yet come across. vonnegut has mentioned that he has had trouble writing women's roles.....and this is absolutely the most complex and interesting female i have seen in his work. he does a great deal of experimenting here, it's fascinating. not mentioning the vonnegut style brought to my favorite creative outlet...oh joy! oh rapture! i could go on for many more pages, but i suppose i'll just leave with that. go read. now.
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