Happy Endings 2005 R CC

Amazon Instant Video

(42) IMDb 6.5/10
Available in HD

Happy Endings weaves multiple stories to create a witty look at love, family and the sheer unpredictablity of life itself.

Runtime:
2 hours 13 minutes

Available in HD on supported devices.

Happy Endings

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Product Details

Genres Drama, Thriller, Music, Comedy
Director Don Roos
Supporting actors Jesse Bradford, Bobby Cannavale, Maggie Gyllenhaal, Jason Ritter, Tom Arnold, David Sutcliffe, Sarah Clarke, Laura Dern, Hallee Hirsh, Eric Jungmann, Kim Morgan Greene, Rayne Marcus, Caitlyn Folley, Amanda Foreman, Nicole Tocantins, Mark Fite, Soledad St. Hilaire, Ramon De Ocampo
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Customer Reviews

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17 of 19 people found the following review helpful By James Morris on November 13, 2005
Format: DVD
Having tremendously enjoyed Don Roos' previous effort, the Opposite of Sex, I snapped up Happy Endings upon release of the DVD without knowing anything about it. Many of my friends didn't liked the Opposite of Sex; when I asked them why, each confessed a dislike of Lisa Kudrow. When I noticed she was also in the cast of Happy Endings, and in fact plays one of the main characters, I figured I'd better shut up about mentioning my latest acquisition to some of those friends until I had a chance to watch it. Watch it I did, and I have nothing but good things to report.

Like the Opposite of Sex, Happy Endings revolves around several gay and straight characters, with enough attention paid to both, thus ensuring that the film could appeal to a mixed audience. There is where all similarities end. While Opposite of Sex had a relatively up-front and focused plot, Happy Endings manages to juggle several plots and subplots all at once. Each of the characters lives touch other characters lives in a style not unlike that of director Robert Altman. In fact, I kept thinking that the pacing and juggling of the subplots was somewhat similar to Short Cuts, or even Crash (in the way that Crash was also compared to Altman's style). Keeping everyone sorted out in my mind became something of a chore, but I generally like films that make you think and keep you on your toes. There were one or two surprises, including several totally unexpected plot twists, and that's always good too. As a comedy I didn't laugh so much as I smiled, and I asked myself more than once, "I wonder what will happen next". As the end credits were rolling I decided I enjoyed my visit with these people, and could easily have managed to sit though even more. How often do you hear that about a movie that runs over two hours?
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11 of 13 people found the following review helpful By Cecily Champagne on July 11, 2006
Format: DVD
I thought that "Happy Endings" contained a lot of worthy elements. That I nonetheless loathed this movie shows just how greatly it failed on every other level.

As has been outlined in other reviews, "Happy Endings" contains a number of interwoven stories, including: a mother searching for the son she gave up for adoption many years prior (*and* her Mexican masseuse/lover *and* the zany would-be documentarian who is a.) blackmailing her and b.) hoping to film her search for the now-grown child), a gay couple who is questioning the paternity of their lesbian friends' young son, and a naughty young wannabe singer who seduces a gay drummer in order to get closer to his wealthy father.

This doesn't just *seem* like a lot of story for one film ... it is a lot of story for one film. And it doesn't help that writer/director Don Roos' script is incessantly bouncy. We are thrown in and pulled out of these tangent plots without ever having a chance to develop an affection for the characters or any sympathy for their plights. Of course, some filmmakers are able to successfully weave different stories together (Altman, for an obvious example) ... so the problem with "Happy Endings" is greater than its jerky and complex storyline. The real problem is that I couldn't care less about (most of) the characters.

Another thing I very much disliked about this film was its use of narrative captions. People say that voice-over is the mark of a lazy writer. If that's true, then captions are the mark of a VERY lazy writer. And they just plain did not work well with this movie. Every time I found myself feeling somewhat absorbed by the story, Roos would throw out a "witty" and ironic caption that jerked me back to reality.
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8 of 9 people found the following review helpful By Damian Gunn on September 15, 2006
Format: DVD
I have to say that `Happy Endings' will go down as one of the most fulfilling experiences I've had with cinema this year. At the film's closing I was left content and approving, never once feeling gypped or left wanting. I was completely satisfied, which is funny because I've read a few reviews where people loved everything but the ending, but to me you can't go wrong ending on a close-up of the wonderfully talented Maggie Gyllenhaal singing us a lullaby.

`Happy Endings' (a title made in reference to the act of making a massage customer EXTRA happy) is a collage of people's lives interacting and eventually coming together for a `happy ending'. We have Mamie (Kudrow) who at a young age was impregnated by her step-brother Charley (Coogan) and since then they've had very little contact. Charley is now `out of the closet' and living with is boyfriend Gil (Sutcliffe) whose best friend Pam (Dern) and her lover Diane (Clarke) have just had a son (Pam being the mother) and are starting to ware on Charley's sanity. Mamie on the other hand is involved with massage therapist Javier (Cannavale) and is not the slightest bit happy with her life, and that only gets worse after meeting Nicky (Bradford) who claims to know where her illegitimate son (the one she had with Charley and then gave up for adoption) is and wants to reunite them under the circumstance that he can film it for his documentary submission into film school.

Then we have Jude (Gyllenhaal), a young attractive floozy who joins a band fronted by Otis (Ritter), a young boy confused about his sexuality and somewhat obsessed with his boss (Charley).
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